A Streetcar Named 'Desire' is one of my favourite books/plays/movies of all time. It made the jump from stage to screen effortlessly and worked just as well in both formats.
Originally written as a play by Tennesse Williams in 1947, it went on to earn acclaim and prizes the following year. It was adapted into a movie in 1951 and the main stars (Marlon Brando, Kim Hunter) were chosen from the Broadway stage version. Vivien Leigh was featured in the West End version before being chosen to star in the movie as well.
A Streetcar Named ‘Desire’ is a triumph and is one of the few stories I enjoy time and time again that doesn’t have a horror or comedy genre/ theme. It is incredibly dark in places with some of the themes of the movie including rape, suicide, mental health issues, and homosexuality — very advanced for its time. Of course, in the original movie version, some of these materials were censored but if you buy the DVD now, some content has been put back in.
What I like most about the movie, however, is that there are no fancy effects or any camera trickery. What makes this film so great is the sheer brilliance of the main actors in it. It must have been so emotional to film, and this really comes across in the way they all play their parts. For me, the most memorable scene is when Stanley (Brando) is screaming at his wife Stella (Hunter) following an argument — it is so animalistic and full of feeling. Also, you can’t really dislike a film where Brando is sweaty and sporting no more than a vest!
Doug DuBois spent five summers photographing the small neighborhood of Russell Heights in Ireland to capture the essence of coming of age: the inevitable loss of youth and the imminent transition into adulthood. Those four years resulted in his latest book, My Last Day At Seventeen. The book is a visual tale told through a collection of photographs and gives an alternative perspective through a comic narrative around the same subject. This creative combination of two distinct narratives in one book not only works wonderfully in visual terms; it also serves as an essential tool that lets the reader dig deeper into the story being told, making one go back to the book over and over again, yet from a new perspective, every single time.
Robin Rimbaud is a UK based artist, record producer, and composer who works under the name "Scanner" in reference to his use of mobile phone signals and police scanners in his early performances. He has worked on soundtracks for films, sound installations, radio, dance and theater. Robin also has a passion for medium format photography, owns a Holga camera and has a unique photographic style. Get to know him in this interview, where he talks about his personal work as well as his experience with the Lomo LC-A 120.
Colors may be amped to look unreal, like nothing of this world. Shots may be doubled, cross-processed, post-processed, mixed up into collages. The possibilities are infinite, yet some photographers still prefer black and white. Even in 2016, it is an ode to classic values of precision and balance. Light and shadow must be one pleasing dance. And just like in a well-choreographed piece, forms are obvious or playing coy. It all depends on how you're looking.
It's late October in Copenhagen and summer was well and truly behind us. With the nights drawing in, the chances of going out with one of my cameras was slim. All was not lost at this time of year, however, as it allowed me time to focus on my own personal music projects—I am a professional composer/musician and audio engineer at my own studio by day.
Geoffrey Berliner is the Executive Director of the Penumbra Foundation and the Center for Alternative Photography in New York. As the head of an organization whose goals are 'to be a comprehensive resource for photographers at any level' and 'to continue to publicize the impact photography has had and continues to have on culture, history and the arts,' his exposure to photographic materials -from 19th century gems to modern equipment- is so extensive, one cannot even begin to fathom just how much knowledge and experience this man has acquired. His collection of over 2000 vintage Petzval lenses is unparalleled, and the object of envy of both traditional and contemporary photographers. Although such lenses are reputed to require a certain level of skill to be used, Berliner seems to manage them with so much ease, producing splendid results.
In every aspiring photographers' dream - Turn the hobby into career, leaving the part time job, putting all of the efforts into one's photography project. Kevin Biberbach did it. Biberbach is a student from Aachen, who has completed a 365-day photography project called "EVRY DAY" with his passion and insist. The project is widely getting attention throughout the internet, which includes a variety of portraits content such as wedding, family and couples. Biberbach shared to Lomography exclusively about his work, passion to photography, and also his experience with the Petzval 85 Art Lens.
Auckland-based photographer Richard Wong dabbles in everything from wedding photography to street photography, even Lego photography! In the midst of his busy schedule as photographer, camera reviewer and father, he sat down to speak with us about how he uses the Petzval 58 Bokeh Control Art Lens in his diverse practice.
Born and raised in Montreal, Nathalie Daoust is a Canadian photographer who uses her camera to explore hidden realms around escapism and female sexuality. Her projects have taken her to obscure places all across the world, from the US to Brazil, from Japan to China and currently to North Korea.