Why is it the long-lost black and white film? Because there's no more of this brilliant film in Indonesia! I bought this film for the first time in 2008 and from a friend who stayed in Surabaya so he had to send the films to Bandung. I just can't find any ERA Shantou these days. I will remember this film always.
So back then in 2008, I just bought the LC-A+ RL and for the love of black and white lomography, I decided to put the ERA Shantou into my LC-A+.
Pure magic! I just love the result! Those kind of black and white images are the black and white images that I always wanted. ERA Shantou and Lomo LC-A+ are best buddies! Wohoo! I wonder when I can try those two again.
The shots above I took it with Canon AE-1. I really miss using ERA Shantou, seriously. If somebody out there have or have seen an ERA Shantou film, please tell me. I want to use it again.
It’s black and white with fine grain, super fine I must say, so I was so surprised! ERA Shantou gives me that classic black and white images that I always see on the photography book or magazine.
So who wants to try out the ERA Shantou black and white film? If you found one, please enjoy it and have fun with it!
Not all photographs are meant to be seen in vibrant, saturated colors, and neither are they always suitable for in black and white. Lomography welcomes yet another innovation from KONO! The Reanimated Film. Without diminishing the aesthetic value of images, KONO! Donau 35mm Film casts a distinct blue tone to photos. It is ultra-low ISO film that is best used for long exposure shots. Check out this fine selection of uniquely tinted images.
In this article, I'll show you how the Lomo LC-A loaded with the versatile Ilford HP5+ can make the most out of a hazy morning. To capture the whirlwind of a bicycle race, I pushed the film to ISO 800. The legendary Minitar 1 lens and this classic Ilford film are a perfect combination if you love black and white photos.
It's no secret that the Lubitel 166+ produces bold, saturated colours that'll make your jaw drop to the floor! But the tones and contrast of this twin-lens camera carry across to black and white just as brilliantly. Here are some breathtaking grayscale photographs from our Online Community!
This is tribute to the Farm Security Administration photographer, Jack Delano, and his photographic series dedicated to barkers. For this article, I chose a series of photos I took this year at the traditional Easter Fair in my city, Como, using a classic rangefinder camera loaded with a roll of black and white film.
Capture the world and all its contours in vibrant, wide-angled photographs any time, any where! The LC-A 120 is an adventure of its own with lots of exciting functions to experiment with, like seamless long exposures or full ISO control. It's also super-fast and ultra-compact - perfect for your everyday. If you're worried about the Medium Format film, don't be! You are free to use any 120 Film you want and there are plenty to choose from. In fact, that's what makes this camera so versatile! Scroll through this gallery for a little taste of the glorious shots this nifty invention is capable of.
Some city-based parents feel wistful when they see their kids huddled in front of screens. There is nostalgia for tree climbing, hopscotch and bicycling. And why must children of today spend all their free time playing with zeroes and ones? This black and white gallery will inspire you to get the little ones out and about even just for the weekend.
You want your subject be the center of attention? Petzval lens photos are recognizable for sharpness and crispness in the centre, strong color saturation, wonderful swirly bokeh effect, artful vignettes and narrow depth of field that will make your subjects stand out!
Against the grain of serious photography, Tony Ray-Jones used commercial color film to document American streets. This was a pivotal lesson in choosing colorful subjects, something he would later master in his black and white series.
During the long nights around Christmas, the China Light Utrecht Festival was held in my hometown. On our visit, I brought my trustworthy Nikon F80 to shoot some pictures. Finally, the rolls came back from the lab recently and I was stunned by the results!
I've photographed this city many times in the past—in color, black and white, and even in redscale. One day in March, the streets of Manila once again became my subject. Only this time, they turned into otherworldly places as the LomoChrome Turquoise drastically shifted its colors...at least on film.
This article is a tribute to the great Portuguese film director Manoel de Oliveira, who died last April 2. With an old Praktica loaded with a roll of black and white film, I captured so enthusiastically his city Oporto (Porto) with its famous Ribeira district, the most characteristic of the Lusitanian town. It was here that more than 70 years ago, Manoel De Oliveira created a timeless masterpiece: "Aniki-Bòbò"!
There are quite a few perks that come with working for a film photography company, and the best perk of all is testing out the latest cameras. I can remember buying my LC-A back in 2009 and being really inspired to shoot film again. When the LC-A 120 came along, I couldn't wait to try it out around London. Join me as I test out this super medium format beauty.
"At the edge of the Earth" is an ongoing yearlong project by documentary photographer Markus Andersen in which he captures the coastline of Sydney, Australia on black and white film with the Diana and Lomo LC-A cameras. In this interview, the Sydney-based photographer opens up to Lomography about his latest endeavor as well as on shooting on the streets of his city and the importance of photographing in analog.