The early photographic world in Britain was characterized by massive experiments. Two photographers in that ear flourished and they established photography as an independent art form.
Roger Fenton and Julia Margaret Cameron were Britain’s most successful photographers during the 19th Century. The photographs in this exhibit, Early British Photographs from the Royal Collection, were collected by Queen Victoria and Prince Albert. Both of them were inclined to photography at that time. The queen liked portraits and the prince preferred fine art photography. When she died in 1901, the total number of collected photographs totaled to 20,000.
Together, Fenton and Cameron offer an unexpected glimpse into the life of the royal family and the artistic world of Victorian England.
Roger Fenton and Julia Margaret Cameron:
Early British Photographs from the Royal Collection
Blackwells Arts & Crafts House
Bowness-on-Windermere, Cumbria, LA23 3JT
Until April 27th 2012
_Images and information in this article were taken from Gilpin Life
In 1951, the Festival of Britain was organized as a way of boosting the morale of its citizens just a few years after the Second World War ended. The festival opened on May 4 and was basically a celebration of the British arts, science, and history. One of its most popular attractions was the Telekinema, described as a "state-of-the-art" cinema operated by the British Film Institute and seated up to 400 viewers.
The Science Museum in London is set to play host to a showcase of some of the earliest known images taken by photography pioneers, selected from the collection of the world's oldest surviving photographic society.
Really want to bring your film photos to life? We’re now offering totally analogue fine art prints in a host of large sizes and formats! Carefully enlarged from your negatives onto premium photographic paper by lab professionals, each picture is a unique piece of craftsmanship.
Geoffrey Berliner is the Executive Director of the Penumbra Foundation and the Center for Alternative Photography in New York. As the head of an organization whose goals are 'to be a comprehensive resource for photographers at any level' and 'to continue to publicize the impact photography has had and continues to have on culture, history and the arts,' his exposure to photographic materials -from 19th century gems to modern equipment- is so extensive, one cannot even begin to fathom just how much knowledge and experience this man has acquired. His collection of over 2000 vintage Petzval lenses is unparalleled, and the object of envy of both traditional and contemporary photographers. Although such lenses are reputed to require a certain level of skill to be used, Berliner seems to manage them with so much ease, producing splendid results.
Years before the world knew her as John Lennon's better half and artistic partner, Yoko Ono herself was already an established artist. Here are portraits of the artist and peace activist from this period, presented just in time for her recently-opened first "official" show at the Museum of Modern Art.
Mysterious apparitions and other inexplicable phenomena on film, or generally speaking, for that matter, are as highly debated topics today as they were many decades ago. In 1934, a certain Mr. C.P. MacCarthy of 15 Wilkinson Street, Sheffield held a lecture at 76 Clarkehouse Road located in the same city to "demonstrate under test conditions Fake Psychic Photography" before an invited committee. MacCarthy's demonstration was accompanied by a series of photographs titled "Psychic Photography From a New Angle."
In 1926, John Dixon-Scott started going around his native Britain in search of urban and rural scenes to photograph. His goal was to record something of the country he believed was under the threat of change. By 1946, he had over 14,000 photos ranging from posed portraits to idyllic landscapes.
Con immediately felt at home the first time he started browsing through the community's collection of inspiring photographs and articles. Treating film photography as a form of a challenge, he enjoys shooting candid portraits and spontaneous street photographs. Meet our newcomer of the week from United Kingdom, Constantin Kirwan-Taylor!
Hanna Varela was one of the photographers who participated in the exhibition jointly organized by Parallel Planets and Lomography Singapore and held last week. She is passionate about film photography and recently took black and white portraits! Here, Hanna talks about her awesome experience with the Petzval Art Lens and her elegantly beautiful masterpieces.
Two days from now, Lempertz will hold a sale of 195 photographic prints. The lineup is as varied as the history of photography itself. An 1856 print by an anonymous photographer is in the same group as a top-valued Joseph Szabo shot. A deceptively simple shot of a flower vase is joined by the complex textures of Lucien Hervé. Take a look at the fascinating mix.
Stephen Shore introduced to the 70s art world an unadorned image of American life. He captured littered restaurant tables as other photographers would immaculate vistas. For the opening of “American Surfaces”, he even taped unframed snapshots on gallery walls. In these videos, Shore talks about objects that have “no pretention to art” and the things he learned from Andy Warhol.
Canadian-born Ian Taylor is a full-time photographer specializing in kids and development work. It all started when his five siblings started having children at the same time he was into photography. This passion then spiraled into something amazing, and now Ian works primarily with kids, shooting them when they are in their purest form. Based in Asia, Ian has agreed to share this amazing series of photos he shot with his Petzval Art Lens in Cambodia and Thailand. He also shared with us some of his insights and views on photography.