These are a collection of pictures I snapped with my trusty Holga while chilling out with my my friends in downtown Reykjavik.
It’s not always icy winds and crazy snow here in Iceland, during the summer we often get great weather and happy days (that is, of course, if we behave ourselves well) And during these happy sunny days what is better than to take a stroll down Laugavegur with your favorite lomographic companion? Even go down to the Pond (Tjörnin) and take lomographs of our little feathered friends frolicking about in the gleaming sun sparkling water? Reykjavik is a legendary place and a treat for the eyes, ears, nose and mouth, well most of the times.
LomoChrome Turquoise was especially concocted to give your pictures a whole new look. Watch as the lighter colors in your shots become tinted in varying hues of chilled blue, while greens transform into illustrious emerald and natural blues turn a wonderfully sunny gold – perfect for color-rich daylight shots!
I recently had the opportunity to take the world’s most creative instant camera — the Lomo'Instant — for a stroll on an unusually warm and sunny November day. My goal was to acquaint myself with the endlessly cool features and infinite possibilities the camera possesses while creating some beautiful photographs in the meantime. Read on to see the results!
Ever since the Pixelstick came out, I've been dying to try it out. This past week, I finally got my chance! With one goal in mind — getting some super cool light-painting shots — I grabbed some friends for an amazing session with my Lomo'Instant and the Pixelstick. Take a moment and have a look at these priceless pics!
A recent lunchtime break turned into a big analogue adventure when I took the Lomo'Instant camera out with the Splitzer and captured a gloriously sunny day in the heart of Soho, London. I learned a couple of great tips about shooting with this new accessory. Read on to find out more.
It is clear from the wild variety of photos in the website that Lomographers will do just about anything to get a good shot. Some swap rolls with friends overseas while others concoct unheard-of film soups. And then there are the masters of operations, the ones who spy and crouch their way to a share-worthy picture. This is one such story.
Everything I had fit into eight boxes and two suitcases. That’s all I had collected in my 22 years on earth, eight boxes and two suitcases. My friends and I moved to Brooklyn in the dead of winter, just after a huge snowstorm. I came from California and had no real experience living in snow. All of it was magical to me.
My family and I were in Udaipur (India) for a wedding ceremony and decided to travel around the area. We went to Jaisalmer, one of the most gorgeous cities I have ever seen (located on the border with Pakistan) and decided to stop by the remote Thar Desert, which is where these pictures were taken.
This article is dedicated to the multifaceted American photographer George Krause and to his series depicting funeral monuments realized between 1962 and 1963. I was able to know about this series thanks to an important essay on photography written by former Museum of Modern Art (MoMA) Director of Photography, John Szarkowski. For this tribute, I loaded my trusty Praktica camera with a roll of Ilford film and took a series of photos in the Monumental Cemetery in my city, Como. Take a look!
Very few of even the most intrepid travelers get to set sail to the Arctic and the Antarctic. A lomographer known to the Community as stouf, however, was able to set foot on both polar regions. While the rare opportunity to visit these uncommon destinations came in parcel with his profession, he did not forget to bring along his trusty cameras and favorite film to capture scenes from the expeditions.
As you may have read in my previous article, I truly fell in love with Lomography when I combined my Fisheye camera with an old Canon AE-1 for magical photographic results. Last summer, I took so many pictures of flowers that it started to become almost boring for me. My waning interest and the coming winter meant that I had to figure out something else to do with my 35mm film.