The trailer of The Shining, that is of course my favorite film of all time, is my favorite trailer of all time. The trailer lasts for 1 minute and 30 seconds, in a still shot of blood pouring out of the elevators' doors while the credit is scrolling up.
It took the crew nine days to set up the shot, and Kubrick being a perfectionist that he was well known of only took three takes to be satisfied. That means twenty-one days of work went into this one minute and a half trailer that crystallized the best of The Shining. Enjoy! Oh and don’t forget to leave a comment with your favorite trailer just right below!
Are you a film buff who found this article interesting? Go ahead and check out other articles from the Appreciating Films series!
Let it be known: this pairing has to do with love at first click, at the first roll of film, at the first prints. My newest toy, the Yashica Electro 35 GSN, combined with my favorite black and white film, Kodak BW400 CN: this is definitely going to be a long-lasting love.
Recently, I used my trusty Fuji Silvi. It may not be my all-time favorite camera, but I just wanted to use it because I kind of missed shooting with it. So I decided to look through my film stash to see what I could use with the Fuji Silvi. After much consideration, I ended up picking the old Agfa CT Precisa ISO 100 to get that classic blue tone. Silvia Precisa!
Last Sunday, the local rugby team Rugby Como played the first match of the 2014-1025 season. Rugby is my favorite sport to photograph, and for some years I've been documenting almost every home match of this young team. This time I used a 1959 Zorki 5 camera with a vintage 1958 Industar-50 lens loaded with a timeless film, the Ilford HP5+ developed in a century-old developer, the mythical Rodinal. Take a look after the jump!
We have prepared a special set of filters to boost up your creative possibilities with the Petzval or any other lens with a 58mm filter mount. Get all in one set or pick your favourite and step up your game!
April 12th is Film Photography Day, a celebration of analogue experimentation and getting out there with your camera, unplugged, wild and free! In the run up to this great annual occasion we are giving you 30% off all Lomography film when you buy any camera and 3 for 2 deals on 100 ISO color negative 35mm, Lobster 110 film and 100 ISO color negative 120 film in our Online Shop and Gallery Stores!* But hurry because these deals only last until Sunday 23rd March!
The entire Kodak Elitechrome series belong to my favorite films. From the EB, to the EBX, ED, and EL; they all have great features once you know how to use them well. The EL with its 400 ISO hardly gets any attention, which is also because of the fact that it is more uncommon. But that is about to change with this. Here's some e-love.
Coinciding with the relaunch of the Lomography community website is the debut of one of the Magazine's newest series, Meet the Innovators. Here, we'll be talking to some of the game changers in the field of photography to get a closer look on what they do as well as find out their personal insights. For our opening salvo we proudly introduce Cat Ong, Lomography's very own Head of Optic Product Development who counts the research and development of the LC-A family, Russar and Petzval Art Lenses, Diana F+, and Lomo'Instant, among many others, as some of his projects.
Stenoflex lets you reproduce the single steps of black and white photography, from taking photos to printing. It is a simple box pierced with a tiny pinhole to allow light to enter. Put a sheet of photosensitive paper (included) inside the darkroom and expose it to your subject.