After a first try with Diana that was not so convincing, Kuasimudo and I wanted to shoot new doubles, but this time with 35 mm. And the results are so much better.
Some weeks ago, kuasimudo and I shot some doubles with our Dianas and Velvia film. The pictures were nice, but didn’t look like real doubles. So kuasimudo sent me a new film. A 35 mm film, negative and 400 iso ! But how could I shoot doubles with a fast roll like this ?
Nevermind, I put the stuff in my Lomo LC-A, set on 400 iso and 16 aperture, and just shoot in Paris, trying not to overexpose and ruin the film.
I had no idea of the results, but when I received it from my lab, I thought it was pretty nice, wasn’t it ?
I wasn't very impressed when the LomoChrome Purple was first released. At least not so much that I wanted to get my hands on it at once. Of course I liked some pictures but eventually, I wanted to test it and what can I say? It was love at first sight!
We are always hunting for creative ideas on how to open up new shooting possibilities and it doesn’t get any better than when we discover something simple which works like a charm right away. Recently, the idea was raised that perhaps the Diana+ Splitzer would be compatible with the Lomo’Instant – Lo and behold, it is!
Recently, I used my trusty Fuji Silvi. It may not be my all-time favorite camera, but I just wanted to use it because I kind of missed shooting with it. So I decided to look through my film stash to see what I could use with the Fuji Silvi. After much consideration, I ended up picking the old Agfa CT Precisa ISO 100 to get that classic blue tone. Silvia Precisa!
The new year is still young, but it seems as if it'll be over quickly. My organizer is already filled with entries until June. 2015 will probably be worse than 2014 when it comes to having time off so I could take some analogue shots. Anyway, there are some photography-related things that I really want to get done. It is probably best to set some goals if I only have very limited time.
Perhaps you’ve already had chance to try light painting, multiple exposures and long exposures with your Lomo’Instant, but what can you experiment with next? Well, that’s exactly the thought I had which led to giving this Tipster a go. I wanted to shoot Lomo’Instant photos which felt a bit “messier” than what I’m usually used to and to use a technique which would open up new possibilities with the kinds of images I could create with my favorite instant camera. Well, here I go!
Stenoflex lets you reproduce the single steps of black and white photography, from taking photos to printing. It is a simple box pierced with a tiny pinhole to allow light to enter. Put a sheet of photosensitive paper (included) inside the darkroom and expose it to your subject.
At the beginning of November, I went to Madrid for the first time. I wanted to bring back home unique memories and photographs of what I was going to discover in the Spanish capital, so I brought the Petzval Lens with me to capture this trip within a beautiful swirling bokeh.
About two years ago, sandkorn sent me this film for our doubles. She said that she had already exposed this film using the Horizon Perfekt and shot on a sunny day, so the idea was for me to not overexpose the film. The result was so red!
After taking my baby steps into the wonderful world of Lomography, it was only a matter of time that I begin trying out not only the cameras in the catalogue but also photography techniques and other tips and hacks that fellow lomographers here in the community have generously shared with everyone.
With a versatile lens like the New Russar+ lens, there are so many shooting styles, subjects, and approaches you can try with your L39 and M mount cameras. This wide angle lens is perfect for taking architectural shots and documenting cityscapes, so we thought of sharing a handful of quick tips you can try with this new accessory!
I backed the Kickstarter project for the Lomo’Instant earlier this year and was thrilled to receive it last week. I love how the camera naturally encourages you to experiment with its different features, whether it’s through flashing your multiple exposures with different colors or trying different creative techniques after your shots has been ejected. Here are a few tips from what I’ve discovered from playing with the camera so far (and a couple of tips I want to try out in future)!