The film was easy to load and I had no trouble seeing the numbers through my Diana’s number window. It was so fun to shoot and I loved the results. The photos are very grainy and have that “olden time” feel to them.
I love the black and white saturation too. There wasn’t so much grey as there was black and white. This film worked great with my concrete theme, but I could see this working well for dark portraits that are well lit. And by well lit, I mean you have bright sunlight as your light source. This film is 100 ISO and will not pick up light where there is none. As you can see, some of my photos were really underexposed:
But that was my fault for not waiting for a sunny day. I got impatient and tried shooting this film indoors and outdoors on a cloudy day.
I would probably recommend this for one of your more dreary photoshoots. It definitely would be useful to have around for creepy subjects! I can’t wait to experiment with this some more.
The Lomography Black & White 100 120 provides very nice contrast and an amazing texture. A truly classic black & white film, it gives amazing results in almost every light condition. See our selection of Lomography films here.
Sonja started her analog adventures during her teenage years. She took her first film photographs when she was 13 and has been in love with the magic of the process since. Her idea of a perfect day involves developing film rolls while listening to jazz and having a cup of tea in between. In this interview, she recalls about her experience with her first Lomography camera, a Holga 120 CFN.
There are quite a few perks that come with working for a film photography company, and the best perk of all is testing out the latest cameras. I can remember buying my LC-A back in 2009 and being really inspired to shoot film again. When the LC-A 120 came along, I couldn't wait to try it out around London. Join me as I test out this super medium format beauty.
Get the perfect self-portraits or group photos with your friends with this instant camera! This camera allows you to be picture ready with its mirror next to the lens and gives you an idea where is best to smile!
Our LomoAmigo Kate Bellm is well-known for her psychedelic shots and Lomography's LomoChrome film is perfect for signature style. With some rolls of LomoChrome Purple and Turquoise film in her bag, the Deyá-based photographer went on a trip to Iceland and came back with otherworldly landscape shots.
I began 2015 with my first foray into the exciting world of analogue photography. With La Sardina in hand, I flew to Hanoi, Vietnam tentative, insecure, yet excited beyond words. How did I fare for my very first roll of film?
Go back to olden Andalusia, get to know Smithsonian's first photographer and see the vintage world bathed in turquoise. As far back as the 1870s, this gorgeous jewel tone had been in photographers' visual vocabulary.
You want your subject be the center of attention? Petzval lens photos are recognizable for sharpness and crispness in the centre, strong color saturation, wonderful swirly bokeh effect, artful vignettes and narrow depth of field that will make your subjects stand out!
Lomography has previously shown you the kind of shots that one could take with the new Lomo LC-A 120. Now, with the first batch already shipped out and arriving to their lucky owners, it's the community's turn to show everyone what they've been shooting with this awesome camera!
Gloucestershire-based photographer Michael Sullivan loves to shoot film. Recently Michael shot with the Lomo LC-A 120 loaded with color negative and Lomography Xpro Slide Film, and the results were quite fabulous. Meet the man behind the camera here.
Really want to bring your film photos to life? We’re now offering totally analogue fine art prints in a host of large sizes and formats! Carefully enlarged from your negatives onto premium photographic paper by lab professionals, each picture is a unique piece of craftsmanship.
Though I am not a professional, photography is in my genes. My father was a photographer and technician in the Air Force and accumulated a number of cameras during his life. This is a story about one of those cameras, a Yashica 635 TLR. I brought the camera—after being in storage for about 55 years—back to life with a roll of Portra 160 during the golden hour at Bellevue Botanical Gardens in Washington.
The Petzval Lens was the first truly practicable portrait lens ever created and thus was the ultimate gift to early photography. We at Lomography feel that this lens and its inventor deserve some attention so here is the first of a series of articles on Joseph Petzval and the first Petzval Lens.