An action that everyone can take! The protagonists are objects encountered on the street. Eyebombing is the act of setting googly eyes on inanimate things in the public space. Ultimately the goal is to humanize the streets, and bring sunshine to people passing by, a photo project by an artistic collective.
Eyebombing.com is a website dedicated to pictures of inanimate objects decorated with plastic googly eyes, there is also a Flickr pool. The folks behind Eyebombing have begun attaching googly eyes to inanimate objects in public spaces. The objective is clear and simple: humanize the streets or make the streets more human, and give a bit of fun.
There are only two simple rules:
1. Only images of inanimate objects with wiggly eyes (NOT stickers!)
2. Only images taken in the public space.
Hey lomographer, why not glue googly eyes onto a trash receptacle and transform it into an adorable garbage-munching monster? It makes the world seem somewhat less mechanical and we can do it in an analogue way!
Geoffrey Berliner is the Executive Director of the Penumbra Foundation and the Center for Alternative Photography in New York. As the head of an organization whose goals are 'to be a comprehensive resource for photographers at any level' and 'to continue to publicize the impact photography has had and continues to have on culture, history and the arts,' his exposure to photographic materials -from 19th century gems to modern equipment- is so extensive, one cannot even begin to fathom just how much knowledge and experience this man has acquired. His collection of over 2000 vintage Petzval lenses is unparalleled, and the object of envy of both traditional and contemporary photographers. Although such lenses are reputed to require a certain level of skill to be used, Berliner seems to manage them with so much ease, producing splendid results.
Having a respectable career photographing social, political and economical matters, Philip Wolmuth is capable of starting a dialogue with the public via his thought-provoking photographs.
Going through the collective of images on his latest work, it seems impossible not to be instantly affected by the rawness of the emotions captured within the images. The passion, the anger, the commotion, the rebellion, the fervor, the shouting, the devotion; his work is inebriating. It's as if the images are screaming at you and, for a short while, you are transported to the Speakers' Corner without actually setting foot on that location.
You read the right, folks! The 175 Years of Petzval Legacy Competition is officially extended. Discover the additional prizes awaiting our lucky winners and meet the esteemed Petzval photographers that comprise our jury.
Some months ago the wonderful city of Matera, chosen as the European Capital of Culture 2019, hosted an exhibit featuring the works of an important Italian social photographer: Pepi Merisio, who had also donated all photos shown to the local public library. To pay homage to this great artist, I have selected a series of photos that I took in this place last summer. Take a look!
By now the Lomography site is like a pail of candied purple. Our confection LomoChrome Purple has produced forests and flower beds the shade of lavender macarons. Hard to resist the fantasy! But lately we have noticed darker, late-afternoon-sun versions. And we like what we see.
Anna Fischer calls herself a beauty documentary photographer. Her backstage photos of last year's New York Fashion Week revealed the glitz and glamour of such high fashion events. Her personal work, however, is more intimate, as seen is this series of photos taken with the new Petzvl 58 Bokeh Control Art Lens.
Photography has been described as a time-stopping device, something that “freezes” an action. This moment on-pause is the most salient; all conversation about the picture will tend to pin down the beauty of that second. Celeste Ortiz’s photos make us think of something else. A sense of continuation.