An action that everyone can take! The protagonists are objects encountered on the street. Eyebombing is the act of setting googly eyes on inanimate things in the public space. Ultimately the goal is to humanize the streets, and bring sunshine to people passing by, a photo project by an artistic collective.
Eyebombing.com is a website dedicated to pictures of inanimate objects decorated with plastic googly eyes, there is also a Flickr pool. The folks behind Eyebombing have begun attaching googly eyes to inanimate objects in public spaces. The objective is clear and simple: humanize the streets or make the streets more human, and give a bit of fun.
There are only two simple rules:
1. Only images of inanimate objects with wiggly eyes (NOT stickers!)
2. Only images taken in the public space.
Hey lomographer, why not glue googly eyes onto a trash receptacle and transform it into an adorable garbage-munching monster? It makes the world seem somewhat less mechanical and we can do it in an analogue way!
Geoffrey Berliner is the Executive Director of the Penumbra Foundation and the Center for Alternative Photography in New York. As the head of an organization whose goals are 'to be a comprehensive resource for photographers at any level' and 'to continue to publicize the impact photography has had and continues to have on culture, history and the arts,' his exposure to photographic materials -from 19th century gems to modern equipment- is so extensive, one cannot even begin to fathom just how much knowledge and experience this man has acquired. His collection of over 2000 vintage Petzval lenses is unparalleled, and the object of envy of both traditional and contemporary photographers. Although such lenses are reputed to require a certain level of skill to be used, Berliner seems to manage them with so much ease, producing splendid results.
Having a respectable career photographing social, political and economical matters, Philip Wolmuth is capable of starting a dialogue with the public via his thought-provoking photographs.
Going through the collective of images on his latest work, it seems impossible not to be instantly affected by the rawness of the emotions captured within the images. The passion, the anger, the commotion, the rebellion, the fervor, the shouting, the devotion; his work is inebriating. It's as if the images are screaming at you and, for a short while, you are transported to the Speakers' Corner without actually setting foot on that location.
As a wildlife cameraman and photographer, Ian Llewellyn has worked on a number of television projects. The UK-based lensman breaks free from the strict confines of his profession by engaging in monochrome photography. His personal work is a plethora of abstract and experimental imagery, created in a style distinctly his own. Llewellyn is an ardent user of a Leica Monochrom camera, on which he mounted the Lomo LC-A Minitar-1 Lens, producing the most imaginative, phantasmic results.
Although its existence has always been known among locals, it was only in 1913 when the rest of the world was introduced to the Inca site of Machu Picchu through an expedition headed by Yale University and professor Hiram Bingham.
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Reminiscent of traveling photographers of the 19th century, Giles Clement tours through the country with his assistant, Zeiss (an Irish Terrier), offering everything from portrait sessions to wildly creative photographic projects for magazines and companies. And although his mode of transportation may have evolved with the times, his photographic method and gear have changed very little compared to the photographers of days past. Now, with over 3 years of tintyping experience under his belt and an impressive list of clients, he's carved a name out for himself as an accomplished tintyper and continues to spread his passion for this ages-old technique everywhere he goes.