I never had any problems with my lab which is why I was surprised when a film had been totally messed up at the end. It was folded, bended and in some parts even dead. So what I did was that I cut the first parts of the negatives and scanned them, and I must say, I’m quite pleased with the results! The bending and folding created white strips across the redscale film, a cool effect.
I don’t know if I would ever of been brave enough to hurt my negatives like that, so thank you, lab, for making that mistake for me (but please do it only once!)
This week’s instalment of PYHOF brings you a mix of everything from punk, blues, rock and roll, and maybe a little bit of everything in between that will hit nothing but the sweet notes. Plug those headphones in and take dive.
You want your subject be the center of attention? Petzval lens are recognizable for sharpness and crispness in the centre, strong color saturation, wonderful swirly bokeh effect, artful vignettes and narrow depth of field that will make your subjects stand out!
Between the end of July and the beginning of August this year, I traveled around Spain, from Barcelona to Gibraltar, then up to Toledo and again down to Zaragoza. With photos fresh from the lab, I'll show you the wonderful architecture of the City of The Arts and Sciences of Valencia in this article. Take a look after the jump!
This is my experience with the Lomography Redscale XR 50-200 (120), my first medium format film. It's an adventure that started when I got a Lubitel 2, to finally shoot with it. In this article, you'll find detailed information about color schemes, the advantages of shooting in medium format, and the differences between standard redscale films. Here are the results of a day of shooting outside, which I recently got back from the lab.