In 1987 James Cameron directed one of the best science fiction thriller films: Abyss. The filming took place in a half-built nuclear reactor in Gaffney (South Carolina). Want to know the current status of the studio? You'll be surprised how it is after nearly 25 years.
The film included many, and some complicated, underwater scenes. People said that James Cameron demanded before the shooting and writing to all parties, a certificate stating that they could swim without a problem. As mentioned, the film was shot on a half-built nuclear reactor. To fill the main pond, it took several million gallons of water. This gives us an approximation to the size of the set. In fact, its magnitude was such that the cost to dismantle it became so high that until today has remained largely intact. The following figures show the state between 2003 and 2004. Previously, there were many elements of the set that have been stolen by fans of the film.
Aside from photography, newcomer Dmitri Berenger enjoys a multitude of hobbies including gardening, watching movies, and discovering music. In this interview, he talks about his photographic style, his inspirations, choosing film cameras over digital gear, and many more.
'Snapshot' was our Tumblr keyword this week. We spent the past few days looking at troves of fresh samples from all corners of the globe. We got lured to the most effortless variety, everyday captures upgraded to showcase compositions. We invite you to look at the ones we bookmarked for future visits.
London based photographer Cat Stevens uses the softer, more subtle aesthetics of film photography throughout her work. Her shoots consist of the familiar light leaks and washed out tones that most film shooters will be familiar with. She has photographed artists such as Deerhunter, PJ Harvey and recently took a series of sun drenched beach shots which adorned The Charlatans' last album cover titled "Modern Nature."
Lomographer Carina, or landei in the community, regards the Sprocket Rocket as a "versatile plastic camera." For her, it doesn't only take great travel snapshots but makes an interesting conversation starter as well. In this interview, Carina expounds more on what makes the Sprocket Rocket her go-to camera.
A true Lomographic gem, the Lomo LC-A+ RL is blessed with good looks and bursting with experimental potential. Get ready to shoot amazing Lomographic photos by experimenting with MX shots, long exposures and a whole range of accessories!
This article is dedicated to Bruce Davidson, one of the most important American documentary photographers and a leading figure of the Magnum agency. Recalling his photos of the Worcester Fire Department in 1999, I'll show you my coverage of Como Fire Department's public demonstration, an annual event commemorating St. Barbara.