Inverting or buying already inverted film is the definition for creating red pictures from a color negative film. Here's a couple of tips to use when shooting it.
First, I previously talked about how to make my own redscale film with this article.
To shoot this film it’s a must to overexpose it by one or two stops. If it’s rated at ISO 200, shoot it at ISO 100 and so on. I found it best to use ISO 400 color negative film, because of the fact that you can experiment with it a lot, say rate it at ISO 200, 100 or 50 and get different results every time. Remember that the closest you shoot at rated speed, the redder your exposure will be.
If you have a Lomo LC-A+ (the meter starts at ISO 100) and you want to shoot at ISO 50, trick the meter by putting your finger in front of it and guesstimate your shutter speed. Mostly I think I shot at 50 or 25.
The rule is: The higher the ISO you expose at, the more red you’ll get. This being a Lomography CN ISO 100 these is the result for shooting it in redscale mode at 100 ISO:
If you happen to come across an expired Lomography Color Negative 400 ISO 120 film pack, either in a store or on the Internet, get one and be ready for an exciting experience. You'll definitely get more from it!
If you'd be shooting in low light, at night, or in any other situation that would require a high speed film for best results, why don't you try the Lomography Color Negative 800 for 35mm cameras? Allow five of our community members to convince you with their respective reviews in this installment of Reviews on Rewind.
Unfortunately, it happens sometimes that your resulting pictures are not what you expected - the image doesn't look that good, the colors are bland, and the subject is banal. Indeed, it couldn't be picture of the year! Herein I propose a second chance for your pictures by modifying your 35mm negatives. Just pick up some ideas from here, experiment, and scan your negatives with the Lomography Smartphone Scanner. Anything is possible: burning, scratching, putting on hydrochloric acid, balsamic vinegar, nail polish, bleach, or raspberry juice... use your imagination and write down your new film soup recipe! You can find a sample of the effects in this article.
I backed the Kickstarter project for the Lomo’Instant earlier this year and was thrilled to receive it last week. I love how the camera naturally encourages you to experiment with its different features, whether it’s through flashing your multiple exposures with different colors or trying different creative techniques after your shots has been ejected. Here are a few tips from what I’ve discovered from playing with the camera so far (and a couple of tips I want to try out in future)!
This is my experience with the Lomography Redscale XR 50-200 (120), my first medium format film. It's an adventure that started when I got a Lubitel 2, to finally shoot with it. In this article, you'll find detailed information about color schemes, the advantages of shooting in medium format, and the differences between standard redscale films. Here are the results of a day of shooting outside, which I recently got back from the lab.
The Lomography Sprocket Rocket might be a bit challenging to use but it didn't hinder maaikel from traveling and shooting various film rolls with it. In this week's installment of Weapon of Choice, he graciously shared his Sprocket Rocket story plus some amazing tips on using it.
written by Kwyn Kenaz Aquino on 2015-05-05 in #gear#news
The best thing about working for Lomography is having first access to new products. Imagine everyone's excitement when the Lomo LC-A Minitar-1 Art Lens 2.8/32M was delivered to the headquarters in Vienna, where members of the Lomography team took turns testing this tiny yet powerful optic on various cameras. Meanwhile, Tom Bates from Marketing teased out the idyllic and colorful possibilities of shooting with the Lomo LC-A Minitar-1 lens on a trip to the UK countryside.
Turn ordinary scenes into cinematic moments with the new Lomography Cine400 Tungsten Film. Made from authentic cine material that we specially treated for use with 35mm cameras, this Color Negative film will produce photos that look like stills from a movie.
About two years ago or so, I purchased the Lomography Redscale XR 50-200. I saved just one roll of this film and waited for the right moment to shoot with it. In April this year, I just wasn't able to take it anymore! I loaded this film into my Lubitel 166+, which I realized I hadn't used for maybe about six months. One idea came to mind: taking crazy multiple exposures!
There is nothing than a photo shot at the perfect moment. Henri Cartier Bresson's principle on "The Decisive Moment" is a principle that we should still follow to this day. A perfectly-timed photo creates impact, whether it's one of a friend jumping into the pool or a couple emerging from the ceremony on their wedding day. For this rumble, we want to see that breathtaking moment, shot at the perfect time.
There are quite a few perks that come with working for a film photography company, and the best perk of all is testing out the latest cameras. I can remember buying my LC-A back in 2009 and being really inspired to shoot film again. When the LC-A 120 came along, I couldn't wait to try it out around London. Join me as I test out this super medium format beauty.
Lubitel for lovers+. You're probably wondering, "Why is there a '+'?" It's to describe and expand a whole new definition of the Lubitel - in this case, this camera is not only for lovers literally, but also for anyone who loves to shoot portraits, street scenes, objects, and the skies. Do you love to take photos of your lover, your dear friend, your lovely family, your pet, or at the streets? This camera can be used in ALL situations. You can shoot everything that you love with it!