Using a pinhole camera may appear primitive but you might be surprised to see the images that you can produce with this simple object!
Pinhole cameras are most commonly used for Solargraphy, wherein the movement of the sun is captured. The exposure time for this can last up to several hours. However, you may also use the pinhole camera to take pictures of interesting subjects. Here’s a quick guide to get you started.
Film and Photographic Paper
You can either use film or photographic paper with a pinhole camera. If you’re using photographic paper, keep in mind that the exposure time must be longer since the paper is not as sensitive as opposed to using film. Exposure time can take up to a couple of minutes during a sunny day. When using film, the exposure time can take a couple of seconds only.
Shooting Your Subject
In order for your shot to be successful, you must ensure that there is ample light entering the pinhole. If the subject you’re taking a picture of is about 5 feet or closer, tilt the pinhole camera just a bit upwards. This adjustment is needed for displacement since there are two lines of sight. On the other hand, if you are shooting something more than 5 feet away, keep the pinhole camera at a straight angle.
Shoot and Experiment
Now the fun begins! When shooting, place your camera on a steady surface or a tripod if available. This will ensure that the camera does not move during the exposure time. Allow the light to enter the pinhole during exposure but do not forget to shield the hole with a dark cover when you are not shooting. The fun here is experimenting with the subjects to shoot and the exposure time.
Remember that you must be patient since shooting with a pinhole camera is a learning experience!
The Hole-On-Ex is a palm-sized 35mm camera that you construct on your own. Shoot intense pinhole images and appreciate the mechanics of photography at the same time with the Hole-On-Ex Paper Pinhole Camera. Available in our Shop.
Lubitel for lovers+. You're probably wondering, "Why is there a '+'?" It's to describe and expand a whole new definition of the Lubitel - in this case, this camera is not only for lovers literally, but also for anyone who loves to shoot portraits, street scenes, objects, and the skies. Do you love to take photos of your lover, your dear friend, your lovely family, your pet, or at the streets? This camera can be used in ALL situations. You can shoot everything that you love with it!
Mamablue has been shooting with her two Polaroid cameras for years. She's no stranger to instant photography but the Lomo'Instant camera challenged her to get even more creative. Have a look at her first Lomo'Instant snapshots and her quick tip on using the camera's close-up feature.
I love the different styles of cameras that Lomography has, but I also like to create my own cardboard cameras that use pinholes to be able to take pictures using traditional film. This time I created the Pinhole F, a camera inspired by the Diana F+ and shoots 12 pinhole photos using 120 film.
Lomographers know that once you start collecting cameras, it's difficult to stop yourself. It has a very logical explanation: every camera produces unique images that are impossible to get using another camera. In this article, I decided to compare three cameras with wide-angle lenses.
It was our great pleasure to chat with the CEO of Ondu Pinhole Cameras, Elvis Halilović, about his interest in pinhole photography as well as the formation of his company that produces handcrafted pinhole cameras. We found his answers fascinating and we think you will too. Thanks Elvis for being so generous in sharing your story and cameras with us!
It might not look like it, but the Diana Baby 110 is definitely more than it lets on. For example, did you know that you can alternate using 12mm and 24mm lenses with it? Find out how in this tutorial!
There are many possible reasons for taking pictures. It could be to document an event, to capture breathtaking scenery, to preserve a fond memory, or simply, to have a snapshot of someone close to your heart. Whatever the reason, there's almost always a story behind a picture, no matter how significant or trivial it may be. And for lomographers, nothing beats the feeling of having that story unfold in your hand, in the form of a print. If you want a quick keepsake from that treasured moment or a snapshot of that special someone though, you can have it instantly, through Lomo'Instant Stories!
Done shooting and want your films to be processed? We can process your colour and black & white 35mm, 120 or 110 films! Development, prints and scans are also included. (Service availability depends on your markets)
Have you ever tried going lens-less when taking a photo? Try shooting with ONDU Pinhole Cameras and see what it's like to take photos through a tiny pinhole. Check out these lovely shots taken by Lomographers; if you do have some ONDU pinhole photos of your own, upload and tag them accordingly so that we can see them!
Perhaps you’ve already had chance to try light painting, multiple exposures and long exposures with your Lomo’Instant, but what can you experiment with next? Well, that’s exactly the thought I had which led to giving this Tipster a go. I wanted to shoot Lomo’Instant photos which felt a bit “messier” than what I’m usually used to and to use a technique which would open up new possibilities with the kinds of images I could create with my favorite instant camera. Well, here I go!
Geoffrey Berliner is the Executive Director of the Penumbra Foundation and the Center for Alternative Photography in New York. As the head of an organization whose goals are 'to be a comprehensive resource for photographers at any level' and 'to continue to publicize the impact photography has had and continues to have on culture, history and the arts,' his exposure to photographic materials -from 19th century gems to modern equipment- is so extensive, one cannot even begin to fathom just how much knowledge and experience this man has acquired. His collection of over 2000 vintage Petzval lenses is unparalleled, and the object of envy of both traditional and contemporary photographers. Although such lenses are reputed to require a certain level of skill to be used, Berliner seems to manage them with so much ease, producing splendid results.