Classy, moody photographs in monochrome and with fine grain - what more could you ask for from one of Lomography's very own black and white emulsion for standard 35mm cameras, the Earl Grey? Find out how this film fared among six of our community members in this Reviews on Rewind installment!
Lomo Lubitel 166+ is a match to the classic beauty of black and white photography. Perennial scenes of city life and nature get the right amount of light and dark, thanks to trusty exposure settings. The glass lens, with its sharp vision, helps photographers get tonal and evocative imagery. These photos from all over the community are prime examples.
Against the grain of serious photography, Tony Ray-Jones used commercial color film to document American streets. This was a pivotal lesson in choosing colorful subjects, something he would later master in his black and white series.
Berenice Abbott documented the sped-up pulse, concrete towers, and busy crowds of New York. These black and white images, as well as her pioneering work in science photography, appear in a thicker reissue of a classic Aperture book.
Summer is full of color so using black and white film might not be the first thing that comes to mind. Yet the summer sun works out beautifully on black and white film. Like to give it a try? I've come across the best light at the train station during rush hour!
In this article, I'll show you how the Lomo LC-A loaded with the versatile Ilford HP5+ can make the most out of a hazy morning. To capture the whirlwind of a bicycle race, I pushed the film to ISO 800. The legendary Minitar 1 lens and this classic Ilford film are a perfect combination if you love black and white photos.