If you get the exposure wrong on cross-processed slide film it can look washed out or oversaturated. Here's a tip that can breathe new life into your slides.
I was recently given a roll of very expired Fuji Astia as a present. It was extremely tasty but had a very red cast in some lights. In other conditions the film seemed to be very dense in the darker areas of the exposure. I felt like there should have been more latitude. Some shots like my girlfriend’s dad and shots of Sauchiehall Street weren’t exposed properly.
Luckily for me my friendly neighbourhood lab tech (Claire) let me in on a wee secret. You can get great results from some colour slides when you scan them black and white.
Here’s the meat of this tipster: If your colour slides suck – ask your lab tech (or yourself if you do your own scanning) to scan them monochrome. It can mean the difference between a shot that works and one that doesn’t. Here are the ones that turned out better for being monochrome:
It's Tipstember! For this month, we will be awarding 25 fat piggies to every tipster article that gets published on the Lomography Magazine. You can share tips on composition, lighting, film experiments and camera modifications; or maybe techniques for shooting portraits, landscapes, still life and even wildlife! If you don't have tricks up your sleeve, however, you can still contribute to the Magazine and let your voice be heard. Here are some suggestions.
Light Painting is a cool technique that we love to do when we're in the mood for experimenting with photos. It's super easy and fun, and it only requires a dark room, a friend or two to collaborate with, a camera with long exposure mode and a light painting tool to get started. Check out 50 of the most vibrant light painting photos taken by your fellow Lomographers after the cut!
Shh! We've got a secret matter at hand, and it's coming at you at the speed of light!
We're being as mysterious as the Cosmos about our new out-of-this world product, constantly orbiting around our big reveal. But the eclipse will pass and soon the stars will align. Until then, there must be some questions floating around in the universe, right? Well, there's no need to look to the stars to find your answer! Stay on Lomography's wavelength as we kick into hyperdrive. Let your imagination skyrocket and see if you can decipher our otherworldly clues!
Aside from photography, newcomer Dmitri Berenger enjoys a multitude of hobbies including gardening, watching movies, and discovering music. In this interview, he talks about his photographic style, his inspirations, choosing film cameras over digital gear, and many more.
'Snapshot' was our Tumblr keyword this week. We spent the past few days looking at troves of fresh samples from all corners of the globe. We got lured to the most effortless variety, everyday captures upgraded to showcase compositions. We invite you to look at the ones we bookmarked for future visits.
London based photographer Cat Stevens uses the softer, more subtle aesthetics of film photography throughout her work. Her shoots consist of the familiar light leaks and washed out tones that most film shooters will be familiar with. She has photographed artists such as Deerhunter, PJ Harvey and recently took a series of sun drenched beach shots which adorned The Charlatans' last album cover titled "Modern Nature."
Lomographer Carina, or landei in the community, regards the Sprocket Rocket as a "versatile plastic camera." For her, it doesn't only take great travel snapshots but makes an interesting conversation starter as well. In this interview, Carina expounds more on what makes the Sprocket Rocket her go-to camera.