Find out what happens when you shoot a high speed film like the Fuji Superia 1600 with a toy half-frame camera that has a fixed shutter speed of 1/100 and an aperture of F8.5.
I enjoy shooting in low light without a tripod so the Fuji Superia 1600 35mm film is the obvious film choice. I’ve used it with my SLRs and found it to be a great match. But I also wanted to know if it would also be a good fit with the Superheadz Golden Half toy camera. So I decided to run a roll and find out for myself.
One of the Lomography rules that I applied to this experiment was “Rule #2: Use it any time – day and night.”
By sheer serendipity, shooting this roll of film with the toy half frame camera produced color casts that I have been trying to obtain. I couldn’t believe my luck at first, but my wife confirmed it when she said that the photos looked as if they came straight out of her mother’s album. This is one of my reasons why I am shooting film again.
Here are the photos that I shot in the day that produced the results that I’m looking for.
Naturally, I also had to test it at night, which didn’t turn out good if there’s not enough light.
However if there’s enough light, the results can be interesting – grainy but still acceptable.
Shooting in the day and in an open shade can produce fairly decent photos, which meant that this is another good film to use for street photography.
As expected, the film did great for quick ‘shoot from the hip’ moments like this one.
This film is not cheap but if you’re after the results that I’m after, then it could be worth your every cent.
If you'd be shooting in low light, at night, or in any other situation that would require a high speed film for best results, why don't you try the Lomography Color Negative 800 for 35mm cameras? Allow five of our community members to convince you with their respective reviews in this installment of Reviews on Rewind.
The Lomography Belair X 6-12 is more than just a medium format camera. It is lightweight, compact, and capable of shooting photos in three different sizes: 6x12, 6x9, and 6x6. Equipped with a high quality interchangeable lens system and and automatic exposure, it can give you beautiful shots in every roll. It can also take three different film formats: 120mm, 35mm, and instant. Read on to find out all about this fantastic camera.
The Lomography Belair X 6-12 is more than just a medium format camera. It is lightweight, compact and is capable of shooting photos in 3 different sizes: 6x12, 6x9 and 6x6. Equipped with high-quality interchangeable lenses and automatic exposure, it can give you beautiful shots with every roll. It can also take 3 different film formats: 120 film, 35mm and instant film. Read on to find out all about this fantastic camera.
written by Kwyn Kenaz Aquino on 2015-05-05 in #gear#news
The best thing about working for Lomography is having first access to new products. Imagine everyone's excitement when the Lomo LC-A Minitar-1 Art Lens 2.8/32M was delivered to the headquarters in Vienna, where members of the Lomography team took turns testing this tiny yet powerful optic on various cameras. Meanwhile, Tom Bates from Marketing teased out the idyllic and colorful possibilities of shooting with the Lomo LC-A Minitar-1 lens on a trip to the UK countryside.
This is my experience with the Lomography Redscale XR 50-200 (120), my first medium format film. It's an adventure that started when I got a Lubitel 2, to finally shoot with it. In this article, you'll find detailed information about color schemes, the advantages of shooting in medium format, and the differences between standard redscale films. Here are the results of a day of shooting outside, which I recently got back from the lab.
As you may have read in my previous article, I truly fell in love with Lomography when I combined my Fisheye camera with an old Canon AE-1 for magical photographic results. Last summer, I took so many pictures of flowers that it started to become almost boring for me. My waning interest and the coming winter meant that I had to figure out something else to do with my 35mm film.
Unfortunately, it happens sometimes that your resulting pictures are not what you expected - the image doesn't look that good, the colors are bland, and the subject is banal. Indeed, it couldn't be picture of the year! Herein I propose a second chance for your pictures by modifying your 35mm negatives. Just pick up some ideas from here, experiment, and scan your negatives with the Lomography Smartphone Scanner. Anything is possible: burning, scratching, putting on hydrochloric acid, balsamic vinegar, nail polish, bleach, or raspberry juice... use your imagination and write down your new film soup recipe! You can find a sample of the effects in this article.
I bought the LomoKino years ago, and since then I've been having great times with it. I will continue documenting my daily life with the LomoKino, which is Lomography in motion! You can see the movements and facial expressions of people - it’s priceless! Documenting life in moving pictures, the Lomokino can be used as a camera that not only shoots moving pictures but also works like the multi-frame wonder camera, Supersampler!
Sprocket Love: The Sprocket Rocket is the world’s first wide-angle camera dedicated to sprockets. It shoots 18 panoramas on a standard 35mm roll and exposes the whole width of film including sprocket holes. Use its dual winding knobs for easy multiple exposures and generate perfect nighttime shots with the bulb setting.
A recent lunchtime break turned into a big analogue adventure when I took the Lomo'Instant camera out with the Splitzer and captured a gloriously sunny day in the heart of Soho, London. I learned a couple of great tips about shooting with this new accessory. Read on to find out more.
Have you ever tried going lens-less when taking a photo? Try shooting with ONDU Pinhole Cameras and see what it's like to take photos through a tiny pinhole. Check out these lovely shots taken by Lomographers; if you do have some ONDU pinhole photos of your own, upload and tag them accordingly so that we can see them!