An X-ray is like a picture, except the fact that it uses the infamous x-rays instead of visible light. Another difference is that in photography we usually capture the light that is reflected by objects, while in x-ray capture the rays pass through the objects, more precisely our body. But if it were an analogue camera?
Safety first: This was a joint effort with technical experts and all the safety standards were met. I just directed the photo, put the objects on its positions and the whole operation was performed by the technician.
Basically we put the plants on a support to stay aligned with the “film” and the “camera”. The frame was made using a normal light coming from the machine that casts the object shadow on the photosensitive material. At the moment of capture we all went out to let the technician run the click.
After being digitized, the images get a treatment on the clinics software before beeing edited by photoshop, where we inverted and cleaned it. And it’s done! Photography with x-rays!
It isn’t a kind of photography that you can go out and click everywhere. You need a controlled environment and mainly safety rules. But I can say that I had the pleasure of have been had this experience! See more images.
In December last year James Wright, editor and creative director of So It Goes Magazine, went on a two-week trip to Sri Lanka, "a place so long on our bucket list, but up until then, as yet unvisited," he writes on the first of his three-part photo diary. Herein is the first of his series that chronicles his adventures, highlighted by a selection of breathtaking images of the Sri Lankan countryside and the locals, among many other images, captured with his trusty photographic companions: the Leica MP, Lomo LC-A+, and an assortment of films including the LomoChrome Purple.
In December last year James Wright, editor and creative director of So It Goes Magazine, went on a two-week trip to Sri Lanka, "a place so long on our bucket list, but up until then, as yet unvisited," he writes on the first of his three-part photo diary. Herein is the second part of his series that chronicles his adventures, highlighted by a selection of breathtaking images of the Sri Lankan countryside and the locals, among many other images, captured with his trusty photographic companions: the Leica MP, Lomo LC-A+, and an assortment of films including the LomoChrome Purple.
Having a respectable career photographing social, political and economical matters, Philip Wolmuth is capable of starting a dialogue with the public via his thought-provoking photographs.
Going through the collective of images on his latest work, it seems impossible not to be instantly affected by the rawness of the emotions captured within the images. The passion, the anger, the commotion, the rebellion, the fervor, the shouting, the devotion; his work is inebriating. It's as if the images are screaming at you and, for a short while, you are transported to the Speakers' Corner without actually setting foot on that location.
Capture the world and all its contours in vibrant, wide-angled photographs any time, any where! The LC-A 120 is an adventure of its own with lots of exciting functions to experiment with, like seamless long exposures or full ISO control. It's also super-fast and ultra-compact - perfect for your everyday. If you're worried about the Medium Format film, don't be! You are free to use any 120 Film you want and there are plenty to choose from. In fact, that's what makes this camera so versatile! Scroll through this gallery for a little taste of the glorious shots this nifty invention is capable of.
Photography is not only an act of documentation or communication, it is also a way of seeing the world. The camera opens our eyes and lets us see what lies behind the obvious, and we start looking at things as potential subjects of a photograph. Every leak of light unveils secrets that talented photographers turn into a piece of art. Li Hui is one of those gifted artists. We talked to her about her work and her sensitive photographs that picture a wonderful vulnerability.
Doug DuBois spent five summers photographing the small neighborhood of Russell Heights in Ireland to capture the essence of coming of age: the inevitable loss of youth and the imminent transition into adulthood. Those four years resulted in his latest book, My Last Day At Seventeen. The book is a visual tale told through a collection of photographs and gives an alternative perspective through a comic narrative around the same subject. This creative combination of two distinct narratives in one book not only works wonderfully in visual terms; it also serves as an essential tool that lets the reader dig deeper into the story being told, making one go back to the book over and over again, yet from a new perspective, every single time.
Last month I was going to go full throttle into food photography. I'd cook up all kinds of scrumptious food and take mouth-watering pictures. But, as a famous Dutch line of poetry goes "between dream and deed / are laws, and practical objections." In other words, stuff came up.
Sometimes, being impulsive leads to crazy yet sweet chances worthy of the silverscreen. Take for example werriston's whirlwind romance that all started when he decided to leave his number to a beautiful girl while on vacation in New York back in 2011.