There is something so exciting about shooting 35mm film through a medium format camera when the sprocket holes on the film are exposed. The Diana+ can do it courtesy of the 35mm back. And with some tape and foam and rubber-bands you can Macgyver something effective on some other cameras. But I’ve never used a camera that shoots 35mm film through the sprocket holes with the quality and control of the Lomo Lubitel 166+.
I want to share my little happiness, I finally found the best distance for the macro lens "tunnelvison" after I spent a few film rolls in vain.