Ever wonder how photographers like Edward Weston were able to get super high contrast black and white prints? It wasn't all in the printing, it wasn't all in the negative, and it wasn't all in the camera. You need all three and a wee bit of mathematics.
Anyone can achieve those super high contrast black and white images with a little bit of mathematics, some understanding of light and the chemicals involved in developing film. Okay, I just reread what I wrote and I think I made it sound harder than it is. Here is the basic technique: underexpose your shot and overdevelop your film. It helps first to compose a scene in interesting light. The two images attached to this tip were taken in bright sunshine beaming in on a porch. The light was coming in from the south and shining directly on a chair in one corner of the porch. There was a lot of shadows on the rest of the porch as it was late afternoon. I decided to underexpose the shot but wasn’t sure how much I needed so I took two shots, the first shot was underexposed by two f/stops and the second by 3 f/stops. Underexposing means that there will be a lot of blacks and very little whites—a dark shot, too dark. But that’s okay because you can bring back those whites while developing the film.
When black and white film is developed the blacks develop first and stop developing after the first two or three minutes, the whites keep developing as long as the film is in the developer. So depending on how much you underexposed the film will determine how long you overdevelop the film. Since I underexposed by two to three f/stops I overdeveloped by half. For example, using Sprint developer, Kodak TRI-X 400 needs 10 minutes, so I developed it for 15 minutes instead to bring out the whites that were underexposed. You get a very thick negative which requires longer processing. If you do not develop your own film you will need to explain this process to whomever you use and hope they understand. There is some risk involved. If you don’t develop the film long enough you’ll get flat negatives and flat photos. If you develop too long the highlights (whites) will be blown out with no details. If you scan your own negatives you can adjust your image. But remember you cannot bring back details that don’t exist.
I love high contrast photos especially for still life. They work great for nudes and portraits as well. Good luck and let me know if you give it try. I’d like to see the results.
In this article, I'll show you my 2014 in analogue through the letters of the alphabet. All these photos were taken in the streets of my city, Como, or in close proximity (a few kilometers away from it), mainly during public or sporting events, and all in black and white.
Not all photographs are meant to be seen in vibrant, saturated colors, and neither are they always suitable for in black and white. Lomography welcomes yet another innovation from KONO! The Reanimated Film. Without diminishing the aesthetic value of images, KONO! Donau 35mm Film casts a distinct blue tone to photos. It is ultra-low ISO film that is best used for long exposure shots. Check out this fine selection of uniquely tinted images.
It’s time to add an analogue touch to all those photos taken with your smartphone! We’ve restocked the Shop with Fujifilm Instax Share SP-1, a portable and easy-to-use printer that allows you to magically transform your mobile photos, as well as scanned analogue photos, into super-cool instant snapshots. It works great with Android and iOS tablets and phones - simply transfer the images to the device by using the free Instax Share app and start printing!
The New Petzval Lens is a stunning reinvention of one of the first and greatest lenses of all time. It produces images with extreme sharpness, artful vignetting and absolutely beautiful swirly bokeh backgrounds. Click through to see 30 breathtaking black and white photos after the jump!
Off the main island of Singapore is the small island of Pulau Ubin, whose appearance is reminiscent of life in this highly urbanized country as it was many decades ago. Boredslacker gives us a glimpse through her gritty black and white photographs of the place.
Hi, everyone! I'd like to share with you my 2014 summary on analogue photography. Some things I did were completely new, while some were my good old habits. This year I learned how to develop black and white film, which I consider my greatest milestone. But the most important thing is that in 2014, I remain in love with Lomography! And the rest? Well, let's see...
You want your subject be the center of attention? Petzval lens photos are recognizable for sharpness and crispness in the centre, strong color saturation, wonderful swirly bokeh effect, artful vignettes and narrow depth of field that will make your subjects stand out!
Since Lomography launched its new Petzval 58 Bokeh Control Art Lens project on Kickstarter, we've been seeing a variety of pictures, from images of snow monkeys in Japan to behind-the-scenes shots of New York Fashion Week. Many of these pictures were shot with digital cameras, but we've yet to see how the Petzval 58 performs on an analog Canon Rebel camera loaded with black and white, and x-pro film. Join us on a trip through the heart of New York's Chinatown during the Lunar New Year Parade.
Browsing through the Lomography website, you can find a lot of redscale shots, which are all done on color negative films. I asked myself if it’s possible to redscale a slide or chrome film and then cross process it. (And yes, it is.) In this tipster I’m going to teach you how to create the bloodiest homemade redscale film I've ever come across.
Ever since it opened in the '60s the Jigokudani Yaenkoen park in Nagano Prefecture, Japan has been visited by people from all over the world to observe the famous snow monkeys, or the Japanese Macaque. Lomographer ihave2pillows had the wonderful opportunity to see the snow monkeys up close a couple of years ago, and here are some of the photographs that he had shared with the community.
Capture all the sights in one sweeping frame with your LC-A+ and LC-A+ Wide-Angle Lens! Check out these images from the community and, while you're at it, find out how you can earn piggies and have your own photographs be featured on the Online Shop!
Have you ever wondered why those nerdy camera constructors formulate complicated terms that baffle most normal citizens? Trust me, I know it all too well; Physics was the first subject to go when I had to choose between studying and spending yet another night pursuing youthful adventures. But don't worry — the remedy for all of the gaps in your knowledge is right here: Lomography’s Little Lessons on Photography. Follow this series and in no time you'll catch up on everything your curious mind desires!
Capture the world and all its contours in vibrant, wide-angled photographs any time, any where! The LC-A 120 is an adventure of its own with lots of exciting functions to experiment with, like seamless long exposures or full ISO control. It's also super-fast and ultra-compact - perfect for your everyday. If you're worried about the Medium Format film, don't be! You are free to use any 120 Film you want and there are plenty to choose from. In fact, that's what makes this camera so versatile! Scroll through this gallery for a little taste of the glorious shots this nifty invention is capable of.