The film was easy to load and I had no trouble seeing the numbers through my Diana’s number window. It was so fun to shoot and I loved the results. The photos are very grainy and have that “olden time” feel to them.
I love the black and white saturation too. There wasn’t so much grey as there was black and white. This film worked great with my concrete theme, but I could see this working well for dark portraits that are well lit. And by well lit, I mean you have bright sunlight as your light source. This film is 100 ISO and will not pick up light where there is none. As you can see, some of my photos were really underexposed:
But that was my fault for not waiting for a sunny day. I got impatient and tried shooting this film indoors and outdoors on a cloudy day.
I would probably recommend this for one of your more dreary photoshoots. It definitely would be useful to have around for creepy subjects! I can’t wait to experiment with this some more.
The Lomography Black & White 100 120 provides very nice contrast and an amazing texture. A truly classic black & white film, it gives amazing results in almost every light condition. See our selection of Lomography films here.
lupideeloop had a blast shooting with his first two rolls of the Lomography XPro Sunset Strip. He loved and enjoyed its unexpected colors so much that he chose to save his final Sunset Strip roll for a special occasion. Read on to know more about lupideeloop's First Lomo Affair with the Lomography Xpro Sunset Strip!
Classy, moody photographs in monochrome and with fine grain - what more could you ask for from one of Lomography's very own black and white emulsion for standard 35mm cameras, the Earl Grey? Find out how this film fared among six of our community members in this Reviews on Rewind installment!
Awed by the eye-popping fiery red shade the film produces, Joan brands the Lomography Redscale 100 (120 mm) as the most original emulsion in Lomography's catalogue. Aside from this, he also enjoys experimenting with the film's ISO to produce a variety of stunning results. Read on to find out why linuxbcn chose the Lomography Redscale 100 as his Weapon of Choice!
About two years ago or so, I purchased the Lomography Redscale XR 50-200. I saved just one roll of this film and waited for the right moment to shoot with it. In April this year, I just wasn't able to take it anymore! I loaded this film into my Lubitel 166+, which I realized I hadn't used for maybe about six months. One idea came to mind: taking crazy multiple exposures!
This is my experience with the Lomography Redscale XR 50-200 (120), my first medium format film. It's an adventure that started when I got a Lubitel 2, to finally shoot with it. In this article, you'll find detailed information about color schemes, the advantages of shooting in medium format, and the differences between standard redscale films. Here are the results of a day of shooting outside, which I recently got back from the lab.
Really want to bring your film photos to life? We’re now offering totally analogue fine art prints in a host of large sizes and formats! Carefully enlarged from your negatives onto premium photographic paper by lab professionals, each picture is a unique piece of craftsmanship.
Get ready to think fast and shoot faster! Today, we are thrilled share with you news of the brand new LC-A 120 Camera. Load it with any 120 film roll and experience the thrill of medium format photography. You’re sure to soak up all the action in every square shot with its fantastic 38mm f/4.5 wide-angle lens (equivalent to a 21mm lens on a 35mm film camera). It's available for Pre-Order: Extremely limited first batch stock of only 500 cameras!
110 film photography can be as fun as 35mm and 120 film photography! Need a little more convincing? Take a look at these monochrome shots that play with shadows and light taken with the B&W Orca 110 film!
Every year my city Como hosts, for the Easter period, a great fun fair. This is a great occasion to test a camera, to make experiments with films, to have fun and to photograph people while also having fun! This year, I used my gem, the wonderful Horizon Perfekt (that I bought from the Lomography Online Shop) loaded with a timeless film, a Kodak Tri-X 400 developed, as usually for b/w, by myself. Read more after the jump!
Let it be known: this pairing has to do with love at first click, at the first roll of film, at the first prints. My newest toy, the Yashica Electro 35 GSN, combined with my favorite black and white film, Kodak BW400 CN: this is definitely going to be a long-lasting love.
A LomoAmigo who usually shoots Medium-Format with a Diana, Charlie Wagers went on two tours through the East Coast of the USA and shot his first rolls of LomoChrome Purple 120. Take a look at his first shots with the new film.
I was given a roll of LomoChrome Purple 120 by a friend who was keen for me to try it out since he didn't have a medium format camera. I really didn't expect the results I got when I took it out for a test run on a bright winter's day in London.