A Streetcar Named 'Desire' is one of my favourite books/plays/movies of all time. It made the jump from stage to screen effortlessly and worked just as well in both formats.
Originally written as a play by Tennesse Williams in 1947, it went on to earn acclaim and prizes the following year. It was adapted into a movie in 1951 and the main stars (Marlon Brando, Kim Hunter) were chosen from the Broadway stage version. Vivien Leigh was featured in the West End version before being chosen to star in the movie as well.
A Streetcar Named ‘Desire’ is a triumph and is one of the few stories I enjoy time and time again that doesn’t have a horror or comedy genre/ theme. It is incredibly dark in places with some of the themes of the movie including rape, suicide, mental health issues, and homosexuality — very advanced for its time. Of course, in the original movie version, some of these materials were censored but if you buy the DVD now, some content has been put back in.
What I like most about the movie, however, is that there are no fancy effects or any camera trickery. What makes this film so great is the sheer brilliance of the main actors in it. It must have been so emotional to film, and this really comes across in the way they all play their parts. For me, the most memorable scene is when Stanley (Brando) is screaming at his wife Stella (Hunter) following an argument — it is so animalistic and full of feeling. Also, you can’t really dislike a film where Brando is sweaty and sporting no more than a vest!
From today until January next year, the Philadelphia Museum of Art plays host to a major exhibit featuring the work of one of the most influential American modernist photographers. Details after the jump!
It's every aspiring photographer's dream: turn one's hobby into a career; quit the part-time job and instead get commissioned to work on your own photography projects. Kevin Biberbach, a student from Aachen in Germany, made it. As a result of EVRY DAY, a 365-day project that has attracted plenty of attention online, he has been working on a variety of assignments such as wedding shoots and family and couple pictorials. Learn more about Biberbach, his work, passion for photography and experience with the New Petzval 85 Lens in this Lomography Exclusive.
It's late October in Copenhagen and summer was well and truly behind us. With the nights drawing in, the chances of going out with one of my cameras was slim. All was not lost at this time of year, however, as it allowed me time to focus on my own personal music projects—I am a professional composer/musician and audio engineer at my own studio by day.
For the last year we've been working on the next version of Lomography. We based our work on the feedback you’ve given us over the years and we wanted to share it as early as possible with you and can’t wait to hear what you think. Just one warning first: it is still in development and things can break. All the photos, comments, likes, homes and everything else were transferred as of October 16th, 2014. So anything you do on next.lomography.com won't be reflected on www.lomography.com and vice versa. Once we are done with testing, everything you did here will be deleted again. So this is a big playground for you to explore.
In April of this year I had the chance to test the Petzval Lens and to write a review on it for the German photography forum Kwerfeldein. The lens excited me from the very beginning, at the time it was introduced on Kickstarter. I was afraid that once I had tested the lens, I would want to have one of my own! Well, that’s what happened; a year later, I finally bought my very own Petzval lens.
Geoffrey Berliner is the Executive Director of the Penumbra Foundation and the Center for Alternative Photography in New York. As the head of an organization whose goals are 'to be a comprehensive resource for photographers at any level' and 'to continue to publicize the impact photography has had and continues to have on culture, history and the arts,' his exposure to photographic materials -from 19th century gems to modern equipment- is so extensive, one cannot even begin to fathom just how much knowledge and experience this man has acquired. His collection of over 2000 vintage Petzval lenses is unparalleled, and the object of envy of both traditional and contemporary photographers. Although such lenses are reputed to require a certain level of skill to be used, Berliner seems to manage them with so much ease, producing splendid results.
As a wildlife cameraman and photographer, Ian Llewellyn has worked on a number of television projects. The UK-based lensman breaks free from the strict confines of his profession by engaging in monochrome photography. His personal work is a plethora of abstract and experimental imagery, created in a style distinctly his own. Llewellyn is an ardent user of a Leica Monochrom camera, on which he mounted the Lomo LC-A Minitar-1 Lens, producing the most imaginative, phantasmic results.
Although its existence has always been known among locals, it was only in 1913 when the rest of the world was introduced to the Inca site of Machu Picchu through an expedition headed by Yale University and professor Hiram Bingham.
Done shooting and want your films to be processed? We can process your colour and black & white 35mm, 120 or 110 films! Development, prints and scans are also included. (Service availability depends on your markets)
Reminiscent of traveling photographers of the 19th century, Giles Clement tours through the country with his assistant, Zeiss (an Irish Terrier), offering everything from portrait sessions to wildly creative photographic projects for magazines and companies. And although his mode of transportation may have evolved with the times, his photographic method and gear have changed very little compared to the photographers of days past. Now, with over 3 years of tintyping experience under his belt and an impressive list of clients, he's carved a name out for himself as an accomplished tintyper and continues to spread his passion for this ages-old technique everywhere he goes.