An X-ray is like a picture, except the fact that it uses the infamous x-rays instead of visible light. Another difference is that in photography we usually capture the light that is reflected by objects, while in x-ray capture the rays pass through the objects, more precisely our body. But if it were an analogue camera?
Safety first: This was a joint effort with technical experts and all the safety standards were met. I just directed the photo, put the objects on its positions and the whole operation was performed by the technician.
Basically we put the plants on a support to stay aligned with the “film” and the “camera”. The frame was made using a normal light coming from the machine that casts the object shadow on the photosensitive material. At the moment of capture we all went out to let the technician run the click.
After being digitized, the images get a treatment on the clinics software before beeing edited by photoshop, where we inverted and cleaned it. And it’s done! Photography with x-rays!
It isn’t a kind of photography that you can go out and click everywhere. You need a controlled environment and mainly safety rules. But I can say that I had the pleasure of have been had this experience! See more images.
In December last year James Wright, editor and creative director of So It Goes Magazine, went on a two-week trip to Sri Lanka, "a place so long on our bucket list, but up until then, as yet unvisited," he writes on the first of his three-part photo diary. Herein is the second part of his series that chronicles his adventures, highlighted by a selection of breathtaking images of the Sri Lankan countryside and the locals, among many other images, captured with his trusty photographic companions: the Leica MP, Lomo LC-A+, and an assortment of films including the LomoChrome Purple.
In December last year James Wright, editor and creative director of So It Goes Magazine, went on a two-week trip to Sri Lanka, "a place so long on our bucket list, but up until then, as yet unvisited," he writes on the first of his three-part photo diary. Herein is the first of his series that chronicles his adventures, highlighted by a selection of breathtaking images of the Sri Lankan countryside and the locals, among many other images, captured with his trusty photographic companions: the Leica MP, Lomo LC-A+, and an assortment of films including the LomoChrome Purple.
Capture the world and all its contours in vibrant, wide-angled photographs any time, any where! The LC-A 120 is an adventure of its own with lots of exciting functions to experiment with, like seamless long exposures or full ISO control. It's also super-fast and ultra-compact - perfect for your everyday. If you're worried about the Medium Format film, don't be! You are free to use any 120 Film you want and there are plenty to choose from. In fact, that's what makes this camera so versatile! Scroll through this gallery for a little taste of the glorious shots this nifty invention is capable of.
Photography is not only an act of documentation or communication, it is also a way of seeing the world. The camera opens our eyes and lets us see what lies behind the obvious, and we start looking at things as potential subjects of a photograph. Every leak of light unveils secrets that talented photographers turn into a piece of art. Li Hui is one of those gifted artists. We talked to her about her work and her sensitive photographs that picture a wonderful vulnerability.
As a photographer, Issa Ng is known for his expertise in portraiture and fashion photography. Having worked with different international brands as an Art Director, he has developed a great sense for aesthetics and details, which are reflected in his work. For the past three years thePetzval lens has been part of his workflow, and it has helped him create those show-stopping fashion portraits.
Like a quick-changing siren, a sunset has fantastic showmanship. It may come in a costume of luminous yellow one day, and a daring paint canvas the next. And of its various looks, five have been getting the loudest applause from all over the community.
Over two decades ago, hervinsyah and his family went on a trip to Tana Toraja. There, they were able to see firsthand how the people of the Tator tribe lived and witness one of their important rituals.
Mysterious apparitions and other inexplicable phenomena on film, or generally speaking, for that matter, are as highly debated topics today as they were many decades ago. In 1934, a certain Mr. C.P. MacCarthy of 15 Wilkinson Street, Sheffield held a lecture at 76 Clarkehouse Road located in the same city to "demonstrate under test conditions Fake Psychic Photography" before an invited committee. MacCarthy's demonstration was accompanied by a series of photographs titled "Psychic Photography From a New Angle."