A lovely bunch of Lomographers met in Milan’s Lomography Gallery Store to discover and master the secrets of all sorts of films: from color to black and white, infrareds and slides along with all possible and imaginable film processing.
But it wasn’t all talk and soon after an intense theoretical introduction we grabbed our cameras, picked our films and went on a mission in hunting for art at the gardens of the Triennale museum.
Armed with Dianas, Fisheyes, La Sardinas and LC-A+s, we snapped as much as we could out at this magical place where relaxation meets. The search of art and spectacular images for printing on our crazy films!
Browsing through the Lomography website, you can find a lot of redscale shots, which are all done on color negative films. I asked myself if it’s possible to redscale a slide or chrome film and then cross process it. (And yes, it is.) In this tipster I’m going to teach you how to create the bloodiest homemade redscale film I've ever come across.
Colors may be amped to look unreal, like nothing of this world. Shots may be doubled, cross-processed, post-processed, mixed up into collages. The possibilities are infinite, yet some photographers still prefer black and white. Even in 2016, it is an ode to classic values of precision and balance. Light and shadow must be one pleasing dance. And just like in a well-choreographed piece, forms are obvious or playing coy. It all depends on how you're looking.
Against the grain of serious photography, Tony Ray-Jones used commercial color film to document American streets. This was a pivotal lesson in choosing colorful subjects, something he would later master in his black and white series.
You want your subject be the center of attention? Petzval lens photos are recognizable for sharpness and crispness in the centre, strong color saturation, wonderful swirly bokeh effect, artful vignettes and narrow depth of field that will make your subjects stand out!
It's human nature to be restless and imaginative. The real may be interpreted as what one sees or how one sees something. For the daydreamer, a scene from nature transforms into a canvas. Suddenly a field makes room for chemical coloring, all those anachronistic streaks that somehow look right. Or else, those beautiful colors amplified or subdued to their most pictorial shades. All in the world of trial-and-process film photography.
Film Photography Day 2015 is nearly here and we’ve got loads of raucous parties planned around the world at our Lomography Gallery and Embassy Stores! Everything you can imagine and in the most analogue way possible — live unplugged music, vinyl DJs, in-store raffles, analogue flea markets, scavenger hunts, workshops, panels of photographers, instant photo-booths, competitions and loads more!
Wilson Lee is not new to Lomography. He has taken photos using the Petzval Lens, and produced stunning results. Before going back to London to finish his master's degree, he used the New Russar+ lens and Lomography Lady Grey film to preserve his memories of his hometown, Hong Kong, in black and white.
Vincent Law, a Hong Kong industrial designer, loves to shoot with black and white film. In his work, there is almost always a combination of people and architecture. He recently shot a series of black and white photos with New Russar+ Lens. Let's take a look at his work.
Not all photographs are meant to be seen in vibrant, saturated colors, and neither are they always suitable for in black and white. Lomography welcomes yet another innovation from KONO! The Reanimated Film. Without diminishing the aesthetic value of images, KONO! Donau 35mm Film casts a distinct blue tone to photos. It is ultra-low ISO film that is best used for long exposure shots. Check out this fine selection of uniquely tinted images.
A popular quote by photojournalist Ted Grant goes, "When you photograph people in color, you photograph their clothes. But when you photograph people in black and white, you photograph their souls!" Indeed, the lack of vibrant color forces the viewer to see beyond what is on plain view and recognize the atmosphere surrounding a photograph. In this post, we've handpicked black and white shots taken in various situations and exhibit different moods.
Some city-based parents feel wistful when they see their kids huddled in front of screens. There is nostalgia for tree climbing, hopscotch and bicycling. And why must children of today spend all their free time playing with zeroes and ones? This black and white gallery will inspire you to get the little ones out and about even just for the weekend.
In this article, I'll show you how the Lomo LC-A loaded with the versatile Ilford HP5+ can make the most out of a hazy morning. To capture the whirlwind of a bicycle race, I pushed the film to ISO 800. The legendary Minitar 1 lens and this classic Ilford film are a perfect combination if you love black and white photos.