My friend Chris was having a house party so I knew I needed some good fast film, something I could use without having to whip out a big flash unit. I loaded up my AE-1 with some of this Neopan and went to the party. While there, I was able to use the camera pretty much at 1/60th and with a decent aperture setting. I was so surprised and it made it easier to get some candids of my friends while we had a blast. The next day, I was going to see my friend Sam’s band, The Dirt Vultures played a show. I brought my AE-1 with me again because they asked if I could take some shots for them. It was decently bright at their show so I was able to shoot in the 1/60th to 1/125th range without a problem which made it way easy to get good action shots of them.
When I got the film back I was blown away! Nice fat grain, nice punchy contrast and good shadows. I was so impressed with this film. It became my staple black and white film in my Canon. I know everyone always says how good this film is when you’re in low light…and they aren’t kidding! Besides being good in the light, the look of this film is out of this world. Looks like every good classic shot from the days of old, but available to us now.
If you'd be shooting in low light, at night, or in any other situation that would require a high speed film for best results, why don't you try the Lomography Color Negative 800 for 35mm cameras? Allow five of our community members to convince you with their respective reviews in this installment of Reviews on Rewind.
Classy, moody photographs in monochrome and with fine grain - what more could you ask for from one of Lomography's very own black and white emulsion for standard 35mm cameras, the Earl Grey? Find out how this film fared among six of our community members in this Reviews on Rewind installment!
110 film photography can be as fun as 35mm and 120 film photography! Need a little more convincing? Take a look at these monochrome shots that play with shadows and light taken with the B&W Orca 110 film!
Bask in the sunshine of panoramic shots with the effortless cool of the Horizon Cameras. Be it with the Perfekt or Kompakt, you’ll never be caught off guard with their mechanical swing lens that captures all the action on 35mm film.
Most, if not all, of the photographs in Keis Iguchi's LomoHome were printed using traditional darkroom processes. He likens film photography to using cassette tape and relies on his favorite combination of LC-A and Ferrania Solaris 800 in creating evocative images. In this interview, our Newcomer of the Week from Tokyo Japan shares more about his affinity for analog photography.
From the simple Vivitar 110 camera he received from his grandmother, Brett Wolff already accumulated close to almost a hundred cameras and accessories in his analog arsenal. Some of the cameras he treasured were even handed down by relatives and friends, making these more precious to him. Let's take a closer look at his camera collection.
Elvis Halilović turns chestnut wood into heirloom-worthy cameras known as Ondu. As a countdown to Pinhole Photography Day happening tomorrow, we show you how these pieces are shaped, sanded and assembled. All this effort for the love of a good picture!