I was given a bunch of T-Max in 35mm as a gift by a friend and it is one of the films I’ve had the opportunity to shoot many rolls of. I love it because it delivers great contrast between mid-tones and at the same time makes very pretty dark tones. At ISO 100, it’s a perfect match for a plastic camera to shoot outdoors and it delivers minimal grain, which is nice for making prints, which I’ve a few of off of T-Max 100 negatives and they’ve all been incredibly detailed when blown up to 5×7. There are just certain films that take to the kind of light that comes through plastic and single glass lenses, and I think T-Max 100 is one of those films. If you’re developing for yourself and you have either D-76 or the T-Max developer, it’s also a great time saver.
That’s why it’s my weapon of choice.
It could be your favourite film emulsion, a cheap plastic toy camera or the most fun accessory you have and they are your Weapon of Choice! Want yours to be seen here next week? Then just drop us a line at firstname.lastname@example.org and you’ll get to show everyone what your Lomo snaps are made of!
Calling the Sprocket Rocket as Peter Atwood's go-to camera would be an understatement. He owns half a dozen of it that he simultaneously shoots with different films. He even considers the Sprocket Rocket as his dream machine. Let's hear what clickiemcpete has to say about this camera in this installment of Weapon of Choice!
Russell Darling is one of our Lomography UK regulars. He is a big part of our community of film fanatics and regularly joins our workshops and events. In this interview, we asked him about his experience shooting with the Lomo LC-A 120, as well as his work as visual effects practitioner for films such as "Star Wars," "Twilight," and "Godzilla."
Eric Marais is the founder of the portable dark-room experience, STENOFLEX. We recently had the chance to ask him some questions and he was kind enough to answer us! Read on to find out more about his company, his interest in photography and what's next for STENOFLEX!
He cannot stand a day without using his Lomo LC-Wide and his ongoing yearlong self-portrait project is a testament of his strong devotion to this wide-eyed snapper. Read on to know more about Mario Grieco, or aka goonies in our Community, and his Weapon of Choice, the Lomo LC-Wide!
The Lomography Sprocket Rocket might be a bit challenging to use but it didn't hinder maaikel from traveling and shooting various film rolls with it. In this week's installment of Weapon of Choice, he graciously shared his Sprocket Rocket story plus some amazing tips on using it.
Last year, Lomography UK had the honor of hosting an exhibition by music photographer Tom Sheehan. Tom has photographed everyone from Mick Jagger, The Smiths, The Charlatans, Tom Waits, David Byrne to name just a few! We lent him a Petzval lens and asked him to test it on a shoot, and he granted us an exclusive interview.
This article is dedicated to arguably one of the most famous street photographers in the world, Henri Cartier-Bresson (1908-2004). On this occasion, I felt obliged to write a tribute to this great artist whom I consider the "Mozart of Photography." His photos are inimitable, and to try to reproduce his innate sense of composition, harmony, and choice of the right moment is but an illusion. So I chose an unusual way to pay tribute, the only way possible for me. Take a look!
Matthieu Soudet is a child of photography. He started shooting in his native Normandy when he was only nine years old. Since then, he has dedicated his life to capturing magical moments and puts his boundless creativity to good use through beautiful pictures and portraits. He tested the New Petzval Art Lens tells us about his experience in this exclusive interview.
Only 15 and already so talented. David Uzochukwu is a student and photographer from Brussels, Belgium whose speciality is to capture breathtaking portraits. For a photography meet in Bavaria, Germany he asked us if we could lend him the New Petzval Lens, and of course we said yes! Check out the beautiful photos he and other photographers took during this special event.
By now most of you would have heard of Lomokev, one of the UK's most prolific film photographers. Based in Brighton, Lomokev loves to shoot with the trusty LC-A and his work has been featured in numerous publications and projects. We lent him a Petzval lens and asked him a few questions about what makes him tick. Here's an exclusive interview, along with a several fantastic shots by the talented UK-based photographer.
American photorealist and photographer Chuck Close suffers from Prosopagnosia, a disorder that impairs one's ability to recognize faces. Ironically, Close became famous for his huge portraits, which he painted with the help of gridded photographs. In 1988, a seizure resulting from spinal artery collapse rendered him paralyzed from the neck down, but did not stop him from creating masterpieces that patrons enjoy.
Back in the 1990s, Gilbert Blecken was a big music fan and wrote for his own small music fanzine. He would interview bands in between sound checks and take photographs of them. He was never a professional photographer or worked for a company; he simply did it for his fanzine. Twenty years on, Gilbert’s photographs have matured into an amazing documentation of some of the biggest music icons of that era. We caught up with Gilbert to ask him about these photographs and the fascinating story behind them.