If you are a crazy photographer and you keep your unexposed and used films together, and also have multiple cameras loaded at the same time, having a bit of discipline and organization can be a great idea.
I always carry several new rolls in my camera bag in order to always have available films. I carry them out of the little pot to have more space. So, to avoid unwanted advances, I bend the very end of the film and roll it back to hook into the roll and sta tight. This also helps the differentiation of new and used films.
Another idea is write the main subject down on the film as soon you unload your camera. You can make it with a pen for CDs. You can write if it is for x-pro, if you shoot it with a different ISO or even if it is redscale. If you want more organization, put its end date for helping yourself on the order of processing — It’ll be very helpful if you have the same habit that I have of having too many cameras loaded with films at the same time.
And how do you organize several cameras loaded with different films? I have the habit of always having 3 or 4 cameras with films inside, so it takes time to finish 1 roll. It’s simple: Put masking tapes on the back of your cameras and write the film names there. This way you’ll always know what is inside of each camera.
If you organize well, you’ll go far in the world of analogue photography!
If you've ever used the Lomo'Instant camera, you know that the Fujifilm Instax Mini film ensures amazing and sharp results with vivid colors and natural skin tones. And although we love it the way it is, we also love to experiment. This time we ventured out with monochrome on our minds and got some pretty crazy results — check it out!
I have to admit that I’ve never liked using flash in public places. In some situations it can be distracting. Like concerts, for example. Can you imagine a live music show where people decide all of a sudden to use it at the same time?
Film Photography Day 2015 is fast approaching —do you have the film on hand to document the good times? We’re talking parties, dances, competitions, workshops, raffles, picnics and much, much more! If you don’t have film to last this gigantic 1 day festival of all things analogue, then now is the time to stock up! And even if you do, can you ever really have enough film? Nah, we don’t think so either.
What better way to spread holiday cheer than by capturing it with your trusty camera? We're making it a little bit easier today, because today you can load up on all your favorite Lomography films for less! So stock up and get ready to snap the winter away!
In this article, I'll show you how the Lomo LC-A loaded with the versatile Ilford HP5+ can make the most out of a hazy morning. To capture the whirlwind of a bicycle race, I pushed the film to ISO 800. The legendary Minitar 1 lens and this classic Ilford film are a perfect combination if you love black and white photos.
How do you bring a fresh perspective to a landscape that has been photographed from every possible angle? Using a brand-new film, of course! With this goal in mind, I loaded some LomoChrome Turquoise XR into my Nikon 35Ti and went on a major trip across southern Utah and northern Arizona.
The most incredible lightpainting tool is here! Consists of 200 full color RGB LEDs in a lightweight aluminium housing will color your analogue world in different way! Create and animate different shades and shapes with the Pixelstick!
Browsing through the Lomography website, you can find a lot of redscale shots, which are all done on color negative films. I asked myself if it’s possible to redscale a slide or chrome film and then cross process it. (And yes, it is.) In this tipster I’m going to teach you how to create the bloodiest homemade redscale film I've ever come across.
Take a look at this beautiful hodgepodge of edgy photographs captured with the Revolog films! While you're at it, find out how you can earn piggies and have your own photographs be featured on the Online Shop.
It's Tipstember! For this month, we will be awarding 25 fat piggies to every tipster article that gets published on the Lomography Magazine. You can share tips on composition, lighting, film experiments and camera modifications; or maybe techniques for shooting portraits, landscapes, still life and even wildlife! If you don't have tricks up your sleeve, however, you can still contribute to the Magazine and let your voice be heard. Here are some suggestions.
Capture the world and all its contours in vibrant, wide-angled photographs any time, any where! The LC-A 120 is an adventure of its own with lots of exciting functions to experiment with, like seamless long exposures or full ISO control. It's also super-fast and ultra-compact - perfect for your everyday. If you're worried about the Medium Format film, don't be! You are free to use any 120 Film you want and there are plenty to choose from. In fact, that's what makes this camera so versatile! Scroll through this gallery for a little taste of the glorious shots this nifty invention is capable of.
Canadian-born Ian Taylor is a full-time photographer specializing in kids and development work. It all started when his five siblings started having children at the same time he was into photography. This passion then spiraled into something amazing, and now Ian works primarily with kids, shooting them when they are in their purest form. Based in Asia, Ian has agreed to share this amazing series of photos he shot with his Petzval Art Lens in Cambodia and Thailand. He also shared with us some of his insights and views on photography.
Lomography is always on the lookout for experimental and creative film, because we want to keep the love for analogue alive! We’re devoted to continually adding new and exciting films to our ever-expanding collection of photography products, both from our own production line and partnering together with likeminded companies. So in our ongoing quest to do so, we have teamed up with our friends at KONO! The Reanimated Film to share a totally new and exciting film with you — KONO! Donau 35mm Film!