Change the grain texture of your film during hand processing. This requires a darkroom, chemicals and the ability to control temperature during development.
Change the texture of your film grain during developing to achieve interesting results! Exposing film to hot and then cold during the developing process will make the grain in your film bunch up – an effect called reticulation.
You will need:
darkroom or changing bag to load film onto a reel
graduated cylinder and a lark sink of bucket to put water in
developer, stop bath, fixer and hypo-clear for developing black and white film
basic film developing knowledge
Obtain a shot role of 35mm black and white film. You can use 120 or large format, but 35mm will have the most pronounced grain without having to make huge enlargements. If you shoot 120, be prepared to crop or print bigger than 11×14 to see the effects.
Use a bath to heat your developer. Aim for at least 10 degrees higher than the recommended developing temperature. I used D76 heated to 85 degrees. Develop. Keep in mind that your development time will be shorter.
Use a bath to cool your stop bath solution. I cooled mine to below 55 degrees (the thermometer didn’t go any lower). Use the temp that cold water comes out of the tap.
Fix and finish your film development process as usual.
Now scan/print your film to see the grain! Here is a close up example.
The entire roll of film has a vintage, strange look from the way the silver has clumped up to create bubbles of grain.
Shooting with film can be considered a labor of love. From carefully loading the film and adjusting for lighting conditions to the darkroom process, it’s a laborious process but certainly a fulfilling experience. What more if you created your own cameras?
Stop bath is a type of chemical used in the darkroom for processing black and white film, aptly named as such because it halts the development of the images. In this case, stop bath is also part of the title that Korean analogue street photographer <b><a href="http://instagram.com/sooeatsyourstreetforbreakfast">Soomin Yim</a></b> has given her body of work, "Stop Bath the City," to represent the forgotten faces of people in the city amid rapid modernization, captured and immortalized on black and white film.
Sonja started her analog adventures during her teenage years. She took her first film photographs when she was 13 and has been in love with the magic of the process since. Her idea of a perfect day involves developing film rolls while listening to jazz and having a cup of tea in between. In this interview, she recalls about her experience with her first Lomography camera, a Holga 120 CFN.
Throwing chemicals, fire, and scratching emulsion are just a few ways of experimenting with film. But there's another process that completely destroys it (or, if you're lucky, creates something amazing), that is as spastic as a drunken man staggering his way home after a night at the pub - literally.
And it all comes down to darkness.
This film has fine grain, especially when cross-processed in C41. And if you use a Lomo camera, maybe the LC-A or the LC-Wide, the results will be more interesting with strong vignettes in your pictures!
This is a tribute to a great Austrian sports photographer, Lothar Rübelt. In an era with no high speed films available, he was able to immortalize wonderful moments in sports - from diving to gymnastics and football. In creating this tribute, I took a series of photos of an amateur football match using expired black and white film developed using an uncommon chemical. Take a look after the jump!
Issa Ng is a Hong Kong-based fashion and commercial photographer. Leveraging on many years working as an art director and stylist for several international brands in the advertising industry, he was able to develop a strong sense of style and talent for conceptual execution, composition and intense imagery. He now specializes in portraits, and is continuously on the lookout for new and exciting projects. He talks about his experience shooting with the Lomography Petzval 58 Bokeh Control lens in this interview.
Really want to bring your film photos to life? We’re now offering totally analogue fine art prints in a host of large sizes and formats! Carefully enlarged from your negatives onto premium photographic paper by lab professionals, each picture is a unique piece of craftsmanship.
Capture the world and all its contours in vibrant, wide-angled photographs any time, any where! The LC-A 120 is an adventure of its own with lots of exciting functions to experiment with, like seamless long exposures or full ISO control. It's also super-fast and ultra-compact - perfect for your everyday. If you're worried about the Medium Format film, don't be! You are free to use any 120 Film you want and there are plenty to choose from. In fact, that's what makes this camera so versatile! Scroll through this gallery for a little taste of the glorious shots this nifty invention is capable of.
Colin J. Clarke began experimenting with cameras and darkrooms when he was still a boy. From being a young family photographer to an experienced photographer, sculptor and painter based in the United States, the multi-talented artist takes us through his prolific career and shares his passion for every minute detail of the process of photographing.
This article is a sad description on how an astronomical event so important passed in almost total indifference to most people in my city. This eclipse of happiness, the eclipse of curiosity -- this is much more dangerous than the dreaded astronomical phenomenon by ancient people!