After our first "Kodak EIR doubles with you“:http://beta.lomography.com/magazine/blog/2009/03/28/doubles-with-you-lomodirk-larslau -entry we finished our second EIR swap. So this is part II of "larslau“:http://beta.lomography.com/homes/larslau and "lomodirk“:http://beta.lomography.com/homes/lomodirk using the Kodak EIR Aerochrome 400.
After our first "Kodak EIR doubles with you“:http://beta.lomography.com/magazine/blog/2009/03/28/doubles-with-you-lomodirk-larslau entry we finished our second EIR swap. So this is part II of "larslau“:http://beta.lomography.com/homes/larslau and "lomodirk“:http://beta.lomography.com/homes/lomodirk using the Kodak EIR Aerochrome 400.
This time around Lars started the first layer in Copenhagen using a Canon FTb at 900 ISO and for indoor shots approx 600 ISO with a yellow filter. He did a lot of flowers and plants estimating the back layer in a great pink tone.
I used my LC-A at 100 ISO because of the darkred filter I just pulled in front of the Minitar lens. I shot almost randomly in good old Lomography bearing estimating not really any special types of colours. Sorry Lars! ;)
See all of our results "here“:http://beta.lomography.com/homes/larslau and here in my "doublehome“:http://beta.lomography.com/homes/doubleswithlomodirk
Again I was stunned by looking at the scans, I didn`t expect them so colorful. If that film wouldn`t so expensive I would use it more often for doubles.
In December last year James Wright, editor and creative director of So It Goes Magazine, went on a two-week trip to Sri Lanka, "a place so long on our bucket list, but up until then, as yet unvisited," he writes on the first of his three-part photo diary. Herein is the second part of his series that chronicles his adventures, highlighted by a selection of breathtaking images of the Sri Lankan countryside and the locals, among many other images, captured with his trusty photographic companions: the Leica MP, Lomo LC-A+, and an assortment of films including the LomoChrome Purple.
When asked to recall the moment they first became truly interested in photography, most photographers would remember the magical feeling of picking up a hand-me-down or secondhand camera, the thrill of shooting an entire roll through, and the elation upon seeing and holding their first ever set of photographs. Caleb Savage, however, had quite a unique experience. At 10 years old, he had his first taste of working in the darkroom making prints at Boy Scout camp, thereby beginning a more than a decade-long affinity with photography.
You read the right, folks! The 175 Years of Petzval Legacy Competition is officially extended. Discover the additional prizes awaiting our lucky winners and meet the esteemed Petzval photographers that comprise our jury.
Really want to bring your film photos to life? We’re now offering totally analogue fine art prints in a host of large sizes and formats! Carefully enlarged from your negatives onto premium photographic paper by lab professionals, each picture is a unique piece of craftsmanship.