The photography collection at George Eastman House holds approximately 400 James Jowers prints. The majority of the images were shot in New York City in the 1960s and early 1970s, an important and interesting time in US history. Know more about him and his job.
The interest of James Jowers in photography began while serving in the United States Army where he was trained in the darkroom procedures. In 1965, he became a student at the New School and studied under Lisette Model, who later became a close friend and mentor oh him and his job. At this time, he was living on the Lower East Side and worked as a night porter at St. Luke’s Hospital. It allowed him to freely explore the city during the day and photograph life as he encountered it on the streets. Model later introduced Jowers to the Nancy Palmer Photo Agency where he was represented for several years.
The photography collection at George Eastman House holds approximately 400 prints of James Jowerss. The majority of the images were shot in New York City in the 1960s and early 1970s, an important and interesting time in US history. The photographs are of the New York City street photography genre. There are some remarkable images in this collection, including portraits of New Yorkers in various settings and anti-war protests in Central Park and elsewhere. There are also approximately 25 photographs of New Orleans in the 1970s.
An ongoing show at the George Eastman House in New York puts the spotlight on a collection of photographs that "explore uses of gardens and how humans cultivate the landscapes that surround them," from the time the medium was invented up to the present.
Geoffrey Berliner is the Executive Director of the Penumbra Foundation and the Center for Alternative Photography in New York. As the head of an organization whose goals are 'to be a comprehensive resource for photographers at any level' and 'to continue to publicize the impact photography has had and continues to have on culture, history and the arts,' his exposure to photographic materials -from 19th century gems to modern equipment- is so extensive, one cannot even begin to fathom just how much knowledge and experience this man has acquired. His collection of over 2000 vintage Petzval lenses is unparalleled, and the object of envy of both traditional and contemporary photographers. Although such lenses are reputed to require a certain level of skill to be used, Berliner seems to manage them with so much ease, producing splendid results.
We all know about 35mm and 120 film, right? And since Lomography re-introduced 110 film, we have another film format to play with. But in the years past, many more film formats were in use. Let me introduce you to a few golden oldies and tell you about my experiences with them. I'll start with Rapid film.
After a fully booked 2015, photographer Chloé Vollmer-Lo found time to test the Petzval 58 Bokeh Control Art Lens. She brought it to the Natural History Museum and the Paris business district, an endeavor that resulted in quite a few stunning, bokeh-rich images.
Really want to bring your film photos to life? We’re now offering totally analogue fine art prints in a host of large sizes and formats! Carefully enlarged from your negatives onto premium photographic paper by lab professionals, each picture is a unique piece of craftsmanship.
Ella Lama is a letterer and illustrator based in Manila, Philippines. Her work is a perfect mix of good cheer and unfeigned creativity. Recently, she designed a Lomo'Instant White camera with cute and playful illustrations inspired by her Japan trip.
Aside from photography, newcomer Dmitri Berenger enjoys a multitude of hobbies including gardening, watching movies, and discovering music. In this interview, he talks about his photographic style, his inspirations, choosing film cameras over digital gear, and many more.
London based photographer Cat Stevens uses the softer, more subtle aesthetics of film photography throughout her work. Her shoots consist of the familiar light leaks and washed out tones that most film shooters will be familiar with. She has photographed artists such as Deerhunter, PJ Harvey and recently took a series of sun drenched beach shots which adorned The Charlatans' last album cover titled "Modern Nature."