After a first try with Diana that was not so convincing, Kuasimudo and I wanted to shoot new doubles, but this time with 35 mm. And the results are so much better.
Some weeks ago, kuasimudo and I shot some doubles with our Dianas and Velvia film. The pictures were nice, but didn’t look like real doubles. So kuasimudo sent me a new film. A 35 mm film, negative and 400 iso ! But how could I shoot doubles with a fast roll like this ?
Nevermind, I put the stuff in my Lomo LC-A, set on 400 iso and 16 aperture, and just shoot in Paris, trying not to overexpose and ruin the film.
I had no idea of the results, but when I received it from my lab, I thought it was pretty nice, wasn’t it ?
My list of resolutions for 2015 consists of 12 projects, one for every month. March was for caffenol. You have probably heard of the amazing fact that you can develop black and white photos with coffee, sodium, and vitamin C. I had tried this before but with less than stellar results. Somehow, there's always something going wrong. Time to devote a few rolls to caffenol to finally get the hang of it.
The new year is still young, but it seems as if it'll be over quickly. My organizer is already filled with entries until June. 2015 will probably be worse than 2014 when it comes to having time off so I could take some analogue shots. Anyway, there are some photography-related things that I really want to get done. It is probably best to set some goals if I only have very limited time.
We are always hunting for creative ideas on how to open up new shooting possibilities and it doesn’t get any better than when we discover something simple which works like a charm right away. Recently, the idea was raised that perhaps the Diana+ Splitzer would be compatible with the Lomo’Instant – Lo and behold, it is!
Ladies and gentlemen, fellow Lomographers, the time is ripe for us to present you with a new mystery product. But we're not giving anything much away this time, just a few hints and clues to keep you on your toes.
At the beginning of November, I went to Madrid for the first time. I wanted to bring back home unique memories and photographs of what I was going to discover in the Spanish capital, so I brought the Petzval Lens with me to capture this trip within a beautiful swirling bokeh.
I backed the Kickstarter project for the Lomo’Instant earlier this year and was thrilled to receive it last week. I love how the camera naturally encourages you to experiment with its different features, whether it’s through flashing your multiple exposures with different colors or trying different creative techniques after your shots has been ejected. Here are a few tips from what I’ve discovered from playing with the camera so far (and a couple of tips I want to try out in future)!
There are so many exciting things you can do with the Lomo'instant camera it's hard to know where to start! We've been giving this lovable Lomo camera the full test drive so that you can experience the full potential of this camera in an instant! Here are some top tips on shooting graffiti and doubles with Hannah Brown.
Perhaps you’ve already had chance to try light painting, multiple exposures and long exposures with your Lomo’Instant, but what can you experiment with next? Well, that’s exactly the thought I had which led to giving this Tipster a go. I wanted to shoot Lomo’Instant photos which felt a bit “messier” than what I’m usually used to and to use a technique which would open up new possibilities with the kinds of images I could create with my favorite instant camera. Well, here I go!
What do you do when you don't have much time in a city like New York but you want to see everything, feel the vibe and be part of the community, even for a short time? Jump on a bike and enjoy what trains, buses and cabs can never give you: be part of the city. Take a camera with you to capture the moments and sights you don't want to forget. I did this with my LC-A 120 and LomoChrome Purple film.
Joe Brook is one of the most popular photographers in the West Coast skate scene, shooting for magazines like Trasher, Juxtapoz, Rolling Stone, and different outlets such as PDN and Kodak. Having previous experience with an old Petzval lens mounted on a 4x5 camera, it was but natural for him to try the new one. Brook talks about finding himself, his work, and shooting with the Lomograhy Petzval Lens in this exclusive interview.
Geoffrey Berliner is the Executive Director of the Penumbra Foundation and the Center for Alternative Photography in New York. As the head of an organization whose goals are 'to be a comprehensive resource for photographers at any level' and 'to continue to publicize the impact photography has had and continues to have on culture, history and the arts,' his exposure to photographic materials -from 19th century gems to modern equipment- is so extensive, one cannot even begin to fathom just how much knowledge and experience this man has acquired. His collection of over 2000 vintage Petzval lenses is unparalleled, and the object of envy of both traditional and contemporary photographers. Although such lenses are reputed to require a certain level of skill to be used, Berliner seems to manage them with so much ease, producing splendid results.