A review on one of the most popular films in Lomography: Agfa CT Precisa. My very first experience with this film was nothing short of pleasant surprises!
Whenever I stumbled upon some really nice lomographs on this website, chances are it could be taken with a CT Precisa. The film is tied as the most popular in the website alongside Lomography's Color Negative 400 and the Redscale film; hence when I got it for the first time, I couldn’t wait to test and see what this little red wonder can produce.
I brought this film to Macau on a holiday in August. The weather was amazingly sunny, not to mention it was quite hot as well, although it would be a great condition to shoot lomographs! Having done some “preliminary research”, I predicted that the film would turn out blueish and greenish — but after having my photos back from the lab, I was quite surprised to see the end results!
Generally all were in the cool spectrum, but the prominent colors are turquoise and purple. The sky was especially rendered in a comfortable turquoise blue, while some images shot under the shade turned purplish. I wasn’t sure if anyone got the same results too, but I loved that color so no complains!
Perhaps this could be an alternative to the rare Fuji Astia, which produces reddish-purple hues when cross processed. It is a great film, and not surprisingly one of the most popular ones at lomography’s website – the film itself is capable of packing nice surprises!
With the right composition and the perfect subject, cross processing the Agfa CT Precisa guarantees spectacular, awe-inspiring results. From the delicate and scenic to the intimate and mundane, here are some views captured on cross-processed Agfa CT Precisa slide film.
Where do I begin talking about film cameras on the Lomography Magazine? Yes, you guessed right. I will begin with a LOMO, of course, a very special one: the Lubitel 166 Universal (Lubitel 166U). It’s a camera that has almost everything you might need from a camera. Plus, it’s a LOMO!
Considered as one of the best 35mm SLR cameras, the Nikon F2 is indeed one of the best experiences on film I’ve ever had. Fully manual and almost impossible to break, this historic camera is really marvelous to use.
With its surreal, psychedelic results that easily remind one of fairy tale-like wonderlands, the LomoChrome Purple has quickly grown to become one of the most popular emulsions in the community. We're giving you that extra push in the form of more community-penned reviews to finally try this film yourself, if you haven't.
Sira Pocovi, better known in the Lomography community as sirapocovi, is a London-based camera trainee who assists camera crews on film sets. It's no surprise, then, that she's so smitten with the LomoKino! Here, Pocovi opens up on her experiences filming with this camera as well as her project, Lomokovi Films.
Sonja started her analog adventures during her teenage years. She took her first film photographs when she was 13 and has been in love with the magic of the process since. Her idea of a perfect day involves developing film rolls while listening to jazz and having a cup of tea in between. In this interview, she recalls about her experience with her first Lomography camera, a Holga 120 CFN.
An Argentinean writer and photographer living in the Pacific Northwest, Lorraine Healy is a long-time fan of plastic cameras and is the author of "Tricks With A Plastic Wonder," a manual for achieving better results with a Holga camera, available in eBook form at Amazon.com. In this article, Healy explains how she fell hard in love with the Lomography XPro Slide 200 film and why she takes it on her many travels.
The Pop 9 is an analog multilens wonder that allows you to take a mosaic of nine images in one frame à la Andy Warhol's famous pop art. In this Reviews on Rewind installment, we dug through our archives and found these informative reviews of the Pop 9 - just in case you're looking into snagging a fun camera in your arsenal!
Stephen Dowling is no stranger to the LC-A 120 camera; he has brought it on trips to Brighton, Malta and most recently, on a holiday in Istanbul. In this feature, Stephen talks about his experience shooting with this medium format camera around the markets and mosques of one of Turkey's most colourful and vibrant cities.
It was the Amazon which I had longed for my whole life. And when it was finally a set deal that I will travel to Brazil with two of my best friends for the Copa do Mundo (World Cup), we really had to start our adventure in the Amazon. I had known about this magical place deep in the rainforest. There was a lodge run by local people of indigenous background, with wooden houses that float on the water and a limited number of visitors. It was eco-tourism as how it should be. To preserve and to celebrate one of the most impressive locations I have seen so far.
As you may already know, the Autochrome Lumière first hit the market in 1907. Shortly after this, influential American photographer and gallery owner Alfred Stieglitz began experimenting with this new color photography himself after witnessing its first commercial demonstration while on a trip to Europe.