A testimony why Fuji Velvia 50 became my new favourite film.
I’ve had a box of Fuji Velvia 50 sitting in my cupboard for six months. Being an ISO 50 film, I decided that I wanted to use it on sunny days. Those sunny days finally came and I loaded it into my Lomo LCA. A fairground came to town which helped me finish the film really quickly – a rare occurrence for me!
I didn’t really know what to expect when I cross-processed this film. All I knew was that it should give awesome results and it did. The film itself came out a reddy-purple colour, which meant the photos would have a nice green colour shift to them.
The results were amazing! Blue skies came out an turquoisey-blue-green colour. Greens became even greener. Reds and yellow popped out. I think this is my new favourite film! I recommend that you try some of this film and use it on a sunny day! You’ll be amazed too.
If you'd be shooting in low light, at night, or in any other situation that would require a high speed film for best results, why don't you try the Lomography Color Negative 800 for 35mm cameras? Allow five of our community members to convince you with their respective reviews in this installment of Reviews on Rewind.
Classy, moody photographs in monochrome and with fine grain - what more could you ask for from one of Lomography's very own black and white emulsion for standard 35mm cameras, the Earl Grey? Find out how this film fared among six of our community members in this Reviews on Rewind installment!
110 film photography can be as fun as 35mm and 120 film photography! Need a little more convincing? Take a look at these monochrome shots that play with shadows and light taken with the B&W Orca 110 film!
A few years ago, I thought I could use a photography boost so I figured out a project for myself. For the entire spring, I took one picture a day using only Fuji Instax Film. Check out my season in analogue.
Awed by the eye-popping fiery red shade the film produces, Joan brands the Lomography Redscale 100 (120 mm) as the most original emulsion in Lomography's catalogue. Aside from this, he also enjoys experimenting with the film's ISO to produce a variety of stunning results. Read on to find out why linuxbcn chose the Lomography Redscale 100 as his Weapon of Choice!
An Argentinean writer and photographer living in the Pacific Northwest, Lorraine Healy is a long-time fan of plastic cameras and is the author of "Tricks With A Plastic Wonder," a manual for achieving better results with a Holga camera, available in eBook form at Amazon.com. In this article, Healy explains how she fell hard in love with the Lomography XPro Slide 200 film and why she takes it on her many travels.
In a new series, we talk to film fanatics from all around the UK about their passion for film photography and their favourite places to shoot in their home town. Today we go to Billinge in Merseyside to meet Ray McKean who has a wealth of knowledge about film cameras.