Introduced in 1957 by Victor Hasselblad AB, the 500C was the camera that really established Hasselblad as one of the front runners of professional medium format photography. The quality of this new camera was so outstanding that NASA chose it for their first human space flight (the camera used was actually a slightly modified 500C.)
The camera is completely modular, i.e. everything is interchangeable, the lens, the viewfinder, the film magazine — and you can change them while you shoot! This really comes in handy when you loaded the camera with 100 iso film and are suddenly in a dark basement bar: Just take off the magazine and put on another one with faster film, and finish the first roll another time.
But this camera is more than just a piece of fantastic engineering art. It really has soul. Looking down the dirty viewfinder of this bulky camera, you’ll suddenly find yourself in slowly moving world of the past. You’ll feel like you are looking at the world through a cloud of cigarette smoke, and that sensuality in pure form is dripping down the walls just behind the narrow depth of field of the focus screen. If you put on a yellow filter (which I often do) the effect will multiply, and the world on the other side of that Carl Zeiss lens will seem like a mystical fairytale told by Wong Kar-wai.
It is my hope that I have been able to show a glimpse of the magic of this camera, which is my all time favorite. Below you’ll find some of the pictures I’ve taken with the 500C.
Adi, Ekeu, and I did a lomowalk around downtown Bandung last Saturday, the beginning of November. We planned to use our Lubitel cameras with only one roll of film each. We were inspired by the One Roll of Film Project by four Tokyo-based photographers with their Hasselblad cameras. This is about the one roll of film I shot with the Lubitel 166U, which made me love shooting in medium format even more.
The Lomography Belair X 6-12 is more than just a medium format camera. It is lightweight, compact and is capable of shooting photos in 3 different sizes: 6x12, 6x9 and 6x6. Equipped with high-quality interchangeable lenses and automatic exposure, it can give you beautiful shots with every roll. It can also take 3 different film formats: 120 film, 35mm and instant film. Read on to find out all about this fantastic camera.
The Lomography Belair X 6-12 is more than just a medium format camera. It is lightweight, compact, and capable of shooting photos in three different sizes: 6x12, 6x9, and 6x6. Equipped with a high quality interchangeable lens system and and automatic exposure, it can give you beautiful shots in every roll. It can also take three different film formats: 120mm, 35mm, and instant. Read on to find out all about this fantastic camera.
Imagine an alien space mission from a planet of the Sirius Star System to an abandoned industrial zone of Como, a city situated in the North of Italy. The alien photographer named sirio174, used a powerful futuristic camera, called Lomo Lubitel 166U loaded with a Kodak Portra film roll. Yes, no digital, because the future is...analogue! During his journey, he learned the most common language of our planet -- English -- and he wrote this article for us. Read more after the jump!
Capture the world and all its contours in vibrant, wide-angled photographs any time, any where! The LC-A 120 is an adventure of its own with lots of exciting functions to experiment with, like seamless long exposures or full ISO control. It's also super-fast and ultra-compact - perfect for your everyday. If you're worried about the Medium Format film, don't be! You are free to use any 120 Film you want and there are plenty to choose from. In fact, that's what makes this camera so versatile! Scroll through this gallery for a little taste of the glorious shots this nifty invention is capable of.
Derek Woods is an Los Angeles-based photographer who previously got involved in a controversy surrounding a photo that was used in the opening credits of the HBO TV series "True Detective." Coincidentally, Woods happens to be a member of the Lomo community, and it became vital to interview him regarding the issue. The interview was successful and was published in May last year. His current project, 365 of Lomography, will chronicle his day-to-day exploits with Lomography cameras. To jog your memory, and to re-acquaint you with Woods, we are republishing our interview with the controversial photographer. Please take note that some of the photos are NSFW.
Really want to bring your film photos to life? We’re now offering totally analogue fine art prints in a host of large sizes and formats! Carefully enlarged from your negatives onto premium photographic paper by lab professionals, each picture is a unique piece of craftsmanship.
Last Sunday, the local rugby team Rugby Como played the first match of the 2014-1025 season. Rugby is my favorite sport to photograph, and for some years I've been documenting almost every home match of this young team. This time I used a 1959 Zorki 5 camera with a vintage 1958 Industar-50 lens loaded with a timeless film, the Ilford HP5+ developed in a century-old developer, the mythical Rodinal. Take a look after the jump!
From the simple Vivitar 110 camera he received from his grandmother, Brett Wolff already accumulated close to almost a hundred cameras and accessories in his analog arsenal. Some of the cameras he treasured were even handed down by relatives and friends, making these more precious to him. Let's take a closer look at his camera collection.
Elvis Halilović turns chestnut wood into heirloom-worthy cameras known as Ondu. As a countdown to Pinhole Photography Day happening tomorrow, we show you how these pieces are shaped, sanded and assembled. All this effort for the love of a good picture!