A testimony why Fuji Velvia 50 became my new favourite film.
I’ve had a box of Fuji Velvia 50 sitting in my cupboard for six months. Being an ISO 50 film, I decided that I wanted to use it on sunny days. Those sunny days finally came and I loaded it into my Lomo LCA. A fairground came to town which helped me finish the film really quickly – a rare occurrence for me!
I didn’t really know what to expect when I cross-processed this film. All I knew was that it should give awesome results and it did. The film itself came out a reddy-purple colour, which meant the photos would have a nice green colour shift to them.
The results were amazing! Blue skies came out an turquoisey-blue-green colour. Greens became even greener. Reds and yellow popped out. I think this is my new favourite film! I recommend that you try some of this film and use it on a sunny day! You’ll be amazed too.
Andrej Russkovskij AKA Andrea Russo is an avid film photographer and active community member who has a soft spot for portraits, making him the quintessential Petzval Amigo. He recently tested the Petzval 85 Art Lens with different kinds of film, among them black and white, Velvia 50, Kodak Elitechrome and Fuji Superia 200.
An Argentinean writer and photographer living in the Pacific Northwest, Lorraine Healy is a long-time fan of plastic cameras and is the author of "Tricks With A Plastic Wonder," a manual for achieving better results with a Holga camera, available in eBook form at Amazon.com. In this article, Healy explains how she fell hard in love with the Lomography XPro Slide 200 film and why she takes it on her many travels.
I recently found a roll of XR Redscale 50-200 film lying around in my drawer and decided to reignite my passion for embracing the weird and unexpected results that film can bring. I shot random doubles around the streets of Soho and was rather delighted with the results.
A wonder how a camera, something that goes between the photographer and a subject, becomes not a barrier but a way to connect. Joe Aguirre takes us through the why's in a moving new film by Jonas Normann.
The latest addition to the Lomo’Instant family! Inspired by the Icelandic midnight sky, Get endless creativity, take multiple exposed instant snapshots, experiment with long exposure and light painting shots!
We all know about 35mm and 120 film, right? And since Lomography re-introduced 110 film, we have another film format to play with. But in the years past, many more film formats were in use. Let me introduce you to a few golden oldies and tell you about my experiences with them. I'll start with Rapid film.
Ever since light painting was invented, it inspired artists from all around the globe to magical creations that capture hidden movements and reinvent the world we live in. "Life is a fairy tale, stay wild little child!" is what they want to tell us. Bringing light to life became the next challenge for anyone rigged with a film camera and a creative mind.
Now, how can you take your analogue light paintings from the ordinary to the outstanding? After the carriage came the car, so we definitely need some spacy inventions to follow the old school light pen. So here it is, our new best friend: The Pixelstick!
New York is an infinitely photographable city in spite—or because—of its innate chaos. And even when the medium is film, praised nowadays for the virtue of slowness, the photographer must keep up with the city’s pace. Ricardo Lozano, 35mm photographer and Lomography community member, managed to do it for the series OK Commuter, now a book by A Love Token Press.
Lomography is always on the lookout for experimental and creative film, because we want to keep the love for analogue alive! We’re devoted to continually adding new and exciting films to our ever-expanding collection of photography products, both from our own production line and partnering together with likeminded companies. So in our ongoing quest to do so, we have teamed up with our friends at KONO! The Reanimated Film to share a totally new and exciting film with you — KONO! Donau 35mm Film!
How do you bring a fresh perspective to a landscape that has been photographed from every possible angle? Using a brand-new film, of course! With this goal in mind, I loaded some LomoChrome Turquoise XR into my Nikon 35Ti and went on a major trip across southern Utah and northern Arizona.