Why is it the long-lost black and white film? Because there's no more of this brilliant film in Indonesia! I bought this film for the first time in 2008 and from a friend who stayed in Surabaya so he had to send the films to Bandung. I just can't find any ERA Shantou these days. I will remember this film always.
So back then in 2008, I just bought the LC-A+ RL and for the love of black and white lomography, I decided to put the ERA Shantou into my LC-A+.
Pure magic! I just love the result! Those kind of black and white images are the black and white images that I always wanted. ERA Shantou and Lomo LC-A+ are best buddies! Wohoo! I wonder when I can try those two again.
The shots above I took it with Canon AE-1. I really miss using ERA Shantou, seriously. If somebody out there have or have seen an ERA Shantou film, please tell me. I want to use it again.
It’s black and white with fine grain, super fine I must say, so I was so surprised! ERA Shantou gives me that classic black and white images that I always see on the photography book or magazine.
So who wants to try out the ERA Shantou black and white film? If you found one, please enjoy it and have fun with it!
Exactly seven years ago, I bought this camera from Indonesia's local Lomography community. I remember having some savings in my bank account and just spending it all on this camera. At that time, I browsed the microsite for the Lomography Fisheye No.2 and immediately fell in love with it! Coincidentally, my friend who introduced me to Lomography just bought this same camera for his birthday. My life has changed ever since I had the Fisheye, my first lomographic camera.
This is a tribute to a great Austrian sports photographer, Lothar Rübelt. In an era with no high speed films available, he was able to immortalize wonderful moments in sports - from diving to gymnastics and football. In creating this tribute, I took a series of photos of an amateur football match using expired black and white film developed using an uncommon chemical. Take a look after the jump!
Stop bath is a type of chemical used in the darkroom for processing black and white film, aptly named as such because it halts the development of the images. In this case, stop bath is also part of the title that Korean analogue street photographer <b><a href="http://instagram.com/sooeatsyourstreetforbreakfast">Soomin Yim</a></b> has given her body of work, "Stop Bath the City," to represent the forgotten faces of people in the city amid rapid modernization, captured and immortalized on black and white film.
In this article, I'll show you how the Lomo LC-A loaded with the versatile Ilford HP5+ can make the most out of a hazy morning. To capture the whirlwind of a bicycle race, I pushed the film to ISO 800. The legendary Minitar 1 lens and this classic Ilford film are a perfect combination if you love black and white photos.
Done shooting and want your films to be processed? We can process your colour and black & white 35mm, 120 or 110 films! Development, prints and scans are also included. (Service availability depends on your markets)
This is tribute to the Farm Security Administration photographer, Jack Delano, and his photographic series dedicated to barkers. For this article, I chose a series of photos I took this year at the traditional Easter Fair in my city, Como, using a classic rangefinder camera loaded with a roll of black and white film.
In the week preceding the elections for the European Parliament, several political rallies were held in Como. As with all other public events in my city I documented one of these rallies, this time using a Russian film camera Zorki 6 loaded with a black and white film roll. Take a look!
Classy, moody photographs in monochrome and with fine grain - what more could you ask for from one of Lomography's very own black and white emulsion for standard 35mm cameras, the Earl Grey? Find out how this film fared among six of our community members in this Reviews on Rewind installment!
Capture the world and all its contours in vibrant, wide-angled photographs any time, any where! The LC-A 120 is an adventure of its own with lots of exciting functions to experiment with, like seamless long exposures or full ISO control. It's also super-fast and ultra-compact - perfect for your everyday. If you're worried about the Medium Format film, don't be! You are free to use any 120 Film you want and there are plenty to choose from. In fact, that's what makes this camera so versatile! Scroll through this gallery for a little taste of the glorious shots this nifty invention is capable of.
This article is a tribute to the photojournalist Bernard Cahier, the greatest Formula 1 photographer known as the "Cartier-Bresson of Motor Racing" for his great ability in capturing the right moment. Here, I'll feature a series of photos that I took at the Monza Grand Prix with a timeless black and white film! Take a look after the jump!