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This is one of my favorite lomographs, because it shows one of the things that my cat really likes to do - sitting around and yawning aimlessly.
POSITIV FEINKORN FILM, PF2 by ORWO, expired 28 years ago. Results are inconsistent so far, since I haven't found the perfect developer for it.
Good friend rcwater came up for the weekend and we built paint can pinholes on Saturday. We proceeded to run around like kids with a new kite - load the paint can, run out and shoot, back to the darkroom to develop the image and repeat.
2 minute (approximate) exposure, my tape flap shutter flipped closed and I had to reset, giving the shadow effect.
I had issues shooting Rollei's Nightbird, an acquaintance suggested shooting way lower than recommended speed. This is shot at 100 except for a few early shots.
I had issues shooting Rollei's Nightbird, an acquaintance suggested shooting way lower than recommended speed. This is shot at 100 except for a few early shots.
I had issues shooting Rollei's Nightbird, an acquaintance suggested shooting way lower than recommended speed. This is shot at 100 except for a few early shots.
10th roll of film from my trip to China. I only took 3 cameras on my 17 day trip - my LC-A+, Holga 135BC, and SuperSampler. I usually had black and white film in the Holga. Although I love the saturated LC-A+ color images, I was really happy with the old feel to the Holga black and whites. This album is no exception. The pairing of the low contrast Kentmere film and the soft focus of the Holga really presents an "Old Beijing" presence that I am very proud of.
10th roll of film from my trip to China. I only took 3 cameras on my 17 day trip - my LC-A+, Holga 135BC, and SuperSampler. I usually had black and white film in the Holga. Although I love the saturated LC-A+ color images, I was really happy with the old feel to the Holga black and whites. This album is no exception. The pairing of the low contrast Kentmere film and the soft focus of the Holga really presents an "Old Beijing" presence that I am very proud of.
10th roll of film from my trip to China. I only took 3 cameras on my 17 day trip - my LC-A+, Holga 135BC, and SuperSampler. I usually had black and white film in the Holga. Although I love the saturated LC-A+ color images, I was really happy with the old feel to the Holga black and whites. This album is no exception. The pairing of the low contrast Kentmere film and the soft focus of the Holga really presents an "Old Beijing" presence that I am very proud of.
10th roll of film from my trip to China. I only took 3 cameras on my 17 day trip - my LC-A+, Holga 135BC, and SuperSampler. I usually had black and white film in the Holga. Although I love the saturated LC-A+ color images, I was really happy with the old feel to the Holga black and whites. This album is no exception. The pairing of the low contrast Kentmere film and the soft focus of the Holga really presents an "Old Beijing" presence that I am very proud of.
10th roll of film from my trip to China. I only took 3 cameras on my 17 day trip - my LC-A+, Holga 135BC, and SuperSampler. I usually had black and white film in the Holga. Although I love the saturated LC-A+ color images, I was really happy with the old feel to the Holga black and whites. This album is no exception. The pairing of the low contrast Kentmere film and the soft focus of the Holga really presents an "Old Beijing" presence that I am very proud of.
10th roll of film from my trip to China. I only took 3 cameras on my 17 day trip - my LC-A+, Holga 135BC, and SuperSampler. I usually had black and white film in the Holga. Although I love the saturated LC-A+ color images, I was really happy with the old feel to the Holga black and whites. This album is no exception. The pairing of the low contrast Kentmere film and the soft focus of the Holga really presents an "Old Beijing" presence that I am very proud of.
10th roll of film from my trip to China. I only took 3 cameras on my 17 day trip - my LC-A+, Holga 135BC, and SuperSampler. I usually had black and white film in the Holga. Although I love the saturated LC-A+ color images, I was really happy with the old feel to the Holga black and whites. This album is no exception. The pairing of the low contrast Kentmere film and the soft focus of the Holga really presents an "Old Beijing" presence that I am very proud of.
The film was carefully spoiled by the smiling staff of photo lab in Anapa. I remember, I wanted even to shed tears on the film, suffered from a developer (that was diluted twice, as it turned out), but then I thought that, perhaps, the hand of fate decided to make my shots more lomography-looking. =)
In the end, I have never experimented with shooting on film, pre-cooked, for example, in the lemon juice. =)
Fail!! 'Cook' the Film Soup! ,,,
1) Fermented in beer about 3 Minutes.
2) Boiled in hot water about 3 Minutes.
3) Put in cold water about 5 Minutes.
พูดเลยยยยยยยยยยย ... "เละ!!" - -*
Fail!! 'Cook' the Film Soup! ,,,
1) Fermented in beer about 3 Minutes.
2) Boiled in hot water about 3 Minutes.
3) Put in cold water about 5 Minutes.
พูดเลยยยยยยยยยยย ... "เละ!!" - -*
Fail!! 'Cook' the Film Soup! ,,,
1) Fermented in beer about 3 Minutes.
2) Boiled in hot water about 3 Minutes.
3) Put in cold water about 5 Minutes.
พูดเลยยยยยยยยยยย ... "เละ!!" - -*
Testing my new La Sardina Sea Pride. I bought it for my beach shots on summer vacation! :-) Almost pleased with results, but something not convincing me in focusing!! Something wrong with my own!?
