I was given a bunch of T-Max in 35mm as a gift by a friend and it is one of the films I’ve had the opportunity to shoot many rolls of. I love it because it delivers great contrast between mid-tones and at the same time makes very pretty dark tones. At ISO 100, it’s a perfect match for a plastic camera to shoot outdoors and it delivers minimal grain, which is nice for making prints, which I’ve a few of off of T-Max 100 negatives and they’ve all been incredibly detailed when blown up to 5×7. There are just certain films that take to the kind of light that comes through plastic and single glass lenses, and I think T-Max 100 is one of those films. If you’re developing for yourself and you have either D-76 or the T-Max developer, it’s also a great time saver.
That’s why it’s my weapon of choice.
It could be your favourite film emulsion, a cheap plastic toy camera or the most fun accessory you have and they are your Weapon of Choice! Want yours to be seen here next week? Then just drop us a line at email@example.com and you’ll get to show everyone what your Lomo snaps are made of!
For Crow, his LC-Wide, which he fondly calls Elsie, is the perfect camera for his "Don't think, just shoot" attitude. He takes it wherever he goes and even uses the camera to teach his daughter about photography. In this interview, he shares more about his love for the LC-Wide plus some of the photographs taken by his young apprentice.
Russell Darling is one of our Lomography UK regulars. He is a big part of our community of film fanatics and regularly joins our workshops and events. In this interview, we asked him about his experience shooting with the Lomo LC-A 120, as well as his work as visual effects practitioner for films such as "Star Wars," "Twilight," and "Godzilla."
Joel Byron is a long-time fan of Lomography and uses analog methods in his work at his video and film production agency BigPlus. Back in 2010 he painstakingly put together the Lomography Caterpillar Matrix video which had over 60,000 hits! We lent Joel a Petzval lens and asked him to capture some video footage of London. The results were pretty stunning.
Eric Marais is the founder of the portable dark-room experience, STENOFLEX. We recently had the chance to ask him some questions and he was kind enough to answer us! Read on to find out more about his company, his interest in photography and what's next for STENOFLEX!
Not long after Alex Timmermans purchased his first digital camera at the turn of the century, he quickly realized the trappings of digital photography couldn't fulfill his personal photographic desires. He then began searching for a more challenging process — one that wasn't so predictable. His journey eventually landed him back at the roots of analogue photography, specifically employing the wet plate collodion process using original Petzval lenses. This antique photographic process found in him a renewed inspiration and has since become his passion, which is evident in both his words and his images.
Martin Smith is a London based film photography fan who was one of the first people to receive the Lomo'instant from the Kickstarter Campaign. Since then he's been avidly shooting around town. Martin chatted to us about his love for instant photography and showed us some of his excellent shots. Read on for the full interview.
Michael Feurstein is not only a software developer, new media enthusiast and drum/saxophone player — he's also an avid pinholer! The Viennese multitasker started shooting pinhole when he got an ONDU camera for his 30th birthday and has now begun to rediscover his beautiful city through a pinhole photography project. Get to know more about his project and new-found passion for pinhole photography!
Canadian-born Ian Taylor is a full-time photographer specializing in kids and development work. It all started when his five siblings started having children at the same time he was into photography. This passion then spiraled into something amazing, and now Ian works primarily with kids, shooting them when they are in their purest form. Based in Asia, Ian has agreed to share this amazing series of photos he shot with his Petzval Art Lens in Cambodia and Thailand. He also shared with us some of his insights and views on photography.
Vincent Chan doesn’t like constraints. He is passionate about natural and quiet environments. He launched Compose The Story, which provides photography and cinematography services, recently as a means for him and his colleagues to document the beauty of their surroundings. He brings the the Petzval 58 Bokeh Control Lens into the country, and shares glimpses of its beauty in pictures.
Paul White is a South East London-based hip-hop producer with tons of energy and a penchant for film photography. He recently released his fifth album on the mighty R&S label. We decided to arm him with a Sprocket Rocket to shoot his adventures with. Read the full interview and see his images here.
Dale McCready is a cinematographer working in the film/ TV industry and has worked on programmes such as Doctor Who and Merlin. He was one of our supporters for the Petzval Kickstarter campaign and recently used the lens to film for a new BBC drama, which is due out in March. Dale kindly shared some of his Petzval photographs with us and talked about his love for this lens. Read on for the full interview.
Back in the 1990s, Gilbert Blecken was a big music fan who wrote for his own small music fanzine. He would interview bands in between sound checks and photograph them. He never became a professional photographer or worked for a company; he simply did it for his fanzine. Twenty years after, Gilbert’s photographs have matured into an amazing documentation of some of the biggest music icons of that era. We caught up with Gilbert to ask him about these photographs and the fascinating story behind them.