General information about this awesome product and a how to use video in combination with an Epson scanner.
Everybody knows that Digitaliza is a very special scanner mask used to get your 35mm’s film sprockets. But several of us have encountered the scanner-mask compatibility problem. As a scanner, I used the V330 Epson which is a vey common scanner. But this one only scans 35mm film and only one stripe per scan.
For this to work, you either use a cardboard of about 7.3cm (from the left side of the scanner) and 2 cm (up from the bottom) to align the Digitaliza, or just mark with a non-permanent pen (erdnusskeks’s idea). Basically, you load the 35mm film in your Digitaliza, align it and preview, if you don’t like the position, correct and re-scan.
I give full credit to erdnussekeks how advised me about using this combination.
Are you a creative mind with ambition, combined with great organization skills and a sure feeling for design? Do you enjoy challenges and want to work in a multicultural work environment? If you’re also passionate about Lomography products, don’t miss the opportunity and apply for this internship!
Do you like to experiment with your instant snaps using weird and wonderful techniques? Then you should totally check out this awesome effect we recently discovered on how to trash your Lomo'Instant snaps in the best possible way!
Done shooting and want your films to be processed? We can process your colour and black & white 35mm, 120 or 110 films! Development, prints and scans are also included. (Service availability depends on your markets)
Have you ever noticed how Stanley Kubrick made use of the color red many times in his movies? Video editor Rishi Kaneria sure has, and came up with this brilliant clip to showcase the filmmaker's preference for crimson hues.
This is my experience with the Lomography Redscale XR 50-200 (120), my first medium format film. It's an adventure that started when I got a Lubitel 2, to finally shoot with it. In this article, you'll find detailed information about color schemes, the advantages of shooting in medium format, and the differences between standard redscale films. Here are the results of a day of shooting outside, which I recently got back from the lab.
Joel Byron is a long-time fan of Lomography and uses analog methods in his work at his video and film production agency BigPlus. Back in 2010 he painstakingly put together the Lomography Caterpillar Matrix video which had over 60,000 hits! We lent Joel a Petzval lens and asked him to capture some video footage of London. The results were pretty stunning.
You want your subject be the center of attention? Petzval lens photos are recognizable for sharpness and crispness in the centre, strong color saturation, wonderful swirly bokeh effect, artful vignettes and narrow depth of field that will make your subjects stand out!
Ron Lau from Lomography's Camera and Lens Development team recently tested the Lomo LC-A Minitar-1 Art Lens. With Leica M2 and Voigtlander R2A cameras, he used the lens to capture scenes from his daily grind and beautiful seascapes from a recent trip. He shares the photos and talks of the Minitar and its capabilities in this brief yet informative interview.
We are proud to announce that the Lomography shop now stocks Lumi products, which allow you to print your favorite analogue photos and all manner of other fantastic things on fabric using the power of light! In this article, we want to tell you a bit more about Lumi and the way this special printing process works.
In this article, I'll show you how the Lomo LC-A loaded with the versatile Ilford HP5+ can make the most out of a hazy morning. To capture the whirlwind of a bicycle race, I pushed the film to ISO 800. The legendary Minitar 1 lens and this classic Ilford film are a perfect combination if you love black and white photos.