I was given a bunch of T-Max in 35mm as a gift by a friend and it is one of the films I’ve had the opportunity to shoot many rolls of. I love it because it delivers great contrast between mid-tones and at the same time makes very pretty dark tones. At ISO 100, it’s a perfect match for a plastic camera to shoot outdoors and it delivers minimal grain, which is nice for making prints, which I’ve a few of off of T-Max 100 negatives and they’ve all been incredibly detailed when blown up to 5×7. There are just certain films that take to the kind of light that comes through plastic and single glass lenses, and I think T-Max 100 is one of those films. If you’re developing for yourself and you have either D-76 or the T-Max developer, it’s also a great time saver.
That’s why it’s my weapon of choice.
It could be your favourite film emulsion, a cheap plastic toy camera or the most fun accessory you have and they are your Weapon of Choice! Want yours to be seen here next week? Then just drop us a line at firstname.lastname@example.org and you’ll get to show everyone what your Lomo snaps are made of!
For Crow, his LC-Wide, which he fondly calls Elsie, is the perfect camera for his "Don't think, just shoot" attitude. He takes it wherever he goes and even uses the camera to teach his daughter about photography. In this interview, he shares more about his love for the LC-Wide plus some of the photographs taken by his young apprentice.
Calling the Sprocket Rocket as Peter Atwood's go-to camera would be an understatement. He owns half a dozen of it that he simultaneously shoots with different films. He even considers the Sprocket Rocket as his dream machine. Let's hear what clickiemcpete has to say about this camera in this installment of Weapon of Choice!
Russell Darling is one of our Lomography UK regulars. He is a big part of our community of film fanatics and regularly joins our workshops and events. In this interview, we asked him about his experience shooting with the Lomo LC-A 120, as well as his work as visual effects practitioner for films such as "Star Wars," "Twilight," and "Godzilla."
Joel Byron is a long-time fan of Lomography and uses analog methods in his work at his video and film production agency BigPlus. Back in 2010 he painstakingly put together the Lomography Caterpillar Matrix video which had over 60,000 hits! We lent Joel a Petzval lens and asked him to capture some video footage of London. The results were pretty stunning.
Eric Marais is the founder of the portable dark-room experience, STENOFLEX. We recently had the chance to ask him some questions and he was kind enough to answer us! Read on to find out more about his company, his interest in photography and what's next for STENOFLEX!
The Lomography Sprocket Rocket might be a bit challenging to use but it didn't hinder maaikel from traveling and shooting various film rolls with it. In this week's installment of Weapon of Choice, he graciously shared his Sprocket Rocket story plus some amazing tips on using it.
You want your subject be the center of attention? Petzval lens photos are recognizable for sharpness and crispness in the centre, strong color saturation, wonderful swirly bokeh effect, artful vignettes and narrow depth of field that will make your subjects stand out!
Not long after Alex Timmermans purchased his first digital camera at the turn of the century, he quickly realized the trappings of digital photography couldn't fulfill his personal photographic desires. He then began searching for a more challenging process — one that wasn't so predictable. His journey eventually landed him back at the roots of analogue photography, specifically employing the wet plate collodion process using original Petzval lenses. This antique photographic process found in him a renewed inspiration and has since become his passion, which is evident in both his words and his images.
Last year, Lomography UK had the honor of hosting an exhibition by music photographer Tom Sheehan. Tom has photographed everyone from Mick Jagger, The Smiths, The Charlatans, Tom Waits, David Byrne to name just a few! We lent him a Petzval lens and asked him to test it on a shoot, and he granted us an exclusive interview.
This article is dedicated to arguably one of the most famous street photographers in the world, Henri Cartier-Bresson (1908-2004). On this occasion, I felt obliged to write a tribute to this great artist whom I consider the "Mozart of Photography." His photos are inimitable, and to try to reproduce his innate sense of composition, harmony, and choice of the right moment is but an illusion. So I chose an unusual way to pay tribute, the only way possible for me. Take a look!
Matthieu Soudet is a child of photography. He started shooting in his native Normandy when he was only nine years old. Since then, he has dedicated his life to capturing magical moments and puts his boundless creativity to good use through beautiful pictures and portraits. He tested the New Petzval Art Lens tells us about his experience in this exclusive interview.
Only 15 and already so talented. David Uzochukwu is a student and photographer from Brussels, Belgium whose speciality is to capture breathtaking portraits. For a photography meet in Bavaria, Germany he asked us if we could lend him the New Petzval Lens, and of course we said yes! Check out the beautiful photos he and other photographers took during this special event.
Michael Feurstein is not only a software developer, new media enthusiast and drum/saxophone player — he's also an avid pinholer! The Viennese multitasker started shooting pinhole when he got an ONDU camera for his 30th birthday and has now begun to rediscover his beautiful city through a pinhole photography project. Get to know more about his project and new-found passion for pinhole photography!