This tipster is inspired by another tipster, Double Film in a Camera. However, I decided to change some of the tips on that tipster to come up with my own.
The article “Double Film in a Camera?” was the inspiration for this tipster that I made. The only thing I did differently than the other article, (please take a look) was that instead of using an unexposed, developed negative I used a negative of the photo above.
You’ll find that some of the results (in my opinion) are really fantastic! If you are looking for a new way to experience Lomography (or not), I highly recommend you give this a try. But if you do try to do this, use a simple picture, like a flower or a bird. And make sure there is enough light in every shot.
It's Tipstember! For this month, we will be awarding 25 fat piggies to every tipster article that gets published on the Lomography Magazine. You can share tips on composition, lighting, film experiments and camera modifications; or maybe techniques for shooting portraits, landscapes, still life and even wildlife! If you don't have tricks up your sleeve, however, you can still contribute to the Magazine and let your voice be heard. Here are some suggestions.
I like to make and use masks with my Lomo'Instant camera, but sometimes they are too dominant. In coming up with more subtle masks, I found several that produced an interesting, distressed look, especially when paired with the camera flash and color gel strips. They're especially good for creating Halloween-themed photos.
It's late October in Copenhagen and summer was well and truly behind us. With the nights drawing in, the chances of going out with one of my cameras was slim. All was not lost at this time of year, however, as it allowed me time to focus on my own personal music projects—I am a professional composer/musician and audio engineer at my own studio by day.
As part of the Valentine's Day Deal, you can grab this wonderful fluorescent pink plastic camera at a discounted price! Take seductive, soft-focused shots and pulsating vignettes on 120 film this season!
As you may have read in my previous article, I truly fell in love with Lomography when I combined my Fisheye camera with an old Canon AE-1 for magical photographic results. Last summer, I took so many pictures of flowers that it started to become almost boring for me. My waning interest and the coming winter meant that I had to figure out something else to do with my 35mm film.
In this article I’m going to review the LomoKino's key features, show you how to load the film, and share some tips on shooting and editing a movie. I will also show you a short stop motion movie that I made with this camera.
Browsing through the Lomography website, you can find a lot of redscale shots, which are all done on color negative films. I asked myself if it’s possible to redscale a slide or chrome film and then cross process it. (And yes, it is.) In this tipster I’m going to teach you how to create the bloodiest homemade redscale film I've ever come across.
There are quite a few perks that come with working for a film photography company, and the best perk of all is testing out the latest cameras. I can remember buying my LC-A back in 2009 and being really inspired to shoot film again. When the LC-A 120 came along, I couldn't wait to try it out around London. Join me as I test out this super medium format beauty.
It's no secret that the community is a treasure trove of film photography tips and techniques. And this artistic atmosphere is what exactly piqued Kellie Leming's interest. In this interview, our newcomer of the week from Nashville, Tennesse opens up about how the music community in her hometown inspires her to be positive and creative and what shooting on film means to her.
I recently found a roll of XR Redscale 50-200 film lying around in my drawer and decided to reignite my passion for embracing the weird and unexpected results that film can bring. I shot random doubles around the streets of Soho and was rather delighted with the results.
Did you catch the solar eclipse that happened recently? Word on the street is that it even resulted in a total eclipse in some areas of Europe, making it a pretty rare occasion for the folks that got to see it! We're guessing that some of you even had your cameras to catch the whole shebang on film — which is why we're throwing a competition for the best eclipse and sun inspired shots out there. Come on in and check out the details!
It had been five years since my last visit to the Côte d'Azur in France. During this period, I took to film photography again. And so for my return, I was looking forward to capturing, with my handy film cameras, some of that special light and blue sea that had drawn so many artists to the Riviera.
Lomographers know that once you start collecting cameras, it's difficult to stop yourself. It has a very logical explanation: every camera produces unique images that are impossible to get using another camera. In this article, I decided to compare three cameras with wide-angle lenses.