Expired Film Are Miracle! I loaded with the expired Fujichrome Velvia 120 with ISO50 into my Holga camera and the results came out with unexpected.
I started to love 120 films after seeing some of the great medium-formatted photo from every Lomographers here since the year of 2007. This was my 3rd roll of the Holga-shooting and I have tried to use this crazy expired 2003 film, Fujichrome Velvia Professional RVP120. Usually the results for Fuji Velvia slide film will turns out reddish or magenta in your frame after doing the cross-processed development. But this time, it’s totally different. All of my shots has became bluish. Is not because of the weather, developing chemical and under/over exposed. But is that because of the expiration date itself??
Tell you what, this film has brought me a great surprise! In my mind, I was just keep thinking the outcome for this roll will be red/magenta. Conclusion, an expired film will always giving us & your lovely Lomo camera a magic shows (again)! I just love that!
There are quite a few perks that come with working for a film photography company, and the best perk of all is testing out the latest cameras. I can remember buying my LC-A back in 2009 and being really inspired to shoot film again. When the LC-A 120 came along, I couldn't wait to try it out around London. Join me as I test out this super medium format beauty.
Gloucestershire-based photographer Michael Sullivan loves to shoot film. Recently Michael shot with the Lomo LC-A 120 loaded with color negative and Lomography Xpro Slide Film, and the results were quite fabulous. Meet the man behind the camera here.
An Argentinean writer and photographer living in the Pacific Northwest, Lorraine Healy is a long-time fan of plastic cameras and is the author of "Tricks With A Plastic Wonder," a manual for achieving better results with a Holga camera, available in eBook form at Amazon.com. In this article, Healy explains how she fell hard in love with the Lomography XPro Slide 200 film and why she takes it on her many travels.
Done shooting and want your films to be processed? We can process your colour and black & white 35mm, 120 or 110 films! Development, prints and scans are also included. (Service availability depends on your markets)
Aside from his pictures, there is more to admire about Stephen Dowling. His extensive knowledge and insight into film photography and cameras are inspiring. Dowling, a BBC editor and analog photographer, tested the LC-A 120 camera and became a LomoAmigo last year. He has since rekindled ties with the Lomo LC-A 120, and brought it on a trip to Malta.
As you may have read in my previous article, I truly fell in love with Lomography when I combined my Fisheye camera with an old Canon AE-1 for magical photographic results. Last summer, I took so many pictures of flowers that it started to become almost boring for me. My waning interest and the coming winter meant that I had to figure out something else to do with my 35mm film.
There are quite a lot of festivals to choose from every summer and for sure everyone has his favorite. This June @danika, @hinny and @tomas_bates joined me for one of my favorites: Electric Castle Festival. Armed with loads of films & cameras, good mood and a lot of patience for the road to the heart of Romania, we set off to discover Electric Castle. Read on to find out what this off the radar festival has to offer!
In this article, I'll show you how the Lomo LC-A loaded with the versatile Ilford HP5+ can make the most out of a hazy morning. To capture the whirlwind of a bicycle race, I pushed the film to ISO 800. The legendary Minitar 1 lens and this classic Ilford film are a perfect combination if you love black and white photos.
This is tribute to the Farm Security Administration photographer, Jack Delano, and his photographic series dedicated to barkers. For this article, I chose a series of photos I took this year at the traditional Easter Fair in my city, Como, using a classic rangefinder camera loaded with a roll of black and white film.
This article is dedicated to the multifaceted American photographer George Krause and to his series depicting funeral monuments realized between 1962 and 1963. I was able to know about this series thanks to an important essay on photography written by former Museum of Modern Art (MoMA) Director of Photography, John Szarkowski. For this tribute, I loaded my trusty Praktica camera with a roll of Ilford film and took a series of photos in the Monumental Cemetery in my city, Como. Take a look!