My job has me working in front of cameras all the time. I decided to make a little change this time and put my thoughts into the photos by seeing through the viewfinder. Fortunate to have Casey to grace my photos, and hopefully I can create red hot intensity by using Redscale XR 50-200 with my La Sardina.
My job has put me in front of a camera all the time and I give my best for those behind the cameras. Working as a model is fun, no doubt, and what makes it better is that you get to observe and learn how photographers create their creative pieces. This time, instead of being in front of the camera again, I moved behind it and saw through the viewfinder.
Thank you to Jetzh and John for being kind enough to let me use their studio. Casey was such a sweetheart for willing to grace my frames and I really hope to produce shots that we both will like. Casey and I are relatively new to do this, but we sure had loads of fun picking the clothes to wear, deciding on what to photograph, how to pose and so on.
My La Sardina was armed with two rolls of Lomography Redscale XR 50-200 and hopefully I can achieve the punchy red intensity in the photos. I did experiment by adding on the blue and yellow color filters for some of the shots too. Most of the shots, I used the studio light and diffused it with the softbox to give extra light on the model’s face.
I didn’t really use the backdrops in the studio, and I just photographed Casey at the couch, storeroom, window sides or even the washroom. I guess I much prefer the background not to be too plain.
That day Casey actually just bought a three-month old kitten before coming to the studio. I wanted to pair them up to photograph but the kitten seemed to be very stressed finding himself at the new environment. So I decided not to photograph the cat and give him time to relax himself. Casey and the boyfriend were thinking what to name the kitten. In the end we all decided to name him Sardine since La Sardina is the first camera to photograph him :D
My 2015 resolution is to do 12 photography projects, one for every month. In July, I tried freelensing or unscrewing the lens from my SLR and holding it in front of the camera body. By tilting the lens slightly I was able to change the focus. For this experiment, I used my Konstruktor and Olympus OM-1.
My list of resolutions for 2015 consists of 12 projects, one for every month. In January, I tried some camera add-ons. If you want to add a bit of extra bling to your pictures, you can put something either in front of or behind your lens. In this case, I did both.
It's late October in Copenhagen and summer was well and truly behind us. With the nights drawing in, the chances of going out with one of my cameras was slim. All was not lost at this time of year, however, as it allowed me time to focus on my own personal music projects—I am a professional composer/musician and audio engineer at my own studio by day.
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I love the different styles of cameras that Lomography has, but I also like to create my own cardboard cameras that use pinholes to be able to take pictures using traditional film. This time I created the Pinhole F, a camera inspired by the Diana F+ and shoots 12 pinhole photos using 120 film.
Exactly seven years ago, I bought this camera from Indonesia's local Lomography community. I remember having some savings in my bank account and just spending it all on this camera. At that time, I browsed the microsite for the Lomography Fisheye No.2 and immediately fell in love with it! Coincidentally, my friend who introduced me to Lomography just bought this same camera for his birthday. My life has changed ever since I had the Fisheye, my first lomographic camera.
Last week, I received the strangest thing through my letterbox. It was a postcard with this photograph on 1 side. The photo is of me sitting by the sea whilst I was on vacation last year. But I have literally no idea who took this shot – That’s why I came here, to ask for your help on my search for my mysterious photographer and to try and get to bottom of the riddle they wrote me. Please help me if you can!
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Last Sunday, the local rugby team Rugby Como played the first match of the 2014-1025 season. Rugby is my favorite sport to photograph, and for some years I've been documenting almost every home match of this young team. This time I used a 1959 Zorki 5 camera with a vintage 1958 Industar-50 lens loaded with a timeless film, the Ilford HP5+ developed in a century-old developer, the mythical Rodinal. Take a look after the jump!
With a Lomo'Instant Camera and a Splitzer, you can get absolutely funny and creative images. I took it to the highest level and exposed my shots from 4 to 8 times! What you'll see next is an impressive mix of colors, textures, places and people captured in a very surreal way!
This article is dedicated to the multifaceted American photographer George Krause and to his series depicting funeral monuments realized between 1962 and 1963. I was able to know about this series thanks to an important essay on photography written by former Museum of Modern Art (MoMA) Director of Photography, John Szarkowski. For this tribute, I loaded my trusty Praktica camera with a roll of Ilford film and took a series of photos in the Monumental Cemetery in my city, Como. Take a look!
This year marks the 70th anniversary of the publication of one of the most influential photography books ever, "Ballet" by the photographer, art director, and graphic designer Alexey Brodovitch. Brodovitch took a series of photos of classical dance in a very unconventional way, using very slow exposure times, trying to catch the true essence of Russian ballets. For this article, I took a series of photos at the Swing Crash Festival in my city, Como, held in June 2015.
Alfred Eisenstaedt was one of Life Magazine's greatest photographers, known for his ability to immortalize the storytelling moment of many public events in history. To write this tribute to him, I chose a subject that he photographed in different places and times: card players in public places. The photos in this article were taken at the Patronal Feast of my city Como, during a series of buraco's lessons held by a local card players club.
What do you do when you don't have much time in a city like New York but you want to see everything, feel the vibe and be part of the community, even for a short time? Jump on a bike and enjoy what trains, buses and cabs can never give you: be part of the city. Take a camera with you to capture the moments and sights you don't want to forget. I did this with my LC-A 120 and LomoChrome Purple film.