Spy-Camera a misnomer, a challenge to get the film done but may be good for nostalgic moody photograph
If you are looking for a camera to challenge, test your resolve and patience. Try the spy-cam. I found two of these cheese misnomers at different yard sale. And as it turns out it took two to finally get through the test. The cheepo sunglasses that come with the camera break easily. I later was able to attach them to my trusty Ray- Bans. The air plunger also comes apart pretty easily because it has to be squeezed so hard to make the shutter work. It is not really a spy camera because the camera is a 110 camera attached to the arm of the sunglasses. It looks pretty goofy; which I thought could be fun, so I tried it out.
I Only found 12 exposure rolls of film for this camera. It proved to be difficult to get the film done inexpensively. I was embarrassed to take it to a pro-lab, so I went to Walgreens. Sam Club outright told me they, “no longer processed that film.” It ended up probable costing more than the pro-lab. They made it sound like It was from the 50’s and it was going to take about 2 weeks to process; they didn’t even know if they, “still had that old equipment.” against my better judgment, I sent it off. It took more than two weeks and they had trouble with making the photos. Kind of like the problems some cheepo labs have with our fisheyes, you know; cropping, cutting negatives wrong. I did not know there is a mask in the camera. A kind of bulls eye with spy-cam written in. If I would have known this I would have take it out. I really should have red the reviews of the seven year old children before I got into this; Also fun to read. I do like the grain in these photographs. I could see how under better light and the mask taken out, photographs taken with spy-cam could have a vintage nostalgic mood to them.
Many photographers who still shoot film for their commercial and personal projects usually use instant photography for portraiture, but an Italian photographer made use of Polaroids to create a series that challenges viewers to seek their connection with nature.
Probably each one of you has been annoyed with failed film. This is particularly annoying when you get the developed film back from the lab, but you get blanks because the film was not exposed. It's either the film transport didn't work, or you have not taken the lens cap off, etc. Read on and I'll show you an alternative to just throwing away the film: Simply use it as a color filter for your camera, with the La Sardina for example.
Have you ever experienced feeling goosebumps all over your body, that your heart seems to jump out of your ribcage, your common sense is set on pause and you just breathe and enjoy the moment? Together with The Red Bulletin, we want to see YOUR moment beyond everyday life. Are you ready for the photographic #yourmoment #beyondtheordinary challenge? Take part in our photo competition! The two best shots will be awarded with a camera, and the first 500 to register will get a one-year free subscription of The Red Bulletin!
Her choice of soak for her photographic series "Float On" may not be everybody's cup of tea, but it can't be denied that something so unique deserves a spot in the limelight. During a recent chat with Brigette Bloom, the outlandishly experimental film photographer eagerly shared her inspiration for the series, process (a tipster!), and what she thought of people's reactions over her work, among other things. Check out the exclusive interview after the cut!
Creating doubles is a challenge and a bit experimental already in itself, but what do you get when you throw in an expired redscaled slide film, two different city scenes, and the LC-A in the mix? Check out this series by miket and see the results for yourself!
Recently, I used my trusty Fuji Silvi. It may not be my all-time favorite camera, but I just wanted to use it because I kind of missed shooting with it. So I decided to look through my film stash to see what I could use with the Fuji Silvi. After much consideration, I ended up picking the old Agfa CT Precisa ISO 100 to get that classic blue tone. Silvia Precisa!
Petzval lens are designed for a Canon or Nikon SLR mounts and a selection of brass or black for each camera brand is available in our stores. And start shooting with images full of sharpness, crispness and bokeh effects!
Did you ever think about the myth that we actually dream in Black & White? No colors, maybe no truth behind it anyways. But we know for a fact that you can create the most dreamy photographs with an analogue camera. And for that you need the right film. Scroll down and find out which B&W film is the film of your dreams!
It may take a while for some lomographers to figure out the perfect combination of camera, film, and accessory that suit their needs. But, Wessel de Haas, aka wesco, has been extremely lucky to find his early on his journey to Lomography. Find out what film and accessory he likes pairing his La Sardina 8Ball with in this edition of My First Lomo Affair!