In this new weekly series, we’ll be bringing you some film photos from the past that deserve some recognition. This week, the focus is on Dali Atomicus.
Dali Atomicus is a Salvadore Dali photograph taken in 1948 by portrait photographer Philippe Halsman. Salvador Dali and Philippe Halsman met in 1941 and went on to collaborate on several projects. In 1948, they worked together on Dali Atomicus, Halsman’s tribute to the atomic age and to one of Dali’s works entitled Leda Atomica. At that time, it was recently announced by a physicist that matter hangs from a constant state of suspension. That statement became the focus of this photograph.
Philippe Halsman is known for taking portraits of personalities while they are in mid-jump. This was also the case for the Dali Atomicus. Several ideas were thought out before the final decision for the concept of the photo was made.
To achieve this shot, Dali had to jump 28 times. They worked for a total of 6 hours, and the assistants during the shoot had to throw buckets of water, and cats across the room to achieve the perfect exposure for the photograph. Below are some outtakes from the photo shoot.
How do you bring a fresh perspective to a landscape that has been photographed from every possible angle? Using a brand-new film, of course! With this goal in mind, I loaded some LomoChrome Turquoise XR into my Nikon 35Ti and went on a major trip across southern Utah and northern Arizona.
With features that allow one to be as creative as possible and a size compact enough to bring it anytime, anywhere, the LC-A+ is indeed an embodiment of our 10 Golden Rules. In this week's feature, we list down some of the ways you could up your photography game with this wonderful camera.
We are thrilled to announce that next week our new community site will be launched! As the final step in the re-launch process, next Monday (2nd February) we will make the move over to the new site. This will mean that on Monday you will not be able to log-in and the site will be read-only for a period.
You want your subject be the center of attention? Petzval lens photos are recognizable for sharpness and crispness in the centre, strong color saturation, wonderful swirly bokeh effect, artful vignettes and narrow depth of field that will make your subjects stand out!
Dogs (and cats) are man's best friend and pet owners will agree that they bring bundles of joy to our daily lives. Pets deserve to be the star of photo shoots, as much as they deserve a special spot in our lives.
Ever since light painting was invented, it inspired artists from all around the globe to magical creations that capture hidden movements and reinvent the world we live in. "Life is a fairy tale, stay wild little child!" is what they want to tell us. Bringing light to life became the next challenge for anyone rigged with a film camera and a creative mind.
Now, how can you take your analogue light paintings from the ordinary to the outstanding? After the carriage came the car, so we definitely need some spacy inventions to follow the old school light pen. So here it is, our new best friend: The Pixelstick!
We're kick starting a new series on the Magazine where we highlight alternative photography processes, with a focus on modern and less popular ones. Today, we feature one that's often discussed right here in our community: caffenol.
The Petzval Lens was the first truly practicable portrait lens ever created and thus was the ultimate gift to early photography. We at Lomography feel that this lens and its inventor deserve some attention so here is the first of a series of articles on Joseph Petzval and the first Petzval Lens.
<i>Editor's Note: The past several years saw <b><a href="http://www.lomography.com/homes/maliha">Maliha</a></b> frequently moving from one place to another, a sort of nomad who likes the thrill of starting anew and finding her place in every city she stays at. In the last decade she has spent in the USA, Maliha has stayed at six different cities in five different states. Currently, Maliha is based in Denver, Colorado, and "Transient Living," a new series in the Lomography magazine, documents her experiences and the ways that she has come to call this city her home.</i>
Hi, everyone! I'd like to share with you my 2014 summary on analogue photography. Some things I did were completely new, while some were my good old habits. This year I learned how to develop black and white film, which I consider my greatest milestone. But the most important thing is that in 2014, I remain in love with Lomography! And the rest? Well, let's see...
Halloween fever is in full swing. Everything ghostly, scary or freakishly extraordinary are either on display or being spoken of in hushed voices through spine-chilling tales. Apart from wearing the scariest costumes and taking photos of of your petrifying selves, why not amplify the Halloween spirit a notch higher by using Halloween-themed aperture plates with the New Petzval Lens? Here's a quick tipster that'll teach you how to make special aperture plates and make the most out of them this Halloween!
Another week in film done. This week, I have more Instax, some Konstruktor, a failed triple exposure of myself and shooting film for international film swaps. And this is just the stuff I’m telling you about.
Inessa is a London-based artist and lighting designer with a serious case of wanderlust. In this new series, she'll be taking Lomography cameras on her journeys to capture scenes and sights from her trips. First in line is the iconic LC-A+, on a trip to the Serbian, Croatian and Slovenian capitals.