Preserve the colour and make it more saturated this time with the Kodak Ektachrome VS!
This is one of the finest thing ever produced by Kodak. For me, the VS does really mean it’s very saturated as when you cross-processed it, you will not believe your eyes to see the wonderful colours it has! This magnificent film will not only change how your Lomographs would look but also exaggerate the colours like you never seen before! The contrast will be high and the brightness will rise. So you just need to find some place or object on which you can use this film’s maximum potential.
Not to forget, shoot it during bright days with the company of the sun. The marvellous results will make you crazy (or at least I was…) So what are you waiting for? Just grab this film in your nearest store or even purchase it which is available at the film shop!
Classy, moody photographs in monochrome and with fine grain - what more could you ask for from one of Lomography's very own black and white emulsion for standard 35mm cameras, the Earl Grey? Find out how this film fared among six of our community members in this Reviews on Rewind installment!
With a love of antique cameras and analogue photography, Shawn Lin has long been an active member of the Lomography Community with dozens of his shots being featured. Shawn likes to explore the effects of double exposure on different themes and objects, with an emphasis on the presentation of colours. Come take a look of his work of using Petzval Art Lens on his antique camera and his thoughts about the two!
If you'd be shooting in low light, at night, or in any other situation that would require a high speed film for best results, why don't you try the Lomography Color Negative 800 for 35mm cameras? Allow five of our community members to convince you with their respective reviews in this installment of Reviews on Rewind.
I made a short comparison between the "legendary" Kodak EIR Infrared film and the new LomoChrome Purple XR 100-400. Both pictures were made with the same camera-objective-combi: A Canon AE-1 Program with a 24mm wide-angle lens.
The shoutbox is always open for the community's honest opinions, surprising suggestions, and sweetest greetings. It is also an avenue for members from across different countries to dicuss and interact with one another. We'd like to commend these lomographers for keeping this humble space booming with entertaining conversations all year long. Congratulations to our top shoutbox users of 2014.
You want your subject be the center of attention? Petzval lens photos are recognizable for sharpness and crispness in the centre, strong color saturation, wonderful swirly bokeh effect, artful vignettes and narrow depth of field that will make your subjects stand out!
An Argentinean writer and photographer living in the Pacific Northwest, Lorraine Healy is a long-time fan of plastic cameras and is the author of "Tricks With A Plastic Wonder," a manual for achieving better results with a Holga camera, available in eBook form at Amazon.com. In this article, Healy explains how she fell hard in love with the Lomography XPro Slide 200 film and why she takes it on her many travels.
This film has fine grain, especially when cross-processed in C41. And if you use a Lomo camera, maybe the LC-A or the LC-Wide, the results will be more interesting with strong vignettes in your pictures!
Boasting tack-sharp images and dependability with its mechanical features, it’s no wonder that the Vivitar 35ES has quite a fan following. Learn more about this 35mm rangefinder in this installment of Lomopedia.