Vista was the top banana of Agfa's consumer color films, and is now discontinued. It delivers even brighter colors and sharper contrast than the usual Agfacolor film with that 100 ISO fine grain that we love.
Vista was the top banana of Agfa’s consumer color films, and is now discontinued. It delivers even brighter colors and sharper contrast than the usual Agfacolor film with that 100 ISO fine grain that we love.
Ideal for outdoor photography and if used as directed it will yield glowing, pure, intense colours! And sharpness is not a question, this fine grain Vista will never let you down.
In case you missed the news, the LomoChrome Purple film that you know and love is now available in 16mm format, in limited quantities only. If you have a 16mm camera or know someone else who does, make sure to share the news! This beautiful film delivers a nostalgic, dream-like effect in purple tones. To illustrate, check out the movie by Julian Hand after the jump ...
With the holidays just around the corner, now is the time to stockpile all your favorite films! That's we're giving you yet another opportunity to do so with our super Advent deal on all our films today. Whether you're looking to get wild colors and huge contrast with our X-Pro film, or want to create slick cinematic classics with Lomography Cine400 Tungsten, we've got just the film for you!
You want your subject be the center of attention? Petzval lens photos are recognizable for sharpness and crispness in the centre, strong color saturation, wonderful swirly bokeh effect, artful vignettes and narrow depth of field that will make your subjects stand out!
New York is an infinitely photographable city in spite—or because—of its innate chaos. And even when the medium is film, praised nowadays for the virtue of slowness, the photographer must keep up with the city’s pace. Ricardo Lozano, 35mm photographer and Lomography community member, managed to do it for the series OK Commuter, now a book by A Love Token Press.
As many of you would already know, shooting under low light conditions require more than a steady grip (or a tripod) if you're aiming for outstanding results. You must also have the proper gear, and that, of course, includes film. In this post, we list down five fast films that work their best under such conditions.