A fun and rewarding way to mistreat your film is to double expose a roll with yourself or a friend shooting the first layer normal and the second layer as redscale. Just watch the colors explode. If you want to further punish your film then give it the ol' x-pro treatment.
Using a roll of Lomo X-Pro slide film I shot the first layer at 250Roct which is about 200iso then after carefully rewinding it without it going back into the canister I cut off the leader and taped it to be wound into another canister upside down. After cutting a new leader I loaded it back into my camera and shot the second layer as redscale at the same settings. I then took the finished roll into the lab and had it x-proed for good measure. The results were mind blowing colors and crazy saturation. On one end of the spectrum were wild blues and on the other were sharp and fiery yellows and oranges.
With slide film the redscale effect generally is more sensitive because the emulsion layers aren’t as thick and foggy. It is wise to under develop that layer by a couple stops minimum. I unfortunately didn’t have the option of shooting any more than 200iso so a few of the pictures were totally overtaken with redscaled hues. A color negative film would be less sensitive and provide a toned down redscale effect if that was your aim, but then you have to realize you won’t get those wild x-pro colors. Make a film choice and a game plan and get out there and do it!!! You won’t be disappointed.
Browsing through the Lomography website, you can find a lot of redscale shots, which are all done on color negative films. I asked myself if it’s possible to redscale a slide or chrome film and then cross process it. (And yes, it is.) In this tipster I’m going to teach you how to create the bloodiest homemade redscale film I've ever come across.
We love multiple exposures because no matter what scenes you choose to combine, the end result is always spectacular! Double (or triple) yourself up in a self portrait, or experiment with different patterns and objects when you shoot with your Lomo'Instant Wide and watch your amazing creations develop before your eyes!
I recently found a roll of XR Redscale 50-200 film lying around in my drawer and decided to reignite my passion for embracing the weird and unexpected results that film can bring. I shot random doubles around the streets of Soho and was rather delighted with the results.
You want your subject be the center of attention? Petzval lens photos are recognizable for sharpness and crispness in the centre, strong color saturation, wonderful swirly bokeh effect, artful vignettes and narrow depth of field that will make your subjects stand out!
We all know about 35mm and 120 film, right? And since Lomography re-introduced 110 film, we have another film format to play with. But in the years past, many more film formats were in use. Let me introduce you to a few golden oldies and tell you about my experiences with them. I'll start with Rapid film.
After a fully booked 2015, photographer Chloé Vollmer-Lo found time to test the Petzval 58 Bokeh Control Art Lens. She brought it to the Natural History Museum and the Paris business district, an endeavor that resulted in quite a few stunning, bokeh-rich images.
Ella Lama is a letterer and illustrator based in Manila, Philippines. Her work is a perfect mix of good cheer and unfeigned creativity. Recently, she designed a Lomo'Instant White camera with cute and playful illustrations inspired by her Japan trip.
Aside from photography, newcomer Dmitri Berenger enjoys a multitude of hobbies including gardening, watching movies, and discovering music. In this interview, he talks about his photographic style, his inspirations, choosing film cameras over digital gear, and many more.