Agfa Agfachrome RS 100 Plus Professional is a medium format slide film from a budget resolution by a photographer. It's the first of its kind that I had cross processed.
I’ve found Agfa Agfachrome RS 100 Plus so far only once and only one roll from a budget resolution by a photographer. In addition, there was a lot of other great films. Instead, it has paid off to crawl off the bed on an early Sunday morning. The film was the first medium format film I’ve had cross processed. The opportunity has been a long time coming. But when I went to Paris last Fall to visit relatives, I seized the opportunity.
I thought for a long time in which camera I should put it and then decided for the Lubitel 2 . It was a good decision, as it turned out later. Without a light meter and a trained eye I used the exposure table with symbols of the Lubitel 166+. The colors are gaudy and with a high contrast, typical results from cross processing. Everything is a little bit blue and green. By the age of the film, it expired 10 years ago, so the results were very grainy.
If you have not done so yet, you absolutely must have a medium format film cross processed one time. It’s a very different experience than with a 35mm film.
Colour Slide Films give deep saturation and great contrast when normally processed. When cross-processed, expect a huge colour shift that will knock your socks off. See the whole range of films in our Shop.
I was given a roll of LomoChrome Purple 120 by a friend who was keen for me to try it out since he didn't have a medium format camera. I really didn't expect the results I got when I took it out for a test run on a bright winter's day in London.
This is my experience with the Lomography Redscale XR 50-200 (120), my first medium format film. It's an adventure that started when I got a Lubitel 2, to finally shoot with it. In this article, you'll find detailed information about color schemes, the advantages of shooting in medium format, and the differences between standard redscale films. Here are the results of a day of shooting outside, which I recently got back from the lab.
It's been a little while since we've shared the latest shots taken with the brand new LC-A 120 with you. But that just means we have a fantastic collection to show you today! Our testers from around the world have been shooting from the hip and with the heart to capture their daily lives with this medium format master. Skip past the jump to spy into some Lomographic lives!
The expansive 6x12 format allows you to capture a vast space that makes for jaw-dropping photos; whether landscape, portrait or anything else you feel like shooting. Wait there’s more; the Belair X 6-12 can also shoot in both square 6x6 and regular 6x9 formats. So whatever shape you’re in, the Belair X 6-12 is ready to match you!
In December, two new cameras came into my possession: from the bag of Sinterklaas, the Dutch Santa Claus, came a classic Minolta SRT100 with two lenses and a flash, and I also picked up the Horizon Perfekt that I had won in the "Eliza was here" rumble. By now the first rolls have been shot and developed!
Far from the romanticized images we see on television, kitchens are marred by a mesh of savage industrial hardware, organic flesh and bones, and the souls that inhabit it, as photographer Mike Kumagai discovered. His series exposes some of the notions we carry of kitchens and cooking in the only medium befitting of the task: 35mm film.
The story between the Spinner 360 and I goes way back to the year 2010, when Lomography decided to send me a beta model of the Spinner 360 to test. It was a complete surprise! I thought, "What the hell is that?" as I first took this camera out of the package. Then, when my little brother grabbed it from me and pulled the cord, it buzzed and turned 360°! We all had the same expression: "Whoa..."
Coinciding with the relaunch of the Lomography community website is the debut of one of the Magazine's newest series, Meet the Innovators. Here, we'll be talking to some of the game changers in the field of photography to get a closer look on what they do as well as find out their personal insights. For our opening salvo we proudly introduce Cat Ong, Lomography's very own Head of Optic Product Development who counts the research and development of the LC-A family, Russar and Petzval Art Lenses, Diana F+, and Lomo'Instant, among many others, as some of his projects.