It’s his favourite emulsion at the moment and he couldn’t think of any other film brands he can use! But if the unthinkable ever happens that he won’t able to use it ever again – well, he couldn’t be bothered by it, at least for now.
I love the colours! It´s really simple as that. The results are incredible.
If ever this Weapon of Choice of yours runs out of stock tomorrow, what will be your quick alternative and why?
That isn´t really easy. Probably my first choice would be the Elitechrome since I always had good results with it. 2nd choice would be the Rollei Crossbird which would get another chance. I was a bit disappointed about the first results I got with this film but I guess it was because I compared it with the Tungsten and the Elitechrome and thought the results should somewhat look the same. Can´t say why. Today I really like some of the results and it´s kinda astonishing as the sky turns white with it sometimes.
It could be your favourite film emulsion, a cheap plastic toy camera or the most fun accessory you have and they are your Weapon of Choice! Want yours to be seen here next week? Then just drop us a line at firstname.lastname@example.org and you’ll get to show everyone what your Lomo snaps are made of!
Roberto wanted to get redscale films during his visit to a Lomography shop in Amsterdam. Due to some twist of fate, the shop did not have stocks of it at that time. So, he ended getting rolls of Lomography Color Negative 400 instead.
Little did he know, this film is what he exactly needs to have a complete Lomography experience. Read on to find out more about robertofiuza and his Weapon of Choice - Lomography Color Negative 400!
Awed by the eye-popping fiery red shade the film produces, Joan brands the Lomography Redscale 100 (120 mm) as the most original emulsion in Lomography's catalogue. Aside from this, he also enjoys experimenting with the film's ISO to produce a variety of stunning results. Read on to find out why linuxbcn chose the Lomography Redscale 100 as his Weapon of Choice!
The Lomography Sprocket Rocket might be a bit challenging to use but it didn't hinder maaikel from traveling and shooting various film rolls with it. In this week's installment of Weapon of Choice, he graciously shared his Sprocket Rocket story plus some amazing tips on using it.
Did you enjoy shooting with Cine200 Tungsten Film when it launched? Or were you one of the unlucky many who missed out on this ultra-limited edition emulsion? Well, we’re thrilled to say we have an exciting follow-up to Cine200 which will launch in just a few days! And as the other film sold out so fast, we wanted to give you the opportunity to sign-up to our list to get the news as soon as it happens.
As a professional photography graduate, Fernando never goes out without carrying at least one camera and treats it as an integral part of his body. Although he uses both digital and analog gears, he still regards using film as a more intimate way of creating images. Let's all welcome our newcomer from Brazil, Fernando Monteiro.
In the third and final installment of his Russian love story, Herr Willie recalls some of the most memorable experiences from his trips to post-Soviet Russia, including traveling aboard the Trans-Siberian Railway and shooting with the La Sardina for Lomography on assignment, and waxes nostalgic about all the amazing people he had met.
We are very excited to introduce the latest addition to the Lomo’Instant family, the Lomo’Instant Boston Edition. The Boston only made it to first base when it appeared in our Kickstarter campaign but by the raucous applause we got from you guys, it’s in it for the homerun!
What comes to your mind when you think of Boston? Maybe it's the Red Sox, or maybe it's Baked Beans? In this latest competition to celebrate the Lomo'Instant Boston Edition, we want to know what Boston means to you! Maybe you've been there, maybe not — it doesn't matter! Show us your favorite photos that represent Boston in your mind!
Back in the 1990s, Gilbert Blecken was a big music fan and wrote for his own small music fanzine. He would interview bands in between sound checks and take photographs of them. He was never a professional photographer or worked for a company; he simply did it for his fanzine. Twenty years on, Gilbert’s photographs have matured into an amazing documentation of some of the biggest music icons of that era. We caught up with Gilbert to ask him about these photographs and the fascinating story behind them.