“Fuji Sensia is not a professional slide film”, said a film seller. For me as a Lomographer, I really don’t mind whether it’s a professional film or a normal film. What I know, Fuji Sensia had brought a lots of loves for me. Cross-processed, not only I like the reddish color but also the purple or magenta hues I get with it! The main thing is it will create a strong vignetting effects in the hot sunny day.
Being a Lomographer for almost one and the half-year, I only used 2 rolls of this film. The first roll of my Fuji Sensia’s photos had won me the “LomoHome of The Day” and “Who The Hell Are You” competitions on the week #4. I also brought my 2nd roll of Sensia to the beach. The results had just brings me alive again!
With a love of antique cameras and analogue photography, Shawn Lin has long been an active member of the Lomography Community with dozens of his shots being featured. Shawn likes to explore the effects of double exposure on different themes and objects, with an emphasis on the presentation of colours. Come take a look of his work of using Petzval Art Lens on his antique camera and his thoughts about the two!
The shoutbox is an open space for lomographers to interact with fellows from across the globe, air their honest opinions and suggestions, share interesting news, and promote their work (especially with the photo-sharing feature introduced last year!). And keeping it filled with entertaining conversations are these chatty lomographers. Meet the top shoutbox users of 2015.
Considered as one of the best 35mm SLR cameras, the Nikon F2 is indeed one of the best experiences on film I’ve ever had. Fully manual and almost impossible to break, this historic camera is really marvelous to use.
A trip to Japan with her sister last year marked the fulfillment of a dream that meitads had held ever since she was a kid growing up in Indonesia in the '90s. Armed with various film cameras, she tells the story of her journey.
We all know about 35mm and 120 film, right? And since Lomography re-introduced 110 film, we have another film format to play with. But in the years past, many more film formats were in use. Let me introduce you to a few golden oldies and tell you about my experiences with them. I'll start with Rapid film.
It had been five years since my last visit to the Côte d'Azur in France. During this period, I took to film photography again. And so for my return, I was looking forward to capturing, with my handy film cameras, some of that special light and blue sea that had drawn so many artists to the Riviera.
Julie Budet, better known as Yelle, is a french musician, who in 2007 joined forces with GrandMarnier (Jean-François Perrier). Since then, they have been working together, creating music and touring around the world. Last year they released their 3rd album - Complètement Fou (completly crazy) - and took the LC-A+ with them on their US tour.
Its stunning tones, smooth grain, and overall elegant monochrome look have inspired fellow lomographers to pen odes of praise—well, reviews, actually. Find out how the Lomography Lady Grey 400 (35mm) fared right here.
The New Petzval Lens 85 continues to captivate the hearts of many photographers from its debut a couple of years back. A perfect balance between form and function, this lens closely mimics the look of the legendary Petzval lens of the 19th century and delivers eye-catching images with its signature tack sharp center and swirly bokeh background. Many photographers from both outside and inside the Lomography community have raved about the New Petzval 85. In this recap, we look back at four community-written reviews.