A testimony why Fuji Velvia 50 became my new favourite film.
I’ve had a box of Fuji Velvia 50 sitting in my cupboard for six months. Being an ISO 50 film, I decided that I wanted to use it on sunny days. Those sunny days finally came and I loaded it into my Lomo LCA. A fairground came to town which helped me finish the film really quickly – a rare occurrence for me!
I didn’t really know what to expect when I cross-processed this film. All I knew was that it should give awesome results and it did. The film itself came out a reddy-purple colour, which meant the photos would have a nice green colour shift to them.
The results were amazing! Blue skies came out an turquoisey-blue-green colour. Greens became even greener. Reds and yellow popped out. I think this is my new favourite film! I recommend that you try some of this film and use it on a sunny day! You’ll be amazed too.
If you'd be shooting in low light, at night, or in any other situation that would require a high speed film for best results, why don't you try the Lomography Color Negative 800 for 35mm cameras? Allow five of our community members to convince you with their respective reviews in this installment of Reviews on Rewind.
Classy, moody photographs in monochrome and with fine grain - what more could you ask for from one of Lomography's very own black and white emulsion for standard 35mm cameras, the Earl Grey? Find out how this film fared among six of our community members in this Reviews on Rewind installment!
An Argentinean writer and photographer living in the Pacific Northwest, Lorraine Healy is a long-time fan of plastic cameras and is the author of "Tricks With A Plastic Wonder," a manual for achieving better results with a Holga camera, available in eBook form at Amazon.com. In this article, Healy explains how she fell hard in love with the Lomography XPro Slide 200 film and why she takes it on her many travels.
They say you can't teach an old dog new tricks, but whoever said that must have never shot with a Konica C35. This 46-year-old beauty can definitely hang with the big boys. Come see why this camera is one of my favorites, and why it should be one of yours, too.
Two years ago I swore to myself, I'll be coming back soon!" This October my chance finally came and I flew for the second time to New York City to visit my dear colleagues in the Lomography Gallery Store New York. What I didn’t see coming, though, is the opportunity to test a new secret film during my trip.
My passion for old and analogue cameras hadn't stayed unnoticed among my friends and acquaintances. Which is why I've received cameras as gifts for many times now. My Agfa Clack is an example. It's about 60 years old, fully functional, and a real film eater.
This is my experience with the Lomography Redscale XR 50-200 (120), my first medium format film. It's an adventure that started when I got a Lubitel 2, to finally shoot with it. In this article, you'll find detailed information about color schemes, the advantages of shooting in medium format, and the differences between standard redscale films. Here are the results of a day of shooting outside, which I recently got back from the lab.
Ever since light painting was invented, it inspired artists from all around the globe to magical creations that capture hidden movements and reinvent the world we live in. "Life is a fairy tale, stay wild little child!" is what they want to tell us. Bringing light to life became the next challenge for anyone rigged with a film camera and a creative mind.
Now, how can you take your analogue light paintings from the ordinary to the outstanding? After the carriage came the car, so we definitely need some spacy inventions to follow the old school light pen. So here it is, our new best friend: The Pixelstick!
This month, after waiting for three years, my city Como hosted the Tour of Lombardy, an important event in the male elite road cycling tour. With my Fed 3 loaded with black and white film and equipped with ultra sharp Industar 50/3.5 lens, I documented the parade of cyclists who went to the starting line after they registered. Take a look after the jump!
Last Sunday, the local rugby team Rugby Como played the first match of the 2014-1025 season. Rugby is my favorite sport to photograph, and for some years I've been documenting almost every home match of this young team. This time I used a 1959 Zorki 5 camera with a vintage 1958 Industar-50 lens loaded with a timeless film, the Ilford HP5+ developed in a century-old developer, the mythical Rodinal. Take a look after the jump!