Here is how I learned how concert photographs do not always require the best lenses or even the best zooms. This is the story of how I became the analogue concert photographer for La Fonoteca Barcelona.
Lafonoteca (which means the music library) is a website by and for music lovers, and Spanish music in particular. Its intention is to do an exercise in historical memory, to rescue musical legacy from oblivion, and promote the current scene, which they consider of great value. LaFonoteca BCN was created with the intention of closing the gap between the different music scenes at the state level. Taking Madrid and Barcelona as representatives, it establishes a flow to discover emerging bands which in many cases find it difficult to break out of their city.
During the preparations for first concert scheduled for a Friday in October, the organizers of this great project asked if I would be willing to make small photo reports of the individual concerts, and as you know, when offered a project like this you can not say no.
The day chosen for the debut concert was October 21st. The headliners making their premiere were the Barcelona band Double Billet and Madrid’s Betacam. The two pop bands gathered at the Heliogàbal bar of Gracia to prove that pop music has no boundaries and is not entirely undiscovered. What was seen was this! You can listen to the group’s music (which we heard live) through each of their Bandcamp websites!
So, this demonstrated that concert photography need not be digital, with great lenses and even better zooms. Multiple opportunities still occur in alternative events such as my October 21st. You can check out upcoming events at the La Fonoteca Barcelona page.
Geoffrey Berliner is the Executive Director of the Penumbra Foundation and the Center for Alternative Photography in New York. As the head of an organization whose goals are 'to be a comprehensive resource for photographers at any level' and 'to continue to publicize the impact photography has had and continues to have on culture, history and the arts,' his exposure to photographic materials -from 19th century gems to modern equipment- is so extensive, one cannot even begin to fathom just how much knowledge and experience this man has acquired. His collection of over 2000 vintage Petzval lenses is unparalleled, and the object of envy of both traditional and contemporary photographers. Although such lenses are reputed to require a certain level of skill to be used, Berliner seems to manage them with so much ease, producing splendid results.
"Magical" here means that every time I use the Diana F+, the results are always beyond both my expectations and imagination. That's why I always use it when I feel like doing something different. It has never failed me since day one; I even always bring this camera during my trips!
With names often sounding rather out of the ordinary or even completely made up, it's always fascinating to hear the stories on how bands came up with theirs. In this week's list we're featuring five such acts who were inspired to name themselves after the works of their seniors in music.
Really want to bring your film photos to life? We’re now offering totally analogue fine art prints in a host of large sizes and formats! Carefully enlarged from your negatives onto premium photographic paper by lab professionals, each picture is a unique piece of craftsmanship.
Though I am not a professional, photography is in my genes. My father was a photographer and technician in the Air Force and accumulated a number of cameras during his life. This is a story about one of those cameras, a Yashica 635 TLR. I brought the camera—after being in storage for about 55 years—back to life with a roll of Portra 160 during the golden hour at Bellevue Botanical Gardens in Washington.
Herbert Morris has been taking photographs for almost 60 years. From being his family's event photographer, he now acts as one of the community's resident guides who's always willing to give advice—photography related or otherwise—to fellow lomographers. In this interview, Herbert shares tidbits about his life as a war veteran and how being a sneaky photographer preserved the memories of his aunt.
Happy New Year Everyone. We're confident that our January 2015 workshops will help you dust off those January blues and get you smiling again. You'll be able to learn how to expose an image onto fabric or canvas with our LUMI paint workshop, learn the basics of our super Diana F+ camera and take to the streets with the Lomo'instant. There is also a great exhibition of analogue prints from photographer Arat “Huge” Komsawadichai. Find out more and book your spot by clicking here.
Branded as "The Reanimated Film," KONO! Film is hand-rolled and made of special materials which are rarely (or never) produced for "normal“ photography. Rather, the materials were intended for the motion picture industry and the results can vary depending on how the film is used. Learn more in this interview with the founder of KONO! Film, Uwe Mimoun.
Ever since light painting was invented, it inspired artists from all around the globe to magical creations that capture hidden movements and reinvent the world we live in. "Life is a fairy tale, stay wild little child!" is what they want to tell us. Bringing light to life became the next challenge for anyone rigged with a film camera and a creative mind.
Now, how can you take your analogue light paintings from the ordinary to the outstanding? After the carriage came the car, so we definitely need some spacy inventions to follow the old school light pen. So here it is, our new best friend: The Pixelstick!
Read on dear friend and I will weave a story for you. There may be more questions than answers raised by this peculiar tale. But if it’s clarity you seek, have no fear, things will become clear in time (they always do, don’t they?). So rub the Sandman’s dust from your sleepy eyes and take a journey with me. If you think you have an answer when we reach the end, please do share it in the comments!
Do the photographs in our community often leave you tongue-tied? You can still let your fellow lomographer know how much you appreciate their work by clicking the "Like" button. No matter how simple, this gesture can inspire anyone to go on with their analogue adventure. Here are the top photo likers of 2014.
Hi, everyone! I'd like to share with you my 2014 summary on analogue photography. Some things I did were completely new, while some were my good old habits. This year I learned how to develop black and white film, which I consider my greatest milestone. But the most important thing is that in 2014, I remain in love with Lomography! And the rest? Well, let's see...
Not long after Alex Timmermans purchased his first digital camera at the turn of the century, he quickly realized the trappings of digital photography couldn't fulfill his personal photographic desires. He then began searching for a more challenging process — one that wasn't so predictable. His journey eventually landed him back at the roots of analogue photography, specifically employing the wet plate collodion process using original Petzval lenses. This antique photographic process found in him a renewed inspiration and has since become his passion, which is evident in both his words and his images.