There's a reason why the Lomographic Society likes to put a roll of this film in most of their camera packages!
You might have thought when you first opened your Holga package or even your Lubitel, how nice it is of the Lomographic Society to include a a fresh (or sometimes expired which excites me too!) roll of film for me to break in my new view on life.
This slice of 120 sexuality at a light sucking 100 ISO is full of vibrant life and colour! It paints huge swathes of light across it’s surface to give you something truly special not just for all you first timers out there but for those who have been loading their cameras with all kinds of precious film under the sun. It eases you in gently, makes room for your mistakes and repays your patience and understanding with pictures that leap out at you.
There are people out there who love this simple, elegant film as much as me and for those who are already curious, I’m telling you now that It’s not going to make your wallet cry out in pain. Affordable beauty that gives you priceless images whether you’re in the mood for either 35mm or 120, this film is really worth snapping with!
Awed by the eye-popping fiery red shade the film produces, Joan brands the Lomography Redscale 100 (120 mm) as the most original emulsion in Lomography's catalogue. Aside from this, he also enjoys experimenting with the film's ISO to produce a variety of stunning results. Read on to find out why linuxbcn chose the Lomography Redscale 100 as his Weapon of Choice!
If you'd be shooting in low light, at night, or in any other situation that would require a high speed film for best results, why don't you try the Lomography Color Negative 800 for 35mm cameras? Allow five of our community members to convince you with their respective reviews in this installment of Reviews on Rewind.
Classy, moody photographs in monochrome and with fine grain - what more could you ask for from one of Lomography's very own black and white emulsion for standard 35mm cameras, the Earl Grey? Find out how this film fared among six of our community members in this Reviews on Rewind installment!
Really want to bring your film photos to life? We’re now offering totally analogue fine art prints in a host of large sizes and formats! Carefully enlarged from your negatives onto premium photographic paper by lab professionals, each picture is a unique piece of craftsmanship.
Just recently I asked myself why I would want to write about a film like the Fuji Instax Mini, because usually this film is the only one available for Fuji Instax cameras. But then it hit me! It can be an alternative to many other instant films, since I can load almost any film into my Diana F+, other medium and 135 format cameras, and of course the Fuji Instax Mini.
If it's your first time to use the Fisheye Submarine Case (with your Fisheye One/Fisheye No.2 cameras) or the Krab Underwater Housing (with your LC-A+ or LC-Wide cameras), you might still feel a liiiiittle bit anxious about taking your favorite cameras underwater. To help ease your worries I gathered some of the most helpful tips, straight from summer-lovin' Lomographers who braved the waves with their cameras!
I've always wanted to have an instant camera, but what put me off were the expensive price of the film and the transience of the photos. But then I wasn't able to fight it any longer and bought myself an Instax Wide 210 set. Now, here is a review of the Fuji Instax Wide film.
It may take a while for some lomographers to figure out the perfect combination of camera, film, and accessory that suit their needs. But, Wessel de Haas, aka wesco, has been extremely lucky to find his early on his journey to Lomography. Find out what film and accessory he likes pairing his La Sardina 8Ball with in this edition of My First Lomo Affair!