The Rollei CN Digibase is an un-masked colour negative film with very fine grain and deep blue colours.
This film is some kind of special as it is an un-masked one (to be honest, I didn’t really understand the technical aspects of this particularity…) which has a very fine grain and great sharpness. The colors are very deep and the blue ones come out very strong. I tested it with my Holga along the sea, and I was really well surprised to see how the pictures of the seascape came out. The blue colours, the fine grain and the contrast were really impressing.
But as the film seems very sensitive to light, I noticed that the 2 first shots suffered a bit from the light when I put the film in the camera, so I think it is better to load it in very reduced light conditions. But once the camera is closed, no more problem! And for the very sunny conditions at the sea, the 200 ASA value of the film managed it very well.
Really a film worth to be used, especially when you want to have deep blue colours of the sky and/or the sea on your shots!
Classy, moody photographs in monochrome and with fine grain - what more could you ask for from one of Lomography's very own black and white emulsion for standard 35mm cameras, the Earl Grey? Find out how this film fared among six of our community members in this Reviews on Rewind installment!
If you happen to come across an expired Lomography Color Negative 400 ISO 120 film pack, either in a store or on the Internet, get one and be ready for an exciting experience. You'll definitely get more from it!
An Argentinean writer and photographer living in the Pacific Northwest, Lorraine Healy is a long-time fan of plastic cameras and is the author of "Tricks With A Plastic Wonder," a manual for achieving better results with a Holga camera, available in eBook form at Amazon.com. In this article, Healy explains how she fell hard in love with the Lomography XPro Slide 200 film and why she takes it on her many travels.
If you'd be shooting in low light, at night, or in any other situation that would require a high speed film for best results, why don't you try the Lomography Color Negative 800 for 35mm cameras? Allow five of our community members to convince you with their respective reviews in this installment of Reviews on Rewind.
The shoutbox is always open for the community's honest opinions, surprising suggestions, and sweetest greetings. It is also an avenue for members from across different countries to dicuss and interact with one another. We'd like to commend these lomographers for keeping this humble space booming with entertaining conversations all year long. Congratulations to our top shoutbox users of 2014.
This film has fine grain, especially when cross-processed in C41. And if you use a Lomo camera, maybe the LC-A or the LC-Wide, the results will be more interesting with strong vignettes in your pictures!
Capture the world and all its contours in vibrant, wide-angled photographs any time, any where! The LC-A 120 is an adventure of its own with lots of exciting functions to experiment with, like seamless long exposures or full ISO control. It's also super-fast and ultra-compact - perfect for your everyday. If you're worried about the Medium Format film, don't be! You are free to use any 120 Film you want and there are plenty to choose from. In fact, that's what makes this camera so versatile! Scroll through this gallery for a little taste of the glorious shots this nifty invention is capable of.
Lomography UK was lucky enough to test an LC-A 120 prototype in store and it was glorious! We used colour and black and white film to capture the camera at its finest. It was everything you would expect from the LC-A but in full frame 38mm f/4.5 120 film. It's LOVE.
This is an introduction to using a candle flame to manipulate and distort your negatives. This process results in melted, stretched, and twisted images with colour shifts. Proceed with caution there is no going back.
This is my experience with the Lomography Redscale XR 50-200 (120), my first medium format film. It's an adventure that started when I got a Lubitel 2, to finally shoot with it. In this article, you'll find detailed information about color schemes, the advantages of shooting in medium format, and the differences between standard redscale films. Here are the results of a day of shooting outside, which I recently got back from the lab.