Inverting or buying already inverted film is the definition for creating red pictures from a color negative film. Here's a couple of tips to use when shooting it.
First, I previously talked about how to make my own redscale film with this article.
To shoot this film it’s a must to overexpose it by one or two stops. If it’s rated at ISO 200, shoot it at ISO 100 and so on. I found it best to use ISO 400 color negative film, because of the fact that you can experiment with it a lot, say rate it at ISO 200, 100 or 50 and get different results every time. Remember that the closest you shoot at rated speed, the redder your exposure will be.
If you have a Lomo LC-A+ (the meter starts at ISO 100) and you want to shoot at ISO 50, trick the meter by putting your finger in front of it and guesstimate your shutter speed. Mostly I think I shot at 50 or 25.
The rule is: The higher the ISO you expose at, the more red you’ll get. This being a Lomography CN ISO 100 these is the result for shooting it in redscale mode at 100 ISO:
Browsing through the Lomography website, you can find a lot of redscale shots, which are all done on color negative films. I asked myself if it’s possible to redscale a slide or chrome film and then cross process it. (And yes, it is.) In this tipster I’m going to teach you how to create the bloodiest homemade redscale film I've ever come across.
For many years, Kenny had already been purchasing film and accessories from the Online Shop before he noticed our bustling community. Looking for a place to connect with people who share his passion for shooting on film, he immediately created a LomoHome and started sharing his stunning collection of street photographs.
The best thing about working for Lomography is having first access to new products. Imagine everyone's excitement when the Lomo LC-A Minitar-1 Art Lens 2.8/32M was delivered to the headquarters in Vienna, where members of the Lomography team took turns testing this tiny yet powerful optic on various cameras. Meanwhile, Tom Bates from Marketing teased out the idyllic and colorful possibilities of shooting with the Lomo LC-A Minitar-1 lens on a trip to the UK countryside.
Toby Mason (aka fotobes) is a Brighton-based photographer who embraces the aesthetics of film photography. He mostly shoots with the LC-A+ using a range of slide films, cross processing them to create rich, highly saturated colours. His work has been featured on the BBC website and Hungry Eye Magazine. Join us for the opening night on Thursday, September 17 from 6 p.m.
There are quite a few perks that come with working for a film photography company, and the best perk of all is testing out the latest cameras. I can remember buying my LC-A back in 2009 and being really inspired to shoot film again. When the LC-A 120 came along, I couldn't wait to try it out around London. Join me as I test out this super medium format beauty.
It's Tipstember! For this month, we will be awarding 25 fat piggies to every tipster article that gets published on the Lomography Magazine. You can share tips on composition, lighting, film experiments and camera modifications; or maybe techniques for shooting portraits, landscapes, still life and even wildlife! If you don't have tricks up your sleeve, however, you can still contribute to the Magazine and let your voice be heard. Here are some suggestions.
"Love your camera" is Marika's first rule when it comes to shooting film. Her passion for collecting gear stemmed from a once-in-a-lifetime opportunity of testing a variety of film cameras for her friend's shop. Let's all welcome our newcomer of the week from Prague, Czech Republic, analogvision!
It's human nature to be restless and imaginative. The real may be interpreted as what one sees or how one sees something. For the daydreamer, a scene from nature transforms into a canvas. Suddenly a field makes room for chemical coloring, all those anachronistic streaks that somehow look right. Or else, those beautiful colors amplified or subdued to their most pictorial shades. All in the world of trial-and-process film photography.
As part of the Valentine's Day Deal, you can grab this wonderful fluorescent pink plastic camera at a discounted price! Take seductive, soft-focused shots and pulsating vignettes on 120 film this season!
There is nothing better than a photo shot at the perfect moment. Henri Cartier-Bresson's principle on "The Decisive Moment" is a principle that we should still follow to this day. A perfectly-timed photo creates impact, whether it's one of a friend jumping into the pool or a couple emerging from the ceremony on their wedding day. For this rumble, we want to see that breathtaking moment, shot at the perfect time. And you showed us what it's like to be on time.
The Glastonbury Festival is arguably one of the most anticipated and renowned music festivals in the world. It is a joy to be able to watch it, and a privilege to capture scenes on and off stage. Apart from creating beautiful portraits, the Petzval Lens is great for adding an albeit subtle drama to the already spectacular scenes of music festivals. Japanese photographer Taio Konishi photographed this year's Glastonbury with a Petzval 85mm Lens, and here are some of the photos. He also talks about his Petzval-meets-Glastonbury experience in this exclusive.
Not all photographs are meant to be seen in vibrant, saturated colors, and neither are they always suitable for in black and white. Lomography welcomes yet another innovation from KONO! The Reanimated Film. Without diminishing the aesthetic value of images, KONO! Donau 35mm Film casts a distinct blue tone to photos. It is ultra-low ISO film that is best used for long exposure shots. Check out this fine selection of uniquely tinted images.