MUSAC is the Museum of Modern Art of Castilla y León. The building is so colourful it doesn't look like a museum, maybe a children school. But inside you'll find a great collection and temporary exhibitions.
Castilla y León used to be the reign of Spain in the middle age. Now, some cities in the region are becoming old so the government are trying to restyle the cities in order not to let the young people go to Madrid or Barcelona. The MUSAC is a great example. It is a young museum with a lot of activities and life. It’s place in a new part of León (a great city to visit). Atop an extended urban expanse the Museo de Arte Contemporáneo de Castilla y León (MUSAC) defines the art venue in the same optimistic way Roman surveyors laid their towns out on the landscape.
As opposed to other kinds of space whose museistic quality is centered on the showing of finite historical collections, the MUSAC is a living space that opens the door to a wide range of contemporary artistic expressions; an art center that constructs a series of game boards in which action is the leading player of the space itself; a structure that develops from an open system made up of a fabric of squares and rhomboids which permit a secret geography of memory to be constructed. The result a colorful space where you can spend ours making lomos or going inside for getting the inspiration of modern art.
It’s a place for interrelations, where the public is no longer a mere passive element that observes. Workshops talks, meetings with artists, educational guides and works that interact with the spectator are some of the essential elements in the activity of the MUSAC, which shall stand as a new reference for museums in the present panorama of contemporary art. But, apart of this, the Musac is the most colorful place I’ve ever lomoed.
This article is dedicated to Serge Moulinier, a largely unknown French photographer who won one of the most important prizes in France with a book on Greek architecture. Strangely, little information can be found on the Internet about this great photographer whose work had also been published in an important essay written by the famous John Szarkowski, former Director of Photography at the Museum of Modern Art in New York.
This article is dedicated to the multifaceted American photographer George Krause and to his series depicting funeral monuments realized between 1962 and 1963. I was able to know about this series thanks to an important essay on photography written by former Museum of Modern Art (MoMA) Director of Photography, John Szarkowski. For this tribute, I loaded my trusty Praktica camera with a roll of Ilford film and took a series of photos in the Monumental Cemetery in my city, Como. Take a look!
Of course, Italy makes a great destination for taking photos. But what if there was a place where you could find stunning motifs, impressive colors, and the ideal mixture of nature and arts all at once? What if I told you that there is a place like that: a garden full of art in the middle of nowhere?
Much of modern dance as it is today owes a lot to Ruth St. Denis and Ted Shawn, husband and wife who founded the famous school and dance company, the Denishawn School of Dancing and Related Arts in 1915 Los Angeles, California. At first solo artists, St. Denis and Shawn began collaborating a year prior on dances often described as exotic and sensual, at times even erotic.
A building is a story of collective effort. The people who dreamed it up and polished every surface are anonymous to many, but their work announces a unique identity. For tourists, architecture is a marker of place, like souvenirs with flags and national costumes. For the camera-lugging traveler, a strong visual statement is what matters most.
This article is a tribute to the street and humanist photographer Sabine Weiss. Considered a living legend in street photography, she likes to photograph daily lives of people, trying to capture the emotions she recognizes around her. Weiss like to photograph people of all ages but she especially loves to take photos of children, masterfully immortalizing their spontaneous gestures and emotions. For this article, I was inspired by one of her rare sports photos of some children practicing judo. Do you want to know more about this great artist? Well, read on!
Geoffrey Berliner is the Executive Director of the Penumbra Foundation and the Center for Alternative Photography in New York. As the head of an organization whose goals are 'to be a comprehensive resource for photographers at any level' and 'to continue to publicize the impact photography has had and continues to have on culture, history and the arts,' his exposure to photographic materials -from 19th century gems to modern equipment- is so extensive, one cannot even begin to fathom just how much knowledge and experience this man has acquired. His collection of over 2000 vintage Petzval lenses is unparalleled, and the object of envy of both traditional and contemporary photographers. Although such lenses are reputed to require a certain level of skill to be used, Berliner seems to manage them with so much ease, producing splendid results.
With a love of antique cameras and analogue photography, Shawn Lin has long been an active member of the Lomography Community with dozens of his shots being featured. Shawn likes to explore the effects of double exposure on different themes and objects, with an emphasis on the presentation of colours. Come take a look of his work of using Petzval Art Lens on his antique camera and his thoughts about the two!
Colors may be amped to look unreal, like nothing of this world. Shots may be doubled, cross-processed, post-processed, mixed up into collages. The possibilities are infinite, yet some photographers still prefer black and white. Even in 2016, it is an ode to classic values of precision and balance. Light and shadow must be one pleasing dance. And just like in a well-choreographed piece, forms are obvious or playing coy. It all depends on how you're looking.
We all know about 35mm and 120 film, right? And since Lomography re-introduced 110 film, we have another film format to play with. But in the years past, many more film formats were in use. Let me introduce you to a few golden oldies and tell you about my experiences with them. I'll start with Rapid film.