A Streetcar Named 'Desire' is one of my favourite books/plays/movies of all time. It made the jump from stage to screen effortlessly and worked just as well in both formats.
Originally written as a play by Tennesse Williams in 1947, it went on to earn acclaim and prizes the following year. It was adapted into a movie in 1951 and the main stars (Marlon Brando, Kim Hunter) were chosen from the Broadway stage version. Vivien Leigh was featured in the West End version before being chosen to star in the movie as well.
A Streetcar Named ‘Desire’ is a triumph and is one of the few stories I enjoy time and time again that doesn’t have a horror or comedy genre/ theme. It is incredibly dark in places with some of the themes of the movie including rape, suicide, mental health issues, and homosexuality — very advanced for its time. Of course, in the original movie version, some of these materials were censored but if you buy the DVD now, some content has been put back in.
What I like most about the movie, however, is that there are no fancy effects or any camera trickery. What makes this film so great is the sheer brilliance of the main actors in it. It must have been so emotional to film, and this really comes across in the way they all play their parts. For me, the most memorable scene is when Stanley (Brando) is screaming at his wife Stella (Hunter) following an argument — it is so animalistic and full of feeling. Also, you can’t really dislike a film where Brando is sweaty and sporting no more than a vest!
Doug DuBois spent five summers photographing the small neighborhood of Russell Heights in Ireland to capture the essence of coming of age: the inevitable loss of youth and the imminent transition into adulthood. Those four years resulted in his latest book, My Last Day At Seventeen. The book is a visual tale told through a collection of photographs and gives an alternative perspective through a comic narrative around the same subject. This creative combination of two distinct narratives in one book not only works wonderfully in visual terms; it also serves as an essential tool that lets the reader dig deeper into the story being told, making one go back to the book over and over again, yet from a new perspective, every single time.
Robin Rimbaud is a UK based artist, record producer, and composer who works under the name "Scanner" in reference to his use of mobile phone signals and police scanners in his early performances. He has worked on soundtracks for films, sound installations, radio, dance and theater. Robin also has a passion for medium format photography, owns a Holga camera and has a unique photographic style. Get to know him in this interview, where he talks about his personal work as well as his experience with the Lomo LC-A 120.
It's late October in Copenhagen and summer was well and truly behind us. With the nights drawing in, the chances of going out with one of my cameras was slim. All was not lost at this time of year, however, as it allowed me time to focus on my own personal music projects—I am a professional composer/musician and audio engineer at my own studio by day.
For the last year we've been working on the next version of Lomography. We based our work on the feedback you’ve given us over the years and we wanted to share it as early as possible with you and can’t wait to hear what you think. Just one warning first: it is still in development and things can break. All the photos, comments, likes, homes and everything else were transferred as of October 16th, 2014. So anything you do on next.lomography.com won't be reflected on www.lomography.com and vice versa. Once we are done with testing, everything you did here will be deleted again. So this is a big playground for you to explore.
Geoffrey Berliner is the Executive Director of the Penumbra Foundation and the Center for Alternative Photography in New York. As the head of an organization whose goals are 'to be a comprehensive resource for photographers at any level' and 'to continue to publicize the impact photography has had and continues to have on culture, history and the arts,' his exposure to photographic materials -from 19th century gems to modern equipment- is so extensive, one cannot even begin to fathom just how much knowledge and experience this man has acquired. His collection of over 2000 vintage Petzval lenses is unparalleled, and the object of envy of both traditional and contemporary photographers. Although such lenses are reputed to require a certain level of skill to be used, Berliner seems to manage them with so much ease, producing splendid results.
In every aspiring photographers' dream - Turn the hobby into career, leaving the part time job, putting all of the efforts into one's photography project. Kevin Biberbach did it. Biberbach is a student from Aachen, who has completed a 365-day photography project called "EVRY DAY" with his passion and insist. The project is widely getting attention throughout the internet, which includes a variety of portraits content such as wedding, family and couples. Biberbach shared to Lomography exclusively about his work, passion to photography, and also his experience with the Petzval 85 Art Lens.
Done shooting and want your films to be processed? We can process your colour and black & white 35mm, 120 or 110 films! Development, prints and scans are also included. (Service availability depends on your markets)
"Love your camera" is Marika's first rule when it comes to shooting film. Her passion for collecting gear stemmed from a once-in-a-lifetime opportunity of testing a variety of film cameras for her friend's shop. Let's all welcome our newcomer of the week from Prague, Czech Republic, analogvision!