I found it very tricky to scan a cross-processed film properly. After getting different results from various scanners, I learned how to do it! Here's how I did it with my scanner.
Different scanners, different results. That is because of the settings used to scan and also because of the one operating the scanner. Cross-processing is a beautiful technique of developing color negative film as a slide and vice versa in order to get super-saturated awesome photos. But when the scanner messes up the results, it gets annoying. On this video, I will show you my method on how I scanned my cross-processed film. I used an Epson scanner and a roll of exposed Fuji Sensia, cross-processed of course, and my laptop.
Here are the results:
These are kind of raw, so they can be edited in Photoshop, but not that much.
I backed the Kickstarter project for the Lomo’Instant earlier this year and was thrilled to receive it last week. I love how the camera naturally encourages you to experiment with its different features, whether it’s through flashing your multiple exposures with different colors or trying different creative techniques after your shots has been ejected. Here are a few tips from what I’ve discovered from playing with the camera so far (and a couple of tips I want to try out in future)!
I'm Nick Page, a graphic designer based in the UK. After 20 years of working in advertising, I returned to film photography five years ago and found that the analogue life was just what I needed to get away from the "pixel perfect" images I deal with every day in my job.
Unfortunately, it happens sometimes that your resulting pictures are not what you expected - the image doesn't look that good, the colors are bland, and the subject is banal. Indeed, it couldn't be picture of the year! Herein I propose a second chance for your pictures by modifying your 35mm negatives. Just pick up some ideas from here, experiment, and scan your negatives with the Lomography Smartphone Scanner. Anything is possible: burning, scratching, putting on hydrochloric acid, balsamic vinegar, nail polish, bleach, or raspberry juice... use your imagination and write down your new film soup recipe! You can find a sample of the effects in this article.
I began 2015 with my first foray into the exciting world of analogue photography. With La Sardina in hand, I flew to Hanoi, Vietnam tentative, insecure, yet excited beyond words. How did I fare for my very first roll of film?
You want your subject be the center of attention? Petzval lens photos are recognizable for sharpness and crispness in the centre, strong color saturation, wonderful swirly bokeh effect, artful vignettes and narrow depth of field that will make your subjects stand out!
Hi, everyone! I'd like to share with you my 2014 summary on analogue photography. Some things I did were completely new, while some were my good old habits. This year I learned how to develop black and white film, which I consider my greatest milestone. But the most important thing is that in 2014, I remain in love with Lomography! And the rest? Well, let's see...
What exactly do I feel while waiting for my Lomo'Instant photos to be developed? I have to say I get a mix of "Surprise me, dear Lomo!" but also some "Did I capture it as I wanted?" kind of thought. No matter the school of thought, with the Splitzer you can add so many cool effects to your photos you'll definitely embrace it!
"Magical" here means that every time I use the Diana F+, the results are always beyond both my expectations and imagination. That's why I always use it when I feel like doing something different. It has never failed me since day one; I even always bring this camera during my trips!
As you may have read in my previous article, I truly fell in love with Lomography when I combined my Fisheye camera with an old Canon AE-1 for magical photographic results. Last summer, I took so many pictures of flowers that it started to become almost boring for me. My waning interest and the coming winter meant that I had to figure out something else to do with my 35mm film.
Recently, I used my trusty Fuji Silvi. It may not be my all-time favorite camera, but I just wanted to use it because I kind of missed shooting with it. So I decided to look through my film stash to see what I could use with the Fuji Silvi. After much consideration, I ended up picking the old Agfa CT Precisa ISO 100 to get that classic blue tone. Silvia Precisa!
The Lomo'Instant is different from all other instant cameras. The lenses and various settings really set it apart from Polaroid and Instax cameras. I bought the Lomo'Instant just last December, and it is already my go-to camera for instant photography.